At the Hacienda – Mission San Antonio de Padua Plein air painting by Karen Winters

“Meanwhile, at the Hacienda”
9 x 12 oil on linen panel
plein air painting – painted at Mission San Antonio de Padua
California Central Coast area

During the California Art Club paint out at the mission, I came upon this small guest house which intrigued me as a painting subject. In the late afternoon light, I could imagine it as an old California adobe, cool inside in spite of the surrounding heat. Some early model chickens miraculously appeared where a late model car had been.

Tejon Ranch California Oak Landscape Plein Air Painting – Welcome Shade

SOLD
“Welcome Shade”
9 x 12 oil on plein air linen panel
Painted at the Tejon Ranch, May 2012


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In the middle of a warm spring day, just about high noon, a mighty Tejon Ranch oak spreads its limbs to offer shade to all who visit. Cattle, mostly, but most likely some other critters, too. This majestic tree was silhouetted against the rolling hills and mountains of the ranch. Wherever you look, beauty surrounds you, making it a real treat for plein air painters – even during the part of the day when the light is less than dramatic. (That’s why we get up at dawn and stay painting until moonrise, when we can.

Below, a photo of my work in progress. There were occasional gusts of wind which threatened to topple my umbrella. A road hazard sawhorse came in handy. Sometimes you’ve just got to improvise.

When Day is Done Pasadena Arroyo Seco oil painting by Karen Winters

“When Day is Done”
8 x 10
California landscape oil painting on plein air panel
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Pasadena Arroyo Seco – Hahamongna Park – eucalyptus trees grow against a backdrop of the San Gabriel mountains, glowing in sunset light.

San Gabriel Springtime – California landscape impressionist oil painting San Gabriel Mountains

“San Gabriel Springtime”
18 x 24 oil painting on canvas
San Gabriel Mountains – near Claremont Wilderness Park, Padua Hills
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Although this painting is sold, I have other landscapes.
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Spring arrives with new growth in the chapparal. Clouds race across the sky, allowing shafts of sunlight to illuminate the blooming hills, bright with wildflowers. Trails wind through the landscape, offering new views at every turn.

Walker Basin Creek – Kern County, Southern Sierra California Oil Painting

Walker Basin Creek
12 x 16
oil on canvas

Last summer we spent several pleasant days with other California Art Club artists at the Rankin Ranch in the Southern Sierra in Kern County. This oil painting was inspired by that trip. The hills are used for grazing by the range cattle owned by the ranch. This small stream serves as a water source for part of the herd. The tree growing by the water didn’t seem to be a willow, but no doubt it was a water-loving species. I liked the way it made a spot of lush green among the dusky tones of the surrounding hills. The area is not far from Bodfish, Caliente and other Southern Sierra towns.

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Eaton Canyon Afternoon Walk – Altadena California impressionist oil painting

Eaton Canyon Afternoon Walk
8 x 10 inches
oil on canvas plein air panel
SOLD

A springtime walk through the trails of Eaton Canyon, in the greater Pasadena/Altadena area in Southern California.
The wildflower daisy bushes are in bloom in the cool, but warming weather.

Yosemite Valley Oil Painting – Wowona tunnel view by Karen Winters


Yosemite Valley
(Wowona Tunnel view)
SOLD
12 x 16 California impressionist oil painting on canvas

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This painting is now sold, but I have others
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More Sierra Nevada paintings here

Iconic of California’s Sierra Range, the Yosemite valley is a treasure for all Californians. This painting depicts the valley in the summer, when Bridalveil falls is still putting out an immense volume from the previous year’s snowmelt.

El Capitan can be seen on the left. The Merced River (invisible) flows through the valley but is covered by the trees from this view. Half Dome is visible in the far distance, along with Cloud’s Rest. The large formations in the right foreground are the Cathedral Rocks.

Fall at Convict Lake Eastern Sierra California oil painting by Karen Winters


“Fall at Convict Lake”
12 x 16
oil on canvas

Convict Lake is one of the most accessible High Sierra lakes – and in the fall, when the aspens turn color, it’s especially captivating. Some day I’ll spend the whole day there, just watching the light play across the faces of the granite mountains, as the clouds slowly drift, disappear and reform. I’m not sure what kind of fish were biting that day, but there were a lot of fishermen enjoying the freshness of fall.

Twilight on Back Bay- Los Osos Twilight Central Coast oil painting by Karen Winters

Twilight on Back Bay
9 x 12 oil painting on canvas
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See more of my California Central Coast paintings here

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I’m still catching up posting some of the paintings I did during the San Luis Obispo paint out early in October. This is one of my favorite semi-nocturnes, painted while the sun was in a cloud bank and was in the process of setting. Within a few minutes the sun emerged from the clouds and the whole scene was bathed in warm rosy hues, which I captured very rapidly. Then the sun dipped below the horizon and darkness came quickly.

As you can see in the photo below, I am literally standing in the marshy estuary. The prominent mountain in the distance is Hollister Peak. This work in progress photo was taken while the sun was in the cloud bank.

Blue Skies Ahead – Paradise Camp/Swall Meadow near Bishop California oil painting by Karen Winters

“Blue Skies Ahead”
16 x 20 oil painting
(near Swall Meadows, historic Paradise Camp, outside of Bishop, California)

This road, I believe, is Lower Rock Creek Road, also known as the old Sherwin Grade Road, which parallels today’s Highway 395. I painted this a few years ago, and revisited it recently, since my work has evolved considerably since then. I find it interesting that sometimes when people ask (and they always do) “how long did that take you to paint?” That sometimes the answer is “years.” It certainly is in this case.

This is not an uncommon practice among serious painters. Sometimes you just need some time and distance on a painting to resolve certain areas, or to see color and value differently. Upon revisiting this painting, the sky is very much the same, but the land areas are completely repainted. Many influences move through our lives – teachers, books we read, shows we go to, artists we admire, experiences we have in working things out ourselves. Every painting is the cumulation of experience to date.