“A perfect poppy day”
9 x 12 inch oil painting on plein air panel
It’s poppy time in the high desert – the Antelope Valley – and this year’s rains mean everything is positively brilliant.
This new painting of California poppies blooming as far as the eye can see also includes touches of lupine, fiddlenecks, and other spring flowers.
My California poppy paintings sell quickly every year, so don’t hesitate if this one calls to you.
9 x 12 inch oil painting
on wood panel
In late winter, California fields and meadows think it’s spring. The first bit of rain brings back the green grass and a scattering of flowers.
I decided to paint this one with a secondary triadic color scheme, ignoring some of the actual color in favor of adding a bit of harmony from a limited palette.
That means, in non art-speak, that I chose to impose a color scheme upon the scene rather than painting exactly what nature gave me. And the color scheme I chose uses not primary colors (red yellow and blue) but the secondary colors they can be mixed to produce – orange, green and violet.
14 x 18 inches, oil on canvas
Anza Borrego State Park, California
Down a dusty desert road and up a canyon in Anza Borrego State Park, we came upon a beautiful scene tucked out of the way. The desert was blooming with color. Although the rain had not been plentiful it was enough to germinate the seeds that brought these flowers. And they were fun to paint …
“Mariposa Meadow – Trabucco Gardens with wildflowers”
9 x 12 inches, oil on plein air panel
When spring comes to the Western Sierra foothills, the meadows light up with color. Goldfields, a small yellow flower, mixes it up with lupine and white popcorn flowers. Valley oaks, now garbed in green, provide a backdrop for the tapestry. This scene was from an area along the Golden Chain Highway, otherwise known as state highway 49, I believe. A nearby sign said “Trabucco Gardens,” so I believe they may be the owner of this spectacular property. This time of year you can set up an easel just about anywhere in California and find beauty to capture.
This was painted in Lancaster near the Poppy Reserve in Southern California’s Antelope Valley. It was late in the day and the colors were just getting more and more intense as I kept working on it, making changes and modifications.
Below, a few pictures of the work in progress
“One Brilliant Moment”
9 x 12 inch oil painting
California poppies, Lancaster Poppy Reserve
This past week was peak bloom time for the poppies of the Lancaster Poppy Reserve, just north of Los Angeles. Painting there is an annual pleasure for me and in spite of the drought, the poppies didn’t disappoint. This is one of the paintings that came out of that trip. Another will be posted here soon.
Bluebonnets and Oak Trees
9 x 12 inches
oil on linen plein air panel
Another springtime painting, from my plein air travels in past years. I think the blues and violets of the bluebonnets (lupine) go well with the yellows and greens of fresh spring leaves.
Here’s how it might look in a nice dark walnut stained frame:
Across the Poppy Fields
6 x 8 inches, oil
How about a little brightness and color as we’re approaching winter? This miniature poppy painting will cheer up a quiet corner in your home or office. Perhaps a gift for a flower loving friend? This impressionistic landscape was inspired by a spring trip to the Antelope Valley Poppy Reserve, near Lancaster, California. What I love about painting poppy fields is the natural complementary colors (orange and blue) that are always present in this area. Framing available!
The Scent of Springtime
8 x 10 oil painting
California Central Coast
I love the contrast of dark green eucalyptus trees and bright wildflowers. This California Central coast scene gave me the opportunity to paint both.
(Antelope Valley Lancaster Poppy Preserve)
oil painting, 11 x 14 inches
Our winter rains remind me that it won’t be long before the Antelope Valley California Poppy Reserve will be in full bloom, as it is in this 11 x 14 painting. The difficult thing about painting in the poppy area is the strong winds, which I experienced a few years ago painting out at the Tejon Ranch (the south side of the ranch property, facing Antelope Valley.) This year, if I go out there to paint again, I’ll have my new Soltek easel, which has a much wider stance than my favorite EasyL. At the Tejon I had to hold onto my EasyL with one hand to keep it from going over, but the painter next to me had a Soltek and it was rock solid. The disadvantage of the Soltek, however, is that the palette is much farther away from the painting. So, there are tradeoffs, as with most things.