16 x 20 inches, oil on canvas
This painting is quite special to me as it was the 1000th one I completed. I thought I had posted it on my blog last year, but discovered that I missed it.
If you’ve been to Yosemite Valley, you’ll recognize the view from Sentinel Bridge, with Half Dome reflected in the calm waters. With our current snowmelt, I’m guessing that the Merced River is anything but calm right now.
See more Yosemite paintings at the link below:
Mt. Tom Springtime – Bishop, California
9 x 12 landscape oil painting on plein air panel
This was the first time I’ve been up in the Sierra to paint this season. I always look forward to seeing the first wildflowers blooming as the snow recedes.
I painted this along one of Bishop’s many agricultural canals. I set up under a cottonwood tree for a little shade, but as the wind picked up, I decided to move. There were too many broken branches on the ground for me to feel safe.
Stone and Stillness –
Twin Lakes, Mammoth Lakes, CA
9 x 12 oil on hardboard
This is a painting from this past summer when we visited Mammoth Lakes, California, which is probably now covered in snow.
The huge granite cliffs towering over Twin Lakes attracted me to the scene. If you’ve ever taken a canoe or small boat on the lake or gone fishing from the bridge, you probably have fond memories of the place, too. Every time we’ve been there – except in winter – there are always people enjoying the recreation.
Yosemite Falls in Summer
18 x 24 inches, vertical
Oil on canvas
At more than 2400 feet high, from the top of the upper falls to the base of the lower falls, Yosemite Falls is the tallest waterfall in the continental United States. Peak water flow comes in late spring to early summer, the time that this was painted. The falls are fed by Yosemite Creek, and after the water leaves the falls, it joins the Merced River on its course out of the valley.
The challenge in painting a waterfall is to capture the soft edges of mist that perpetually rise from the thundering flow. Paint the edge too hard and the falls look like a cutout. Paint the edge too softly, and it looks like a big cottonball.
8 x 10 inches
oil painting of Sierra peaks
This small oil painting reminds us that sometimes the Sierra really is packed with snow, bringing water to all of California. I sure hope we get some rain soon – the drought is terrible now.
The location of this part of the range is in the upper Owens River Valley, not far from the Owens Gorge. The dry grasses and the cool snow shadows create a natural complementary color scheme.
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Half Dome, Yosemite
6 x 8 inches
oil on canvas
Almost everyone I meet in California knows someone who has climbed Half Dome or they’ve done it themself. In our family, my husband did the climb in college, and our son did it just a few years ago. It’s a rite of passage, and a beautiful one at that. I’m too squeamish about heights to attempt it myself, but I admire those who have.
This little painting is the perfect size for a holiday gift, to commemorate a friend or family member’s climb to the summit.
Autumn at McGee Creek
8 x 10 oil on plein air panel
Just north of Mammoth, McGee Creek winds up into the Sierra. Its banks are lined with aspens, now turning every shade of yellow and gold.
This original oil painting features the coming of autumn at its most colorful.
South Lake, Bishop, California
11 x 14 original oil painting on canvas
This is a painting of South Lake, west of Bishop, up Bishop Creek, in the Eastern Sierra Range.
Apparently fall is the best time for fishing at South Lake. We saw a lot of fisherman around the lake when we were there.
“Grazing at Bishop”
9 x 12 inches
California landscape Oil Painting
A horse grazes in a small pasture in Bishop, California, in the Owens Valley at the foot of the Sierra Nevada. The sunlight burns through the clouds surrounding the distant Sierra mountains.
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“Meanwhile, at the Hacienda”
9 x 12 oil on linen panel
plein air painting – painted at Mission San Antonio de Padua
California Central Coast area
During the California Art Club paint out at the mission, I came upon this small guest house which intrigued me as a painting subject. In the late afternoon light, I could imagine it as an old California adobe, cool inside in spite of the surrounding heat. Some early model chickens miraculously appeared where a late model car had been.