California plein air seascape Morro Bay Cuesta Cove – A Walk by the Bay

“A Walk by the Bay”
(Cuesta Cove, near Morro Bay and Baywood Park)
12 x 9″ plein air oil painting on linen panel
Central California

This painting was started en plein air last springtime, and I am getting around to finishing it up. A beautiful little inlet near Morro Bay is the setting. Of course there are eucalypti, which was what attracted me to the setting to begin with. At this time of day the tide was fully in the estuary. Other times, it looks like a mud flat – not a lot of reflected blue sky, then.

California Landscape Wildflower Stream – Eucalyptus and Poppies impressionist original art

Wildflower Stream
6 x 8 inches
oil

Two California icons – eucalyptuses and California poppies, gathered together around a quiet stream. One historical account recalls that in the springtime the hills of Altadena (above Pasadena) were covered with soft green grass and poppies. Streams flowed out of the hills to merge with the San Gabriel River at its confluence.

California Landscape Oak Painting – Oaks by a Country Road – Southern California



“Oaks By a Country Road”
9 x 12 oil on canvas laid on panel

Late afternoon sunshine touches the soft foliage of California live oaks, growing by a country road. There are many parts of the state that still have rural charm, not far from the city. When I was growing up, my father liked to take us for a ride in “the country” on weekends. I think he missed where he grew up, in the Southeast US. Sometimes we’d go up small roads surrounding the San Fernando Valley. When I was a child I couldn’t understand the appeal of Sunday drives. But when you’ve been cooped up in a workplace all week, I now understand how it must have restored him. Plein air painters are fortunate folk. Our workplace is along the byways and backroads. We are blessed to be here.

California Landscape Painting – Central Coast- Sycamore Breezes

Sycamore Breezes
8 x 10 inches oil on linen panel
SOLD

See more of my California Central Coast paintings here

A fully leafed out sycamore dances with the passing breeze in California’s Central Coast ranchland, near Jolon. A distant barn provides shelter for the herd. But if I were a cow, I’d rather be lazing around under one of these big, beautiful trees.

High Sierra California landscape ranch painting- Bishop, California


Grazing in Paradise
8 x 10 oil painting

More Sierra Nevada paintings here

A herd of cattle grazes peacefully in a region called “Paradise” near Bishop, California, in the shadow of the Eastern Sierra.
If I were a cow I’d think this was a pretty heavenly place to graze, especially in the late afternoon when everything is warm and mellow.

California Wine Country Vineyard Oil Painting – by California impressionist Karen Winters

“In The Vineyard Hills”
9 x 12 oil on wood panel
original oil painting
SOLD

California’s rich Central Coast wine country was the inspiration for this tranquil scene.

Late afternoon light, and a fog bank drifted in from the sea brings moisture to the thirsty vines. Oaks and eucalyptus trees punctuate the hills with their stately beauty.

See more of my vineyard paintings here
See more of my California Central Coast paintings here

Pasadena Colorado Street Bridge Plein Air Painting – The Bridge Aglow

Colorado Street Bridge, Pasadena, oil painting from the viewpoint of the Robinson House

SOLD

“The Bridge Aglow”
(Colorado Street Bridge, Pasadena)
11 x 14
Oil painting on linen panel

This painting is sold, but you can see more Pasadena paintings here

The Colorado Street Bridge in Pasadena is an icon that I never tire of painting. This painting was started on site last fall, and has been waiting for me to put on the finishing touches. The viewpoint is the eastern side of the Arroyo Seco, not far from the Federal Courthouse, formerly known as the Vista Del Arroyo Hotel.

There used to be monthly California Art Club paintouts at the arroyo, but I don’t think they’re doing that any longer. I liked this viewpoint for painting the bridge because it shows it in relation to both sides of the canyon, although not the entire span.

Sunflower Garden – Descanso Gardens Landscape Oil Painting

Descanso Gardens Sunflower Garden
9 x 12 oil painting on linen
Plein air painting

See more of my Descanso Gardens paintings here

Last autumn, when the flowers were completing their blooming season at Descanso Gardens, I painted this stand of Mammoth Sunflowers, caught in the afternoon sunlight. By the way the heads were bowing, I knew they wouldn’t last too much longer. The camellias are in bloom now, and I am looking forward to the tulip show at Descanso, if they have planted them this year.

Painting note: although the underpainting was done with thin transparent darks, the opaque paint on top was painted with a very limited palette of red, yellow, blue, white and gray. Amazing how many colors you can get from those few primaries.

San Mateo Creek, San Clemente – California Plein Air Landscape Painting by Karen Winters

San Mateo Creek, San Clemente
9 x 12 plein air oil painting on linen panel

See more of my seascapes here

This overlook of the San Mateo Creek in San Clemente was painted last summer during the San Clemente Plein Air paint out.
I liked this location with its expansive vista of land and sea in the distance. The famous surfing spot, Trestles, is on the other side of that railroad bridge.

Grand Canyon Oil Painting – Sculpted by Time – Yavapai Point – by Karen Winters


“Sculpted by Time”
Yavapai Point, Grand Canyon
9 x 12
oil painting on linen panel
Available from Hueys Fine Art, Santa Fe, New Mexico, Feb. 11 – March 2011

I was happy to be learn that this painting, Sculpted by Time, will be included in the 2011 Canyonlands Show at Hueys Fine Art, Santa Fe, New Mexico. The show celebrates the beauty of the Grand Canyon and Canyon de Chelly.

I’m looking forward to visiting the canyon again sometime this winter season – perhaps combining it with a trip through northern Arizona and/or Utah. I love California but there’s a whole lot of west to explore and paint, with new vistas and new painting challenges.

One of the many things I love about the Grand Canyon is the way it naturally provides complementary colors to work with – from the red rock chiseled cliffs to the blue of the sky and distant mountains.