California Poppies – Pasadena’s Arlington Garden Landscape Oil Painting
In a Poppy Garden
8 x 6″ plein air painting
oil on panel
SOLD
Late yesterday afternoon, after painting at Descanso, we went for a walk in Pasadena and I took a pre-sunset hour or so to paint this small study of a beautiful Mediterranean garden in Pasadena on Arlington St, just off Orange Grove.
Along with poppies we saw blooming ceanothus, apricot mallows, climbing roses, penstemons, irises, bulbines and many other drought-tolerant Mediterranean and California plants. All inspiring as we convert one of our yards into a drought tolerant garden. While we were there we had the chance to meet Betty and Charles McKenney, the founders of this wonderful city refuge, and to learn about some of the plants and the history of the project. I’ve been a visitor to the garden many times in the past three years, but getting to meet the folks behind it was a special treat. The garden is continuing work in progress and it’s delightful to see its evolution.
Azalea Garden Plein Air Painting – Descanso Gardens
Descanso Gardens Azaleas
9 x 12 oil on linen panel
Along with the bountiful spring bulbs at Descanso, the azaleas are in full bloom, a temptation for the plein air painter. This scene prompted me to paint mostly with red-green complements.
Wishing everyone a beautiful Easter!
Peters Canyon Plein Air Painting – Orange County Landscape oil painting
Peters Canyon
9 x 12 oil on linen panel
Plein air painting
Last week I had the pleasure of painting at Peters Canyon, in Orange County, near the home of some of our friends. The broad meadow was blooming with yellow flowers – perhaps mustard, but I’m not sure. I’m told that it was even more vivid a few weeks earlier, but it was still pretty bright. The trees in the background included evergreen eucalyptuses, favorites of mine, and some deciduous ones, perhaps willows, that had not yet gotten their spring foliage. I’m guessing that there is a stream in there where the trees follow a low point. I liked that little spot of pinkish gray in the otherwise yellow green scene
Below you can see a little of the work in progress.
Descanso Gardens Tulips Plein Air Oil Painting by Karen Winters
The tulips are up at Descanso, and blooming merrily. When I was painting there a few days ago, I heard that although they planted tens of thousands, that raccoons dug up some of the bulbs, so the display is not as robust as they had hoped. The good news is there was no sign of deer grazing, so they must have shooed them out of the gardens or the blooms would be nipped off.
This is a good time to see the spring bulb show if you’ve never been to the gardens. In addition to the tulip display there are also foxgloves, azaleas, clivia, lilacs (both California native – ceanothus – and the traditional syringas) and some camellias still blooming. The wildflower meadow on the south side of the garden is beautiful now, too, as is the Japanese garden.
No wonder Descanso Gardens are becoming such a popular wedding location – it really is magical and romantic looking in the spring.
California painting – Arroyo Seco Pasadena Landscape Oil Painting of Federal Courthouse
Snow on the San Gabriels
(Federal Courthouse with view of the Arroyo Seco)
12 x 16 oil on canvas
The winter storms, which may now be over, often leave rare snowcaps on our local mountains – for a few days. I took advantage of one of these unusual scenes last month. This is a view I have painted before, in the autumn when the sycamores are in full color – and will likely paint again through the years with different weather and seasonal looks.
More of my Pasadena area paintings are viewable at Pasadena Paintings
Thanks to everyone who came out to the Casita del Arroyo show yesterday – it was a great day! I’m now looking forward to spring painting in Central California and working on numerous commissioned projects.
Arroyo Seco Painting – Pasadena Bridge Panorama – Plein Air by Karen Winters
Arroyo Panorama
SOLD
12 x 24 inches
oil on canvas
Interested in other Pasadena bridge paintings?
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Last week I had the pleasure of painting this panorama of the Arroyo Seco from a vantage point high above the canyon. I wanted the late afternoon look, so I had to work fast. As it turned out, I left the painting of the sky and foreground for later, concentrating on the trees, grasses, mountains and architecture as the sun relentlessly continued its course. It’s an interesting time of year. Not all of the deciduous trees have leaves yet – but the grass is thick and abundant, and bright yellow green. In a few months the vivid green will turn straw brown and there will be a solid canopy of leafy trees below. Every season brings its own beauties to enjoy. I’m guessing that I could look at a plein air painting of an early California impressionist and pretty well guess the month it was painted if I knew the location.
My husband shot a little bit of video as I painted, which I’ve included here:
See more of my Arroyo Paintings at http://www.pasadenapaintings.com
Sycamore Trail – California Plein Air Oil Painting – Landscape by Karen Winters
Sycamore Trail
9 x 12 oil
SOLD
This plein air painting was actually painted last fall, as the leaves of the sycamores were starting to turn – but somehow it escaped my scanner until now. It’s one of the paintings I’ll be bringing to the Casita Del Arroyo show and sale – presented by the California Art Club on Sunday, March 14
Here’s a google map to the sale location
It looks like the rains are tapering off this week, and the weather is warming a bit, so I’m looking forward to even more plein air painting when I’m not working on commissions. The other day I saw a rainbow over our local San Gabriel mountains – what a sight, although it didn’t last very long.
California plein air landscape painting – Eaton Canyon Waters – Karen Winters
Eaton Canyon Waters
9 x 12 in.
oil on archival linen panel
SOLD but I have more Pasadena Paintings
This morning, after days of gray skies and pouring rain, we woke up to bright blue skies and snow in the San Gabriel Mountains above us. I knew the watershed of Eaton Canyon would be filled with flowing streams, and I was determined to go see for myself. My original intention was just to get a few photos (my ankle is still healing and long standing is uncomfortable) but I knew I would kick myself if the scene looked highly paintable and I had left my plein air gear at home. So I packed the car and headed out, and was not disappointed. The mountains were a palette of soft blues, grays and violets and water was coursing among the big boulders. I resisted climbing down the bank – I don’t want to sprain myself again – but set up my easel along one of the trails.
A photographer came by on a hike and kindly took a photo of me with my camera. (Thanks, Miguel!) He shot a batch himself with his Canon – I’m looking forward to seeing them.
Days like this are just made for plein air painting. Although I was plenty weary toward the end of the afternoon painting (#2 painting for the day) I was in my element.
I used a hand-held palette today instead of my usual glass one. I found it easier to match color when I could hold it up parallel to the plane of the canvas.
Harvest Time – California Vineyard Oil Painting – Plein Air Landscape by Karen Winters
Vineyard Eucalyptus
8 x 10
oil on linen panel
SOLD – but I have other vineyard paintings at vineyardpaintings.com
Visit my gallery site for an archive of available and sold paintings
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Two of my favorite subjects – vineyards and eucalyptus trees – symbols of California’s rich beauty. This painting was done in November at the Falkner Winery in Temecula, but I am just now getting around to photographing and posting it.
Here’s the work in progress
Take a break from last minute shopping this weekend to stop by Descanso Gardens in La Canada Flintridge where I’ll be showing about 8 of my paintings in the Birch Room, a classroom near the main entrance area
California Impressionist Plein Air Landscape Painting – A Very Good Year – Falkner Winery
“A Very Good Year”
8 x 10 oil on archival canvas panel
Plein air painting – Falkner Winery – Day 2
This is the second of the three plein air paintings I did during the paintout. Because I like to put some sharp detail into my paintings, and because that can be difficult to layer when painting alla prima, sometimes I like to let a painting set up for a few days and then add those finishing touches. For esample, I added some of the eucalyptus leaves overhanging the vineyard back in the studio. I had planned for it on site but knew that it would be easier to control on a surface that wasn’t soaking wet.
