Owens River Fishing Spot – California impressionist oil painting
“Owens River – A good day for fishing”
14 x 18 oil on canvas
SOLD to a lovely couple relocating to Montana
This new panting features what I’ve been told is one of the best fishing spots on the Lower Owens River. It’s near Highway 168 close to a place known to the locals as “Black Rock.” In the background you can see the Eastern Sierras and the Alabama Hllls, the choclatey brown lower range, still glowing in afternoon light. For many years, the water in the Owens River was diverted for Los Angeles. Now, some of the water flows again through local steams in the Owens Valley, and the landscape is recovering. I understand that some of the best bass fishing in California can be had in this spot. The day we were there a fisherwoman was doing well. I don’t have much experience with freshwater fishing, but this place looks like a little bit of heaven.
Because the painting is wet, it’s hard to get the look of the clouds without excessive reflection. There is detail in them; it’s just hard to see. I’ll try shooting this again when it dries.
Here’s a detail of just some of the native grasses:
Colorado Street Bridge Painting – California Impressionist Pasadena Landscape
SOLD
Across the Arroyo
9 x 12 oil on canvas on panel
(The Colorado Street Bridge, Autumn in the Arroyo Seco)
New, and available.
Yes, more sycamores. It’s the time of year when I want to capture them in all their glory, and if I can include my favorite bridge, all the better.
Just looking at this view makes me happy. And painting it, well, I can get downright giddy around these trees.
Arroyo Seco Path – California watercolor sketch
Arroyo Seco Path
7″ x 5.5″ watercolor sketch
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One of the most frequent questions I get about my paintings is whether they are all done plein air style (no) and, if not, what I use for reference. Although I do use photos to catch specific details of trees and structures, especially when painting architecture, one of my most valuable tools is my sketchbook. Because my roots are in watercolor, I usually do plein air sketches using that medium. This is a quick way to get color notes and the general layout of a landscape subject without having to fuss with too much detail.
General color areas are indicated with a quick wash. The colors of the shadows can be added when those are dry (and outdoors, watercolor dries fast!)
Using watercolor as a plein air medium has a long history among 19th century painters, and noteworthy is John Constable. His field work formed the basis for his later oil paintings. Eugene Delacroix followed the same practice.
Watercolor painting has the benefit of being quick and portable, and it is a good way to capture the mood with few strokes. Although I love plein air oil painting and do it as often as I can, it’s not always easy to set up an easel. But a watercolor sketchbook can be opened and put to use in a few minutes. A portable watercolor palette, a spray bottle, a collapsible water bucket and a few brushes, some paper towels and I’m good to go. And I can carry a kit in the car so it’s handy at any opportunity.
Yosemite Painting – Autumn, Merced River Fall Color
“Yosemite Autumn”
15″ x 22″ watercolor on paper
SOLD
See more of my Yosemite paintings here
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The colors of fall dazzle when caught, reflected in the serene waters of the Merced River. This large (half-sheet) watercolor takes advantage of the range of Yosemite’s beauty and is a preview of some new work I’ll be showing this year, both in watercolor and in oil.
When I’m exhibiting at a public show, one of the questions that people ask me most frequently is “which do you prefer painting, watercolor or oil?” It’s a hard question because the two media are so different in some ways, yet so similar in fundamental ways. For the sheer excitement of painting with all the unpredictability and opportunity for “happy accidents” you just can’t beat watercolor. Take a look at the luminous reflections in the water, for example, they were created with a wet into wet technique. You can certainly paint water in oil (and I do it all the time) but you can’t get a look exactly like that. Oil allows you the luxury of correcting mistakes more easily. Watercolor (especially when working with staining colors) can be very unforgiving. The short answer is, I love them both, for different reasons and I find that what I learn in one medium can often be applied to the other even though paint handling is different. The basics … color, line, shape, value, feeling, interpretation, composition … these things do not change and translate easily from medium to medium.
Here’s a closeup of just a detail of one of the trees. This would actually make a nice painting, enlarged, all on its own. Hmmmm, wheels turning … stay tuned.
Good Morning, La Canada Flintridge
“Good Morning, La Canada”
9″ x 12″ oil on canvas on board
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In our small town, the streets aren’t usually this deserted in the morning, but during the holidays and early weekend mornings there’s definitely less traffic. I decided to leave out the random cars for the sake of reducing clutter.
La Canada Flintridge is a “bedroom” community of Los Angeles. Just 20 minutes or so from downtown, Foothill Blvd. is our main street. This is a view of the corner of Foothill and Oakwood, quite near the Vons market on the left, and La Canada Presbyterian Church on the right (that’s the spire that’s visible.)
After all the paintings I’ve done of Pasadena, the Arroyo Seco, Eaton Canyon, Hahamongna Park, Glendale, Descanso Gardens and other local sites, it’s really about time I got around to painting more of LC itself.
The last time I painted a vertical cityscape it was El Molino Avenue in Pasadena, near the Pasadena Playhouse. This one. So maybe it’s about time for another one.
Lake Casitas California Impressionist Landscape Oil Painting
Lake Casitas Sunset
16 x 20 oil on canvas
Available
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One of the best bass fishing spots in California, so I’ve been told, is Lake Casitas in Ojai, not far from the Pacific Ocean and Carpinteria. The lake is formed by Casitas Dam and offers year round camping and other recreational activities. The day we were there it was late fall and more than a little crisp. I’m looking forward to returning again to be inspired by a different light and season.
What appealed to me about this location were the soft muted colors, slightly warmed by late afternoon light. Just an hour before or after it would not have revealed these jewel like tones.
Carpinteria Bluffs Sunset Oil Painting – California Impressionist Karen Winters
Carpinteria Bluffs Sunset
16″ x 16″
oil on canvas
SOLD
This is one of the paintings inspired by our recent trip to Carpinteria, on California’s central coast. The late afternoon marine layer had come in, shrouding the Channel Islands in a misty glow that reminded me of those tales of Arthurian Avalon. The sky colors were both delicate and intense their various layers, and this stately eucalyptus tree was bathed in all that glorious light.
I had not had the pleasure of visiting Carpinteria Bluffs before, but it’s a place that I want to return to, especially late in the day. So many beautiful vistas to enjoy.
California Oak Tree – Strength
“Strength”
18 x 18 ink and ink wash on paper
SOLD (commission)
This painting was done as a commission for a client and I have posted it here to show an example of my work.
Please do not use it without my permission. It is protected by copyright and is not “free” to use as you wish.
If you wish to use it commercially, it may be possible for you to license it.
Autumn Morning – Bishop, California – California impressionist oil painting by Karen Winters
Autumn Morning, Bishop
12 x 16 oil on linen on panel
SOLD
The High Sierras rise in the background over a wildflower meadow in Bishop, California. Dawn light touches the peaks and the Owens Valley as well.
On Friday Dec, 5, I’ll be gallery sitting (and probably painting) at Descanso Gardens Art Gallery from 10 – 4 pm. Come say hello and keep me company and see the works of 19 artists, including four paintings of mine.
Then, on Saturday, at 5 pm, please join me at the Women’s City Club of Pasadena (Blinn House) for the opening wine and cheese reception of the California Art Club’s “Concerto of Color” show. Admission and parking are free and the artists would really appreciate a great turnout. The Blinn House show features artwork from CAC Associates from the whole state of California. This is the third time I’ve been honored to be included in the biannual show. It’s a wonderful way to kick off the holiday party season!
High Sierra Landscape Painting – Bishop, Owens Valley
High Sierra Fall Color
(a ranch near Bishop, in the Owens Valley)
14 x 18 oil on canvas
SOLD
As I continue with my High Sierra fall series, this painting portrays a tranquil pasture land, which I’m pretty sure is named Round Valley. It’s near Bishop. The peaks may be Mt. Morgan and Mt. Abbot, or perhaps the one on the right is Mt. Tom. I’m not too good with my geography of that region, so I’d appreciate knowing the names so I can be accurate.
