Windbreak – California landscape oil painting – Karen Winters
Windbreak
10 x 12 oil study
SOLD
This little windbreak was interesting with its varied heights and shapes. It reminded me of a group of kids lined up for their school picture, or perhaps an a capella group getting ready to perform. I had a good time capturing the top light on the trees, which suggests the middle of the day. The short shadows communicate the time of day as well.
Studies are useful for many purposes – we learn about how to render certain types of plant life, how to capture the quality of light at a certain time of day, how to describe distant and near objects, even how the sky looks under different weather and lighting conditions.
Morning at the Ranch – Libby Tolley plein air painting workshop
Morning at the Ranch (Fallbrook) by Karen Winters
8 x 10 inch
plein air oil painting on canvas panel
This past week I had the pleasure of spending five days in a plein air painting workshop with Elizabeth (Libby) Tolley, who is a remarkable central California coast painter. The curriculum for each day built upon the day before, taking us from a demonstration of how she sets up her palette and mixes accurate color quickly to the uses of a quick-drying medium for underpainting. There’s too much detail to share it all here, and besides, it’s all in her North Light book Oil Painter’s Solution Book 
On Monday of the first day, the temperatures were in the 90s by early morning, so instead of going on location and sweltering, our demo was done in the classroom at the Fallbrook School of the Arts. On the second day, we went out to a rural location and were given an hour to do a small painting exercise for mixing greens. This painting was the result. Composition wasn’t the primary goal here – identifying the color and getting it down was. I did touch this up a bit back in the studio to add some details and refine some brushwork, but I didn’t change it much.
Libby is an excellent teacher as well as a gifted painter. She’s clear and precise in her instruction, well-organized, flexible in the face of changing conditions and very down-to-earth in her teaching style. No question is off limits and she is generous in sharing her knowledge.
More about the workshop (and more of my on-site studies) as the week goes on.
California Spring Landscape – Walk through the Oaks
A Walk through the Oaks
16 x 12 oil on canvas
SOLD
This is where I’d like to be right about now, walking along a trail in an oaky meadow. The last 24 hours have been more than a little traumatic to our small town of La Canada Flintridge. If you’re in LA, no doubt you know that a big rig car transport truck came down the Angeles Crest Highway, ran through an intersection, impacting numerous cars and finally stopping in a bookstore on Foothill Blvd., the main street. Two people were killed, a man and his daughter, and 12 were injured, some critically. I have not heard the names of the injured.
The accident is under investigation and the driver, Marcos Costa, has been arrested for vehicular manslaughter. He did not live in the area. Why his brakes failed is not known, whether it was operator error or mechanical error. Nor is has it been revealed if he was DUI. One thing is known, however, and that is that it was an accident waiting to happen. A near miss happened in September and our city council has been unable to get Caltrans to make changes to its policies that ban trucks on the steep mountain road that leads into the city, and to put signage back up that tells drivers that there is a gravel filled runaway median. (Which as not been maintained by Caltrans.) Why the median notification signs were taken down is a good question.
Our city council has been hammering the local Caltrans district office for months since the September incident, only to be rebuffed, ignored, given lame excuses about how they need more time to make a study.
Last month a Girl Scout, Malia Milez, as part of her Gold Award project put together a comprehensive 46 slide powerpoint presentation about this problem and the urgency to fix it. Her presentation ended with a photo of the bookstore and adjacent nail salon – in the bullseye. This was presented at a city council meeting who lauded her for her work and one councilperson suggested that Caltrans should look at it.
What I want to know is, what options does a city council have if they are rebuffed by a bureaucrat, in this case, a Mr. Doug Failing of Caltrans? Other than shrugging their shoulders and saying “oh well” is there no way to file a complaint instead of accepting the typical “we’re studying it – stop bugging us” answer.
Other than the public safety issue, which is of foremost importance, I was also impacted by this terrible accident. A number of my paintings were hanging at Flintridge Books, on the wall hit by the truck. I am optimistic that some of them may be recoverable. If you are a regular reader of this blog, you may remember me writing about the weekend art event in February where I was demoing in the store for two days. When I think how much time I’ve spent there, and that I could have been there on any given day, it just gives me chills. On the art show weekend there were 80 or more people there at times – right where the truck went through. Shiver.
Fallbrook Hillside – California Pastel Landscape Painting
Fallbrook Hillside
8 x 10 pastel painting
Now that spring has come, we’re making a concerted effort to get out and explore new areas in our general vicinity, within a 2- 3 hr (or so) drive. One of our recent forays took us to Fallbrook, which is in North San Diego County. This hillside attracted me, with its stately eucalyptus trees and colorful wildflowers.
This pastel was painted on a ground that I prepared. The irregular texture (see enlargement) can often add movement and drama to the finished work.
Solstice Canyon Plein Air Landscape Oil Painting
Solstice Canyon, Malibu (on the bridge up the trail)
9 x 12
oil on canvas
Click image to see a larger, higher quality picture
Saturday I had the pleasure of going with a group of painting friends to Solstice Canyon, a park in Malibu in the Santa Monica Mountains. When we woke up in the morning (early) it was very dark outside and I came to realize that it wasn’t just our daylight saving time change – the sky was heavily overcast. I debated going or not going, because I generally prefer to paint spring scenes under beautiful clear skies. But I decided to go paint anyway, thinking that maybe it would be a 2-panel day. One before the burnoff and one later.
As it turned out, the overcast skies never really cleared, but there was something about the silvery look and cool blue light that really appealed to me. And it’s a look that I might not have gotten on a typical sunny Malibu day.
In the earliest spring, only a few of the trees had put on their new foliage so a great deal of light came through to illuminate the ground. I can imagine that with a full summer canopy only patches of warm, brilliant light would appear. This is what I love about plein air painting. Even when you have painted a scene before, it’s never the same twice. The weather is different, or the time of day, or the season, and each of those factors interact to create different looks and moods.
Here’s a work in progress shot
California Sycamore Springtime Landscape Painting
Sycamore Spring
11 x 14
oil on canvas
For a few brief weeks in the spring, sycamore trees rapidly put out new growth and are quickly covered with a veil of palest green. This beautiful transformation doesn’t last long, and the leaves quickly turn deep green and expand to the size of a hand.
If you’ve noticed that I’m painting the Santa Monica mountains a lot lately, it’s because spring in this wildflower covered area is truly glorious, and … I’m getting ready for a spring show with the Allied Artists of the Santa Monica mountains and seashore. The date is March 29, a Sunday, from 11 to 4 at Headwaters Corner, which is the intersection of Old Mulholland Drive and Topanga Canyon in the Santa Monica Mountains. If you’re in So Cal, come say hello.
California Mountain Landscape – San Gabriels – Arroyo Seco Oil Painting
San Gabriel Vista
(from the Arroyo Seco)
14 x 18 oil on canvas
This painting is now SOLD, but I have more at karenwinters.com
This view of the San Gabriel Mountains is from a familiar viewpoint along a trail in the Hahamongna watershed area, formerly known as Oak Grove Park. These days it’s the home of a frisbee golf course, and I have to stay heads up when walking through the zone to get to a painting location. The golfers are pretty tolerant of us hikers and painters, and I try to stay out of their fairways. In the summer my husband and I call this area Snaky Acres and tread carefully among the high grass. Bobcats, mountain lions and other wildlife have been seen here, along with deer, rabbits and abundant bird life.
I started on this painting last fall, when the willlows were starting to turn yellow and the summer grasses were dusty and dun-colored. But the storm clouds rolling in promised the first rains that would germinate the mustard seeds for their spring surge. Now, the whole area is lush and green.
If you’re a walker who likes doing the loop from the Rose Bowl up through the upper Arroyo Seco, or are a Rose Bowl rider who frequently takes your horse for an outing, then I’ll bet you know this view well.
Thousand Oaks Conejo Valley Sunset Oil Painting – Karen Winters
Sunset Splendor
Thousand Oaks at Satwiwa Park
9 x 12 oil on linen panel painting
SOLD
Last weekend we enjoyed a beautiful sunset out in Thousand Oaks, in the Santa Monica Mountains near the Satwiwa Village Cultural Center and Boney Mountain. Slight rainfall has made the landscape green with a down of annual rye grass, but the wildflowers have not yet emerged. The sycamores (not seen here) are already pushing out small green leaves. The color was just stunning in the Conejo Valley as twilight came.
Today my dear husband and I are celebrating 35 years of marriage. What a wonderful adventure it has been, and will continue to be. He is my best friend and love, outstanding father to our two grown kids, supporter of all my wild dreams and ambitions, and romantic sharer of sunsets (like this one.)
Peace Rose Painting – Botanical Art – Karen Winters
Peace Rose Painting
8 x 10 oil on canvas
SOLD
Here’s another in my rose series – this time a close up in a more realistic style. I love impressionism, but I wanted to challenge myself to do a more realistic painting from life, and this was the result.
Now for the taggage
5. When I was growing up we moved so many times (I can remember at least 6 elementary school and class changes) that books became my most constant and dependable companions. National Geographics – some of them decades older than I was – were among the most interesting. Almost without realizing it, I learned countless names of animals, plants, seashells and wildflowers from the colorful plates that accompanied each edition. When a magazine would come that was filled with paintings from some great museum, I would look at it for hours. (Yes, I was a bit of a bookworm. Still am.)
My mother was a plant lover and from her I learned the names of all the roses she cultivated: Chrysler Imperial, Love, Cherish, Honor, Peace, Mister Lincoln, Queen Elizabeth, Sutter’s Gold. Each colorful name brought stories to mind. When I visit the Descanso Gardens Rosarium and look at the labels of the roses in bloom, it’s like seeing old friends … ever new, ever fresh, ever young.
Below: starting this painting on a toned canvas.
Newport Back Bay Sunset – California Landscape Painting
Newport Back Bay Sunset
5 x 7 inch
Oil on canvas panel
This small study was painted to make some design decisions about a larger painting of Newport’s Back Bay, where we visited last week. At sunset the colors of the sky are reflected in the marshy area. The trees probably weren’t this close together (the opening to the sea is larger) but I reserve the right to tinker with the composition whenever I choose.
The rain has mostly stopped here in LA, and that means that later this afternoon we should see some dramatic skies with the clouds breaking up and leaving. If it’s not too cold I might try to get ut and paint a bit.
OK, away from they keyboard and back to the easel for me! I’m working on a large (24 x 30) commission and I need to keep on-task.
