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Saturday I had the pleasure of going with a group of painting friends to Solstice Canyon, a park in Malibu in the Santa Monica Mountains. When we woke up in the morning (early) it was very dark outside and I came to realize that it wasn’t just our daylight saving time change – the sky was heavily overcast. I debated going or not going, because I generally prefer to paint spring scenes under beautiful clear skies. But I decided to go paint anyway, thinking that maybe it would be a 2-panel day. One before the burnoff and one later.
As it turned out, the overcast skies never really cleared, but there was something about the silvery look and cool blue light that really appealed to me. And it’s a look that I might not have gotten on a typical sunny Malibu day.
In the earliest spring, only a few of the trees had put on their new foliage so a great deal of light came through to illuminate the ground. I can imagine that with a full summer canopy only patches of warm, brilliant light would appear. This is what I love about plein air painting. Even when you have painted a scene before, it’s never the same twice. The weather is different, or the time of day, or the season, and each of those factors interact to create different looks and moods.
Here’s a work in progress shot