California Poppy Landscape with Oak Trees – Karen Winters
Poppies on the Hill
11 x 14
oil on canvas
SOLD, but I have more poppy paintings
Interested in a poppy painting?
Click this link to write me. See more of my paintings on my website
See more of my wildflower paintings here
I can’t think of a landscape more quintessentially Californian than spring’s poppy covered hillsides – and when you add oak trees it’s downright iconic. In this painting my objective was to capture the feeling of the radiant hillside, crowned by sprawling oaks. The Fresno Bee reports that this is one of the best years for wildflowers in a long time. I don’t know why – we haven’t had an abundance of rain, but whatever conditions brought about this abundance, I’m glad.
More California spring landscapes to come …
Yosemite Painting – Autumn, Merced River Fall Color

“Yosemite Autumn”
15″ x 22″ watercolor on paper
SOLD
See more of my Yosemite paintings here
Interested in this painting? Please write by clicking this link
The colors of fall dazzle when caught, reflected in the serene waters of the Merced River. This large (half-sheet) watercolor takes advantage of the range of Yosemite’s beauty and is a preview of some new work I’ll be showing this year, both in watercolor and in oil.
When I’m exhibiting at a public show, one of the questions that people ask me most frequently is “which do you prefer painting, watercolor or oil?” It’s a hard question because the two media are so different in some ways, yet so similar in fundamental ways. For the sheer excitement of painting with all the unpredictability and opportunity for “happy accidents” you just can’t beat watercolor. Take a look at the luminous reflections in the water, for example, they were created with a wet into wet technique. You can certainly paint water in oil (and I do it all the time) but you can’t get a look exactly like that. Oil allows you the luxury of correcting mistakes more easily. Watercolor (especially when working with staining colors) can be very unforgiving. The short answer is, I love them both, for different reasons and I find that what I learn in one medium can often be applied to the other even though paint handling is different. The basics … color, line, shape, value, feeling, interpretation, composition … these things do not change and translate easily from medium to medium.
Here’s a closeup of just a detail of one of the trees. This would actually make a nice painting, enlarged, all on its own. Hmmmm, wheels turning … stay tuned.
California’s Rolling Hills – Impressionist Landscape Oil Painting
California’s Rolling Hills
9 x 12 oil on canvas panel
SOLD, but I have more rolling hill landscapes.
Please visit my landscape painting page.
I can’t count the times we’ve driven back and forth through California’s beautiful hills, decorated with stands of live oak trees. When we were first married we took many photo trips up and down the coastline, and these canyons and byways around Monterey were some of our favorite haunts. I never tire of painting them. Soon, these curvaceous hills will be covered with green grasses, a harbinger of spring. It doesn’t take long for the gold to turn to green.
Cottonwood Dawn — California Impressionist Oil Painting – Eastern Sierras
Cottonwood Dawn
(near Bishop, California)
16 x 20 oil on canvas
SOLD
Ths painting is sold but I have others of the Sierras in the fall. Write me.
Although the leaves are now fallen and scattered by the wind, the eastern Sierras still call me and evoke memories of golden glory. I understand that snow sometimes falls in Bishop, in the Owens Valley, but that it doesn’t stay on the ground long. How I’d love to go back there and see these meadows and cottonwoods clad in downy white. Maybe later in the season – I hope!






