California’s Rolling Hills – Impressionist Landscape Oil Painting
California’s Rolling Hills
9 x 12 oil on canvas panel
SOLD, but I have more rolling hill landscapes.
Please visit my landscape painting page.
I can’t count the times we’ve driven back and forth through California’s beautiful hills, decorated with stands of live oak trees. When we were first married we took many photo trips up and down the coastline, and these canyons and byways around Monterey were some of our favorite haunts. I never tire of painting them. Soon, these curvaceous hills will be covered with green grasses, a harbinger of spring. It doesn’t take long for the gold to turn to green.
Cottonwood Dawn — California Impressionist Oil Painting – Eastern Sierras
Cottonwood Dawn
(near Bishop, California)
16 x 20 oil on canvas
SOLD
Ths painting is sold but I have others of the Sierras in the fall. Write me.
Although the leaves are now fallen and scattered by the wind, the eastern Sierras still call me and evoke memories of golden glory. I understand that snow sometimes falls in Bishop, in the Owens Valley, but that it doesn’t stay on the ground long. How I’d love to go back there and see these meadows and cottonwoods clad in downy white. Maybe later in the season – I hope!
Carpinteria Bluffs Sunset Oil Painting – California Impressionist Karen Winters
Carpinteria Bluffs Sunset
16″ x 16″
oil on canvas
SOLD
This is one of the paintings inspired by our recent trip to Carpinteria, on California’s central coast. The late afternoon marine layer had come in, shrouding the Channel Islands in a misty glow that reminded me of those tales of Arthurian Avalon. The sky colors were both delicate and intense their various layers, and this stately eucalyptus tree was bathed in all that glorious light.
I had not had the pleasure of visiting Carpinteria Bluffs before, but it’s a place that I want to return to, especially late in the day. So many beautiful vistas to enjoy.
Poppy and Mandarin Still Life – California impressionist Karen Winters
Poppies and Mandarins
14 x 18 oil on canvas
Painted from life
The brilliant but delicate iceland poppies form a backdrop for the mandarin oranges. Or perhaps they were tangerines or clementines. I can never be sure about citrus.
There is some glare on this painting because it’s soaking wet, but I hope it conveys the general idea. I’ll shoot another picture in a week or so when it is dry.
It has been pouring rain here, which we dearly need. Tomorrow morning I hope that I wake to see snow on the Angeles Crest mountains. If so, it will be a good day to go out and paint a rare scene. These mountains are infrequently dusted, and sometimes subsequent rains wash it away if there’s not sufficient cold. Blue skies, white snow and a few scantily-clad sycamore trees still holding onto their leaves like fan-dancers protecting their modesty. Brrr.
My interview on Creative Liberty
Pomegranates and sunflowers
11 x 14 oil on canvas
I was interviewed yesterday on Creative Liberty, a wonderful blog about living creatively. Liz Massey, the blog owner and a creative coach asked me some good questions for her “In the Studio” series, and I enjoyed the opportunity to talk about my work flow, staying “unblocked” and keeping my creative fires lit. Click the “creative liberty” link to read it.
California Sycamore – Tranquility – Ink Brush Painting
“California Sycamore – Tranquility”
18″ x 18″
SOLD (commission)
This is the matching painting which pairs with the California Live Oak which I posted yesterday. Together, the two frame the dining room door of gentle lady who commissioned their creation. There is always some serendipity with painting. You never know exactly what is going to happen when you put brush to paper, and this is no exception. I knew that I was going to do an ink brush drawing with wash, but when the ink separated on this particular type of paper, the component elements of the black ink separated into shades of gray and taupe … and the taupe is the exact shade of the paint under the wainscoting in her room. I took advantage of this characteristic of the ink to simulate the gray, white and taupe patches which are so characteristic of the California sycamore, but maintaining the feeling of an ink drawing.
Conceptually, the oak tree (seen yesterday) represents strength, stability, fortitude, structure, endurance. I painted the sycamore to represent shelter, grace, resilience and flexibility.
This Saturday night I’m looking forward to going to her Christmas party and seeing them hung in the room, all decked out and lit by candlelight.
High Sierra Landscape Painting – Bishop, Owens Valley
High Sierra Fall Color
(a ranch near Bishop, in the Owens Valley)
14 x 18 oil on canvas
SOLD
As I continue with my High Sierra fall series, this painting portrays a tranquil pasture land, which I’m pretty sure is named Round Valley. It’s near Bishop. The peaks may be Mt. Morgan and Mt. Abbot, or perhaps the one on the right is Mt. Tom. I’m not too good with my geography of that region, so I’d appreciate knowing the names so I can be accurate.
Langham Huntington Hotel Wedding reception – plein air painting – Karen Winters
Courtyard Wedding Reception, Saturday, Nov. 22, 2008 at the Huntington Langham Hotel
Original plein air painting, 9 x 12 oil on linen on board
SOLD
This past Saturday I had the pleasure of painting at the Huntington Langham Hotel in San Marino as a participant in an “artist in residence” program. I was the participant sponsored by the Segil Fine Art gallery in Monrovia. Because a wedding reception was planned for the early evening, I passed the afternoon painting indoors and brought a photo reference to work from. As night fell, wedding guests filtered in from the ceremony which was held in the garden. Although my painting time was up, I couldn’t leave, transfixed by the beautiful party. Within a short period of time it became very difficult to see the guests, so I used a little imagination to fill in the spaces and to make up for my myopia.
I don’t know the happy couple but perhaps some day they will google their wedding date and the name of the Huntington Hotel and find this memory of a very special occasion, and I hope it will bring them a smile. I think I heard someone say that the bride grew up in Shanghai, but that was only a snippet of a conversation overheard in passing.
And yes, I would love to do this again. So if you’re planning a wedding and want a plein air painter to create a unique fine art memory of your event – in a garden, a meadow, a beach or any special place, please feel free to ask.
Brighter Tomorrows – Batiquitos Lagoon Path, near Carlsbad, California – California impressionist oil painting by Karen Winters
Brighter Tomorrows
20 x 24 inches – oil on canvas
Batiquitos Lagoon, near Carlsbad, California, San Diego County
SOLD
This is the largest oil painting I’ve painted so far, and I got a great deal of enjoyment from the process. I’ll likely be doing more larger size works, some in anticipation of my first solo show next May. This one is going to Descanso Gardens for our Encore Holiday show, hanging Friday and continuing at least through January 6 (maybe longer.)
Batiquitos Lagoon is a beautiful wetlands area popular with birders and hikers. We spent the later part of an afternoon there, and can hardly wait to get back for more. Because the light was changing so quickly, this large painting was not painted on site but was done in studio from my own photo references, on-site observations and field notes.
When it came time to name this painting, I first thought of simply entitling it “Batiquitos Lagoon Trail,” but it occurred to me that in these very stressful times something more hopeful and optimistic might better represent the feeling I tried to capture. So it is Brighter Tomorrows, and may yours be brighter with each passing day, too.
Sierra Nevada Oil Painting Landscape – Heaven and Nature Sing – California Impressionist painting
“Heaven and Nature Sing”
16 x 20 inches oil on canvas
SOLD
Although this one is sold, you can see more Sierra Nevada paintings here
This is one of my favorite new paintings inspired by our High Sierra trip, and it represents a view of the Sierras in the afternoon, not far from Crowley Lake. In the afternoon, when a storm is in the air, the clouds hover around the top of the mountain to be backlit by the sun. The effect is nothing short of spectacular and truly expresses a feeling of spiritual joy. With that in mind, as I was searching for a title for this, I remembered a line from the Christmas carol, “Joy to the World.” The refrain is “and heaven and nature sing …” Being there and seeing this magnificent mountain crowned with light, I truly felt that heaven and nature were singing. So there you have it.
The most challenging part of this painting, to my surprise, was not painting the clouds and the light – it was defining the many gullies and ridges, all in deep shadow, that decorate the eastern slope. The values are very close but there needs to be enough definition for the eye to read it as a sculptured geological form … but not SO much definition that it appears that the shapes are light-struck. So much in that area has to be suggested rather than spelled out, lest it lose some of the air of mystery. And *that* is a constant challenge.
This painting will be among the select group of new works that I’ll be taking to Descanso Gardens on Friday morning for our Encore year end show. So if you are in LA and want to see it in person, that’s where it will be. If you are out of town and wish to purchase it, please let me know and I will replace it in the show with another of my recent works.
