California Central Coast Plein Air Oil Painting – Farm near Nipomo
“Farm Near Nipomo”
8 x 10 oil painting
Central Coast, California, San Luis Obispo County
• SOLD
to a collector in Buffalo, NY
See more of my California Central Coast paintings here
This is the 2nd of three plein air paintings I did last spring in Nipomo, near the Dana Adobe. If you look at my previous painting posted a few days ago, you’ll see some trees and buildings in the distance. This is a “closeup” of one of those clusters of habitation. Because I wasn’t inclined to move my whole setup, I simply changed my point of view to “zoom in” so to speak, and continued with a new field study.
Mt. Whitney Portal Lone Pine painting – Eastern Sierra Nevada Landscape oil painting by Karen Winters
“The Way to Mt. Whitney”
(Lone Pine, Eastern Sierra, Mt. Whitney Portal)
18 x 24 inches
Oil painting on canvas
SOLD
Although this painting is sold, find more Sierra Nevada paintings here
These days I’ve been completing some of my Sierra paintings that I’ve been working on for awhile. During the holidays things got so busy that I didn’t have the time to bring them to finish.
Interesting facts about Mt. Whitney and the Lone Pine area:
Mt. Whitney (slightly right of center in the painting) is the highest mountain the lowest 48 states, and is the most-climbed peak in the Sierra and one of the most climbed mountains in the US. It is composed of granite and is a “jointed” formation. Looking at Whitney from its east face, a formation known as “The Needles” is directly to the left.
There is little rainfall most of the year, so the eastern slopes reflect that climate. Below there are alpine forests, but at the higher reaches greenery is scarce, dominated by gray granite.
Sierra Light – Mt. Whitney Portal -Lone Pine, Sierra Nevada landscape oil painting
“Sierra Light”
Mt. Whitney Portal, Lone Pine
20 x 24 ” oil painting
Oil on linen
More Sierra Nevada paintings here
This is a painting from last fall’s trip to the Sierra. I did some studies on site to capture the light conditions on that day where a storm was moving in … and this was painted in studio from those references. Because the clouds were moving rapidly, occasionally there would be a break where a shaft of light would hit the high desert below. I found that “spotlight” very intriguing.
Moonstone Beach Surf – Central Coast Cambria Oil Painting – with video – Karen Winters, artist
Moonstone Beach Surf
Cambria, California
11 x 14 oil on linen panel
SOLD
This was painted last April (2010) during a California Art Club paintout. The rain came down where we were painting at San Luis Obispo Land Conservancy sites, so some of us headed for the coast nearby. It was incredibly cold and windy, but I had a really good time
This is a video my husband shot and edited – some highlights of me painting there. Please let me know if for any reason it doesn’t play for you. It is hosted on the Facebook server, not YouTube.
Cambria Ranch – California Central Coast Plein Air Oil Painting by Karen Winters
“Cambria Ranch”
12 x 16″ oil painting
Oil on linen panel
See more of my California Central Coast paintings here
Eucalyptuses, how I love them, with their multicolored patchy bark like a coat of many colors. When I saw this stately old tree I knew I wanted to take some time with it, to appreciate the many grays along its flanks. The transparent underlayers of burnt sienna and red peek through here and there, just as underlayers of color are visible as outer bark layers peel off. I think that I will never tire of painting these majestic trees that seem to glow when side lit. We have a lot of them around LA but they are at their best when given a setting like a spring field, bathed in light. I want to paint another really large one, soon. My to-do-list grows daily …
Some of my other favorite eucs:
Moonstone Beach Tide – Cambria Seascape Plein Air Oil Painting by Karen Winters
Moonstone Beach Tide
11 x 14
Oil on linen panel
SOLD
See more of my Cambria paintings here
This painting was actually completed on location last spring on a paint out with the California Art Club, and due to an overload of work (and probably some forgetfulness on my part) it has been sitting in a dry box waiting to be discovered. In the process of cleaning up and organizing for the holidays I have uncovered more than a few paintings which I’ll be posting over the next few days/week.
This painting of Moonstone Beach was done on a day when it was raining heavily inland in San Luis Obispo. One of our fellow painters, Karl Dempwolf, told us that the beach was clear up in Cambria, so we loaded in the car and headed for the beach. The wind was blowing heavily and my new EasyL easel had to be weighted down to keep from blowing over. It all worked out.
Happy New Year to everyone. We’re staying in and staying safe tonight. It’s a very cold day in So. Cal, which is unusual even for December, so I’m catching up on my record-keeping and looking forward to some TV-watching later. Our kids gave us a beautiful new widescreen TV for Christmas and we’ve been completely entranced with it!
Mammoth Snowcreek Landscape Oil Painting – California impressionist oil painting snow scene
Snowcreek at Mammoth
6 x 8 inches oil on canvas
More Sierra Nevada paintings here
The combination of autumn russets and deep mountain blues at Mammoth was a compelling late fall image to paint. The soft scattering of melting snow brought an interesting texture that reinforced this transitional season. Soon the glittering golds will be gone and all will be covered in a gentle white quilt. I’ll have to return to paint that scene, too.
Willows are blazing with color everywhere there is a stream or creek in the Sierra. The Inyo National Forest is glorious to behold right now.
Autumn Enchantment – La Canada Flintridge – California landscape oil painting
Autumn Enchantment
11 x 14 oil on canvas
SOLD
See more La Canada area paintings here
Autumn. My favorite time of year. It reminds me of back to school, fresh pencils and crayons, an imminent coolness in the weather, Halloween, football games and the bluest skies of the year. Here in southern California, at least when I was growing up, the summer heat trapped a layer of haze in the sky. But spring and fall were crystal clear. When you put the blue of the sky against the warm complements of orange and gold – well, it’s just magical, and who could resist painting it. By December, the sycamores have turned and the first rains bring forth new green grass. Autumn comes late around here.
Update: This painting was done a few years ago, but I just drove through the area a few days ago and it looks exactly like this.
Colorado Street Bridge Painting, Pasadena, “Below the Arch”
“Below the Arch”
Colorado Street Bridge, Pasadena
11 x 14 painting
oil on canvas
SOLD
See more Pasadena paintings here
This painting of our iconic Colorado Street Bridge went home yesterday with a new collector. I always enjoy painting the bridge, and hope to appreciate its beauty from many new angles in the coming year. This was a larger painting based upon a 5 x 7 study I did a few years ago.
Lone Pine Plein Air Study – Sierra Landscape painting
Lone Pine (study)
6 x 8 oil on linen panel
More Sierra Nevada paintings here
I had hoped for a sunny day when we visited Lone Pine on one of our many Sierra trips last fall. But that time a storm was on its way in, wrapping the majestic peaks in shades of gray. But I was there and I wasn’t about to be discouraged. The muted tones actually added some interesting color that I wouldn’t have had any other way, and provided a soft contrast to the vivid yellow rabbitbrush which blooms that time of year.
I’m working on Sierra studio paintings based on this and other fall studies, and they’ll be posted over the next month or so.
By far the most annoying part of that day’s paint out was the swarm of flies that appeared as soon as I set up. I’m guessing there must have been free range cattle out there at some time – or where did they come from?
