Idyllwild Memories Oil Painting – California Mountain Landscape by Daily Painter Karen Winters
Idyllwild Memories
9 x 12 oil on canvas
SOLD
For information about other Idyllwild paintings, please write.
Idyllwild, California, has always been one of our favorite places to retreat. We began visiting when we were first married, and always loved the beautiful mountain sunsets. Once we stopped our car and watched in awe, while classical music played from a nearby cabin. This is a recreation of that spectacular scene, when the sky was awash with color and all was right with the world. I still like to return, in memory, to that golden time.
Peace Rose Painting – Botanical Art – Karen Winters
Peace Rose Painting
8 x 10 oil on canvas
SOLD
Here’s another in my rose series – this time a close up in a more realistic style. I love impressionism, but I wanted to challenge myself to do a more realistic painting from life, and this was the result.
Now for the taggage
5. When I was growing up we moved so many times (I can remember at least 6 elementary school and class changes) that books became my most constant and dependable companions. National Geographics – some of them decades older than I was – were among the most interesting. Almost without realizing it, I learned countless names of animals, plants, seashells and wildflowers from the colorful plates that accompanied each edition. When a magazine would come that was filled with paintings from some great museum, I would look at it for hours. (Yes, I was a bit of a bookworm. Still am.)
My mother was a plant lover and from her I learned the names of all the roses she cultivated: Chrysler Imperial, Love, Cherish, Honor, Peace, Mister Lincoln, Queen Elizabeth, Sutter’s Gold. Each colorful name brought stories to mind. When I visit the Descanso Gardens Rosarium and look at the labels of the roses in bloom, it’s like seeing old friends … ever new, ever fresh, ever young.
Below: starting this painting on a toned canvas.
Cottonwood Dawn — California Impressionist Oil Painting – Eastern Sierras
Cottonwood Dawn
(near Bishop, California)
16 x 20 oil on canvas
SOLD
Ths painting is sold but I have others of the Sierras in the fall. Write me.
Although the leaves are now fallen and scattered by the wind, the eastern Sierras still call me and evoke memories of golden glory. I understand that snow sometimes falls in Bishop, in the Owens Valley, but that it doesn’t stay on the ground long. How I’d love to go back there and see these meadows and cottonwoods clad in downy white. Maybe later in the season – I hope!
My interview on Creative Liberty
Pomegranates and sunflowers
11 x 14 oil on canvas
I was interviewed yesterday on Creative Liberty, a wonderful blog about living creatively. Liz Massey, the blog owner and a creative coach asked me some good questions for her “In the Studio” series, and I enjoyed the opportunity to talk about my work flow, staying “unblocked” and keeping my creative fires lit. Click the “creative liberty” link to read it.
California Sycamore – Tranquility – Ink Brush Painting
“California Sycamore – Tranquility”
18″ x 18″
SOLD (commission)
This is the matching painting which pairs with the California Live Oak which I posted yesterday. Together, the two frame the dining room door of gentle lady who commissioned their creation. There is always some serendipity with painting. You never know exactly what is going to happen when you put brush to paper, and this is no exception. I knew that I was going to do an ink brush drawing with wash, but when the ink separated on this particular type of paper, the component elements of the black ink separated into shades of gray and taupe … and the taupe is the exact shade of the paint under the wainscoting in her room. I took advantage of this characteristic of the ink to simulate the gray, white and taupe patches which are so characteristic of the California sycamore, but maintaining the feeling of an ink drawing.
Conceptually, the oak tree (seen yesterday) represents strength, stability, fortitude, structure, endurance. I painted the sycamore to represent shelter, grace, resilience and flexibility.
This Saturday night I’m looking forward to going to her Christmas party and seeing them hung in the room, all decked out and lit by candlelight.
Autumn Morning – Bishop, California – California impressionist oil painting by Karen Winters
Autumn Morning, Bishop
12 x 16 oil on linen on panel
SOLD
The High Sierras rise in the background over a wildflower meadow in Bishop, California. Dawn light touches the peaks and the Owens Valley as well.
On Friday Dec, 5, I’ll be gallery sitting (and probably painting) at Descanso Gardens Art Gallery from 10 – 4 pm. Come say hello and keep me company and see the works of 19 artists, including four paintings of mine.
Then, on Saturday, at 5 pm, please join me at the Women’s City Club of Pasadena (Blinn House) for the opening wine and cheese reception of the California Art Club’s “Concerto of Color” show. Admission and parking are free and the artists would really appreciate a great turnout. The Blinn House show features artwork from CAC Associates from the whole state of California. This is the third time I’ve been honored to be included in the biannual show. It’s a wonderful way to kick off the holiday party season!
Langham Huntington Hotel Wedding reception – plein air painting – Karen Winters
Courtyard Wedding Reception, Saturday, Nov. 22, 2008 at the Huntington Langham Hotel
Original plein air painting, 9 x 12 oil on linen on board
SOLD
This past Saturday I had the pleasure of painting at the Huntington Langham Hotel in San Marino as a participant in an “artist in residence” program. I was the participant sponsored by the Segil Fine Art gallery in Monrovia. Because a wedding reception was planned for the early evening, I passed the afternoon painting indoors and brought a photo reference to work from. As night fell, wedding guests filtered in from the ceremony which was held in the garden. Although my painting time was up, I couldn’t leave, transfixed by the beautiful party. Within a short period of time it became very difficult to see the guests, so I used a little imagination to fill in the spaces and to make up for my myopia.
I don’t know the happy couple but perhaps some day they will google their wedding date and the name of the Huntington Hotel and find this memory of a very special occasion, and I hope it will bring them a smile. I think I heard someone say that the bride grew up in Shanghai, but that was only a snippet of a conversation overheard in passing.
And yes, I would love to do this again. So if you’re planning a wedding and want a plein air painter to create a unique fine art memory of your event – in a garden, a meadow, a beach or any special place, please feel free to ask.
Brighter Tomorrows – Batiquitos Lagoon Path, near Carlsbad, California – California impressionist oil painting by Karen Winters
Brighter Tomorrows
20 x 24 inches – oil on canvas
Batiquitos Lagoon, near Carlsbad, California, San Diego County
SOLD
This is the largest oil painting I’ve painted so far, and I got a great deal of enjoyment from the process. I’ll likely be doing more larger size works, some in anticipation of my first solo show next May. This one is going to Descanso Gardens for our Encore Holiday show, hanging Friday and continuing at least through January 6 (maybe longer.)
Batiquitos Lagoon is a beautiful wetlands area popular with birders and hikers. We spent the later part of an afternoon there, and can hardly wait to get back for more. Because the light was changing so quickly, this large painting was not painted on site but was done in studio from my own photo references, on-site observations and field notes.
When it came time to name this painting, I first thought of simply entitling it “Batiquitos Lagoon Trail,” but it occurred to me that in these very stressful times something more hopeful and optimistic might better represent the feeling I tried to capture. So it is Brighter Tomorrows, and may yours be brighter with each passing day, too.
California Art Club – Women’s City Club Show
“As the Parade Passed By”
12 x 15 watercolor on paper
Yesterday I was very happy to learn that this painting has been juried into the upcoming California Art Club exhibition, “Concertos in Color” at the historic Blinn House in Pasadena. The opening reception will be December 7, from 5-7 pm and it is free to all to attend. I hope that you will join me there to see wonderful works of art from painters all over California. I am thrilled and honored that this is the third time my work has been included in the biannual show.
I am also posting this as a reminder that the holidays are coming and I am delighted to paint portraits (and other subject matter) on commission. So if you’ve been thinking of a very special gift for a friend, family member or business associate, please write me. (karen@karenwinters.com) … and put commission in the subject line.
Folklorico Dancers at Pasadena Civic Auditorium
Plein air oil painting
9 x 12 oil on canvas board
This may have been the most difficult plein air painting I’ve ever done. I’m not complaining, mind you. I love to paint outdoors and the dancers were beautiful with their colorful costumes, but it was just challenging for a variety of reasons. For one, the colors of the sunset changed moment by moment. I hadn’t taken into consideration how dark it would be when the dancers appeared in the plaza (yes, 7:30 is dark, it’s not summer any more, even though temps are still in the 90s!) And even though I arrived early to get the Paseo Pasadena background blocked in, the colors of the buildings changed by the minute. The dancers of the Clasica troupe performed for about a half an hour with one costume change. (This was the first costume, the second costumes were all white) It was the best I could do to get a suggestion of the swirling skirts. I hope the beautiful ladies will forgive me for not including faces, but I only had time for an impression of the scene – and the paint was flying!
Because plein air painting means simplifying the design and making choices about what to include and what not to include, I simplified this scene by just suggesting some of the major buildings in the Paseo Mall, the shape of the Sierra Madre Mountains, the foreground plaza and the dancers themselves. All the windows and details were reduced to a few glowing shapes to convey a night scene. The dark shapes of palms in the distance form a border to the setting. I left the painting of the ground under their feet until I got home and could assess what the painting needed.
I’m going to have to try “urban night” again sometime, and see if I can incorporate what I learned from this experience.
The dancers were appearing as part of opening night festivities for the Pasadena Symphony – and their performance was wonderful!
