Morning at the Ranch – Libby Tolley plein air painting workshop
Morning at the Ranch (Fallbrook) by Karen Winters
8 x 10 inch
plein air oil painting on canvas panel
This past week I had the pleasure of spending five days in a plein air painting workshop with Elizabeth (Libby) Tolley, who is a remarkable central California coast painter. The curriculum for each day built upon the day before, taking us from a demonstration of how she sets up her palette and mixes accurate color quickly to the uses of a quick-drying medium for underpainting. There’s too much detail to share it all here, and besides, it’s all in her North Light book Oil Painter’s Solution Book 
On Monday of the first day, the temperatures were in the 90s by early morning, so instead of going on location and sweltering, our demo was done in the classroom at the Fallbrook School of the Arts. On the second day, we went out to a rural location and were given an hour to do a small painting exercise for mixing greens. This painting was the result. Composition wasn’t the primary goal here – identifying the color and getting it down was. I did touch this up a bit back in the studio to add some details and refine some brushwork, but I didn’t change it much.
Libby is an excellent teacher as well as a gifted painter. She’s clear and precise in her instruction, well-organized, flexible in the face of changing conditions and very down-to-earth in her teaching style. No question is off limits and she is generous in sharing her knowledge.
More about the workshop (and more of my on-site studies) as the week goes on.
Valley Girls – Landscape oil painting – Cows on ranch in Central California
Valley Girls
8 x 10
oil on canvas on birch panel
SOLD
This painting is the result of a test of a new panel I’m working on – a very fine canvas, primed for oil painting and then attached to a birch panel with acid-free archival glue. I didn’t have time to get out today so I used some reference sketches and photos to compose this peaceful scene of a valley in central California.
Although I like the “spring” of stretched canvas, these panels are very light, portable and good for plein air studies.
As I painted this, it started to have sort of a folk art feeling, so rather than fighting it, I just went with it and had fun with the process.
California Poppy Landscape with Oak Trees – Karen Winters
Poppies on the Hill
11 x 14
oil on canvas
SOLD, but I have more poppy paintings
Interested in a poppy painting?
Click this link to write me. See more of my paintings on my website
See more of my wildflower paintings here
I can’t think of a landscape more quintessentially Californian than spring’s poppy covered hillsides – and when you add oak trees it’s downright iconic. In this painting my objective was to capture the feeling of the radiant hillside, crowned by sprawling oaks. The Fresno Bee reports that this is one of the best years for wildflowers in a long time. I don’t know why – we haven’t had an abundance of rain, but whatever conditions brought about this abundance, I’m glad.
More California spring landscapes to come …
Central California Plein Air sunset creek painting
Twilight Creek
9 x 12 plein air painting
oil on canvas
Because the light was certainly fleeting, this is my entry for illustration Friday’s theme: fleeting
Not too long ago (pre-crash) when my husband and I were on a weekend trip to see the wildflowers north of us, we saw this view at the end of a long day. Although I was tired from painting and taking pictures of the ephemeral bloom, I saw a ribbon of light by the side of the road and felt that I just “had” to paint it. “Stop the car!” I yelped to my husband. (he’s used to this – he knows what it means.) The sun was already down and I knew that I had 20 minutes, at best, before I wouldn’t be able to see the colors on my palette. (And I don’t have a hat light yet – that’s on my wish list for nocturne painting.)
So while I squeezed out some fresh paint on my palette, my love set up the Yarka on uneven ground and I started blocking in the big color shapes, aware that it was changing by the minute. When I got home I refined some of the tree shapes and the river curves, and touched up some of the canvas areas where the paint was too thin. Overall, I am very satisfied with this field study, which I might use as a reference for a larger painting, as I often do.
Plein air paintings tend to be very loose – and those that happen under changing light conditions are the loosest of all. It’s one thing to do a painting with three hours of pretty even mid-day sun … but it’s another to try to paint a scene post-sunset. But I think that’s part of the charm of it – it’s a very quick impression – colors mixed on the fly and laid down (for better or worse) with decisiveness. It’s like trying to catch “lightning in a bottle,” to quote Leo Durocher. Pretty near impossible, but fun to try.
California Spring Landscape – Walk through the Oaks
A Walk through the Oaks
16 x 12 oil on canvas
SOLD
This is where I’d like to be right about now, walking along a trail in an oaky meadow. The last 24 hours have been more than a little traumatic to our small town of La Canada Flintridge. If you’re in LA, no doubt you know that a big rig car transport truck came down the Angeles Crest Highway, ran through an intersection, impacting numerous cars and finally stopping in a bookstore on Foothill Blvd., the main street. Two people were killed, a man and his daughter, and 12 were injured, some critically. I have not heard the names of the injured.
The accident is under investigation and the driver, Marcos Costa, has been arrested for vehicular manslaughter. He did not live in the area. Why his brakes failed is not known, whether it was operator error or mechanical error. Nor is has it been revealed if he was DUI. One thing is known, however, and that is that it was an accident waiting to happen. A near miss happened in September and our city council has been unable to get Caltrans to make changes to its policies that ban trucks on the steep mountain road that leads into the city, and to put signage back up that tells drivers that there is a gravel filled runaway median. (Which as not been maintained by Caltrans.) Why the median notification signs were taken down is a good question.
Our city council has been hammering the local Caltrans district office for months since the September incident, only to be rebuffed, ignored, given lame excuses about how they need more time to make a study.
Last month a Girl Scout, Malia Milez, as part of her Gold Award project put together a comprehensive 46 slide powerpoint presentation about this problem and the urgency to fix it. Her presentation ended with a photo of the bookstore and adjacent nail salon – in the bullseye. This was presented at a city council meeting who lauded her for her work and one councilperson suggested that Caltrans should look at it.
What I want to know is, what options does a city council have if they are rebuffed by a bureaucrat, in this case, a Mr. Doug Failing of Caltrans? Other than shrugging their shoulders and saying “oh well” is there no way to file a complaint instead of accepting the typical “we’re studying it – stop bugging us” answer.
Other than the public safety issue, which is of foremost importance, I was also impacted by this terrible accident. A number of my paintings were hanging at Flintridge Books, on the wall hit by the truck. I am optimistic that some of them may be recoverable. If you are a regular reader of this blog, you may remember me writing about the weekend art event in February where I was demoing in the store for two days. When I think how much time I’ve spent there, and that I could have been there on any given day, it just gives me chills. On the art show weekend there were 80 or more people there at times – right where the truck went through. Shiver.
Fallbrook Hillside – California Pastel Landscape Painting
Fallbrook Hillside
8 x 10 pastel painting
Now that spring has come, we’re making a concerted effort to get out and explore new areas in our general vicinity, within a 2- 3 hr (or so) drive. One of our recent forays took us to Fallbrook, which is in North San Diego County. This hillside attracted me, with its stately eucalyptus trees and colorful wildflowers.
This pastel was painted on a ground that I prepared. The irregular texture (see enlargement) can often add movement and drama to the finished work.
California Desert Landscape Oil Painting – Anza Borrego Yucca
Yucca at Anza Borrego
(San Diego County)
9 x 12 oil on canvas
A visit to the Anza Borrego Desert State Park inspired this painting of yucca and desert wildflowers. When the rainfall is sufficient and in the right quantity and at the right time, the color is breathtaking, even though short-lived.
Tomorrow is the spring group show and sale of Allied Artists of the Santa Monica Mountains and Seashore, and I’ll be showing about 15 paintings including many that have not been exhibited before. The show starts at 11 and goes through 5 pm at Headwaters Corners, at the intersection of Topanga and Mulholland Drive in the Santa Monica Mtns. If you get a chance come on out. I’m going to be finishing up my framing and packing for the rest of today. Come on out if you’re in the area. Art, beautiful weather, friendly artists and refreshments.
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Arroyo Seco Trail – Pasadena California Landscape Oil Painting
Arroyo Seco Trail
16 x 20 inches
Oil on Canvas
SOLD to a collector from Pasadena
See more Pasadena area paintings are here
This painting of the Arroyo Seco, featuring the Colorado Street Bridge, will be available starting May 17 at Gale’s Restaurant in Pasadena, where I will be having a solo show from mid May until early July. I will likely be using it on my postcard, so I need to hold it for the show.
Spring and fall are my favorite seasons in California, and I’d have a hard time deciding which I prefer. Fall is great for the foliage in the Sierras, but spring is wonderful for wildflowers and just the feeling of lush abundance.
I’m not sure about the name of the plant that has purple flowers. I’m guessing that it’s a ceanothus but I can’t be sure. If there’s a botanist in the house and you happen to take a walk down by the bridge, maybe you could ID it and let me know. (It’s not a garden lilac because they’re not in bloom yet and it didn’t have a lilac scent.) Maybe a native lilac species?
Once a month the California Art Club comes to the arroyo to paint. I’m usually busy on those days but this month I think I’ll try to join in the paint out with my CAC friends. It’s just the most beautiful time of the year, I think.
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Malibu Creek State Park Landscape Painting – California art by Karen Winters
“Malibu Creek Afternoon Hike”
12 x 16 oil on canvas
This painting will be exhibited at the Allied Artists show at Headwaters Corner, Malibu on Sunday, March 29 – unless someone wants to purchase it before then!
More California landscapes here.
After I painted at Solstice Canyon last week, we took a hike at one of our favorite and restful state parks, Malibu Creek. This is the view after you leave the parking lot and head west into the park. I think it’s especially beautiful in the spring, when the wildflowers are starting to bloom.
I had a lot of fun using the palette knife in painting this one. Most of the time I paint with brushes. Occasionally, I’ll do a painting with only knife. On very rare occasions I’ll use both – each for what it does best. This was one of those times.
Here’s a detail of just a part of the cliff. I think it makes a nice abstract all on its own. Click to enlarge.
Solstice Canyon Plein Air Landscape Oil Painting
Solstice Canyon, Malibu (on the bridge up the trail)
9 x 12
oil on canvas
Click image to see a larger, higher quality picture
Saturday I had the pleasure of going with a group of painting friends to Solstice Canyon, a park in Malibu in the Santa Monica Mountains. When we woke up in the morning (early) it was very dark outside and I came to realize that it wasn’t just our daylight saving time change – the sky was heavily overcast. I debated going or not going, because I generally prefer to paint spring scenes under beautiful clear skies. But I decided to go paint anyway, thinking that maybe it would be a 2-panel day. One before the burnoff and one later.
As it turned out, the overcast skies never really cleared, but there was something about the silvery look and cool blue light that really appealed to me. And it’s a look that I might not have gotten on a typical sunny Malibu day.
In the earliest spring, only a few of the trees had put on their new foliage so a great deal of light came through to illuminate the ground. I can imagine that with a full summer canopy only patches of warm, brilliant light would appear. This is what I love about plein air painting. Even when you have painted a scene before, it’s never the same twice. The weather is different, or the time of day, or the season, and each of those factors interact to create different looks and moods.
Here’s a work in progress shot
