Colorado Street Bridge Painting, Pasadena, “Below the Arch”
“Below the Arch”
Colorado Street Bridge, Pasadena
11 x 14 painting
oil on canvas
SOLD
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This painting of our iconic Colorado Street Bridge went home yesterday with a new collector. I always enjoy painting the bridge, and hope to appreciate its beauty from many new angles in the coming year. This was a larger painting based upon a 5 x 7 study I did a few years ago.
Sierra Landscape Oil Painting – Bishop Windbreak, Owens Valley by Karen Winters
“Bishop Windbreak, Owens Valley”
California Sierra Landscape Oil Painting
16 x 20 oil on canvas
More Sierra Nevada paintings here
The first time that I painted this stand of trees, I thought they were aspens. The leaves were similar in shape, but the trunks are not the characteristic aspen white. The trunks looked more like cottonwoods – but the silhouette of the shape was more poplar like, and didn’t have the rounded tops.
A little net searching led me to discover that the the tree is actually a Lombardy poplar – and it is a variation of the black cottonwood. The whole botanical name is Populus nigra sp. Italia. So it’s both a black cottonwood and a poplar – and I think now my curiosity is satisfied. Whatever they are, these stately trees form excellent windbreaks along pastures near Bishop.
Twin Lakes Bridgeport Sierra Oil Painting – Autumn Cottonwoods
“Twin Lakes, Bridgeport, California – Autumn Cottonwoods”
12 x 16 Sierra oil painting
oil on canvas
More Sierra Nevada paintings here
These backlit cottonwoods at Twin Lakes in the Sierra Nevada were a perfect frame for the cool blue scene beyond. Although we didn’t take the time to fish (too many things to paint!), there were a lot of fishermen out in boats and fishing from the shore. An absolutely beautiful spot, and popular, I’m sure, with many looking for rainbow and brown trout. We checked out the little village at Twin Lakes Resort and will no doubt be back for a longer stay.
This has been an exciting few weeks with openings of several small works shows, at the Segil Gallery in Monrovia and the Silvana Gallery in Glendale, California. Our local sycamores are now turning color and it’s time for me to get out and paint some studies while waiting for layers to dry on my commissioned paintings.
High Sierra landscape miniature oil painting – This Side of Paradise – by Karen Winters
SOLD
“This Side of Paradise”
Bishop, California
Eastern Sierra oil painting
6 x 8″ miniature
Oil on linen panel
More Sierra Nevada paintings here
This little study features an area along highway 395 near the Sherwin grade, as the road climbs out of Bishop and leads up to June Lake and Mammoth Lakes.
In October the aspens are starting their transition from green to gold, and the first dusting of snow can be seen on the high peaks. The grazing meadows have turned golden and fairly glow in the afternoon sun.
This painting is for sale. It was photographed under bright incandescent light, indoors. It may look warmer or cooler on your monitor.
Interested in this painting?
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Sunset Walk – Los Osos Central Coast California Oil Painting by Karen Winters KWinters
Sunset Walk
Los Osos, Central California
Oil Painting
9″ x 12″
oil on canvas on hardboard
See more of my California Central Coast paintings here
When we were in the Central Coast area of California last spring, this scene suddenly caught my eye as we were driving back from Montana de Oro. The towering eucalyptus trees (a favorite of mine) framed a long walkway into the sunset. Although it’s a simple composition, it puts me back in that place with the dusty road, the sweet smell of gum trees, the haze in the air and the sun lowering and glowing through it all.
Last Sunday, we had the rare opportunity to watch a demonstration by noted painter Mian Situ for the California Art Club. It’s one of the many things that I really appreciate about being a member – there are so many occasions to learn something new and to be inspired by the “greats.” In addition to doing a masterful portrait in a very short period of time, Mian’s endearing personality and generous sharing of information made the occasion all the more special.
Yosemite Half Dome Oil Painting – California Sierra Landscape – Karen Winters KWinters
Half Dome, Yosemite
Oil painting on canvas
8 x 10 inches
SOLD
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In the summer, Half Dome, the iconic representation of Yosemite (it’s even their park logo) rises about a meadow filled with marshy grasses and strewn with wildflowers. When we were there in mid summer, I noticed something moving not far from me in the meadow. Suddenly, a large mule deer stood up. He had four prongs on each antler so I guess that would make him an 8-point buck. After looking around and seeing us, he casually walked a few yards, then settled down again. I got a decent photo of him. Maybe I’ll paint that some day.
Sierra Breezes Oil Painting – California Sierra Landscape by Karen Winters KWinters
Sierra Breezes
11 x 14 oil on canvas
Sierra oil painting
SOLD
More Sierra Nevada paintings here
For the last few years, fall means visits to the Sierra and, at its feet, the Owens Valley. Not only do I love it for its serenity but also the exhilarating complementary color palette. This time of year everything is orange/gold and blue. Leaves tumble with every breeze that passes through. Sometimes a storm barrels through and turns a brilliantly colored tree into a sleeping skeleton in one night. My attempt in this painting was to capture a more gentle mood near Bishop – a lightly breezy day before the soon-to-arrive storms.
In a little less than 2 weeks, I’ll be taking some of my new work to the last Montrose Art Walk of the year. This will be my last outdoor show this season.
Sierra Oil Painting – Rush Creek – June Lake Loop – Karen Winters – KWinters

“Rush Creek Overlook”
12 x 9 inches
Sierra Oil Painting
More Sierra Nevada paintings here
The June Lake loop (off highway 395, in California) has several areas where you can pull off the road and look down onto meandering streams. This viewpoint of Rush Creek (between Silver Lake and Grant Lake) was on a bright overcast day, and the hazy whitened sky made the stream look more white then blue. I liked the striking contrast with the straw colored marsh-meadow and the deep blue shaded mountainside in the distance. I used a very limited palette for this study – mostly ultramarine blue, yellow ochre and cadmium yellow light. A few tiny bits of burnt sienna and cad red added warm notes.
I have it on good authority that all those little nooks and crannies along the creek are filled with hungry rainbow and brown trout. Is it true? Fisherfolk, do tell!










