Arroyo Seco Landmarks – Colorado Street Bridge Pasadena painting
Arroyo Landmarks
12 x 16 oil on canvas
Original oil painting
SOLD
More Pasadena paintings at this link: Pasadena paintings
This is a painting I’ve been working on for awhile, and I thought it was time I finished it up while I continue progress with my fall Sierra series.
The Colorado Street Bridge (also known as the Suicide Bridge to locals) is a major Pasadena landmark, as is the Federal Courthouse, formerly the Vista Del Arroyo Hotel, which overlooks the arroyo. From a certain angle you can see both. The bridge is very tall, but surprisingly those pines are even taller.
Along with painting, I’ve been in the throes of migrating to a new computer system. My old Mac was getting slow and a few USB and Firewire drives weren’t mounting, leading us to believe that there was a problem with those buses. Fortunately I had all my files backed up, but when two of my backup hard drives went down I knew it was time to make a change. Coincidence or causality? I don’t know if the old computer could hurt the drives but I wasn’t taking any chances. Leo LaPorte (the tech guy on the radio) is fond of saying that if you don’t have your files in at least two places, you don’t have them. Even when some of my drives were heading south, I immediately backed up the data onto a new one, plus DVDs as well. I’m thinking of subscribing to Carbonite for another layer of offsite protection.
The good thing is that this new computer is much faster, which makes light work of editing photos of my paintings and organizing and cataloging my paintings.
Anyway, upgrades are a tedious and time consuming process, so I’m hopeful that now I’ll be back in the swing of posting new paintings more regularly. But you gotta do what you gotta do, right?
If you’re interested in adding this painting to your collection, please write karen@karenwinters.com
Malibu Lagoon – California seascape oil painting
Malibu Lagoon
11 x 14
oil on canvas
This is one of the paintings I’ll be bringing to the Allied Artists Art Show and Sale this Sunday, October 18 at the Malibu Nature Preserve, 33905 Pacific Coast Highway, Malibu.
It will probably be one of the last big outdoor shows of the season, so I hope that you’ll have a chance to come out and enjoy the weather at the coast. I was up in the Sierra last week, but we got rained out, so I hope to return again in a week or two, as we did last year.
Fallbrook Landscape Oil Painting – Morning Breeze – by Karen Winters
Morning Breeze (Fallbrook, California)
16 x 12″
oil on canvas
• SOLD
As the week progressed in Fallbrook, the weather cooled and large clouds would appear every morning. This painting, inspired by my visit there, depicts a view looking eastward across a small creek that helped irrigate the ranch where we were painting. Clouds are among my favorite subjects to paint and in this case they are the primary interest.
If this painting is dry, I might be bringing it to the Montrose Art Walk this Saturday on Honolulu Avenue in Montrose. I can’t promise, because it may not be dry enough. But on the other hand, at a plein air event, the patrons buy paintings at the end of a QuickDraw event, and they are soaking wet, painted just an hour before. So I might very well bring this one along.
Central California Plein Air sunset creek painting
Twilight Creek
9 x 12 plein air painting
oil on canvas
Because the light was certainly fleeting, this is my entry for illustration Friday’s theme: fleeting
Not too long ago (pre-crash) when my husband and I were on a weekend trip to see the wildflowers north of us, we saw this view at the end of a long day. Although I was tired from painting and taking pictures of the ephemeral bloom, I saw a ribbon of light by the side of the road and felt that I just “had” to paint it. “Stop the car!” I yelped to my husband. (he’s used to this – he knows what it means.) The sun was already down and I knew that I had 20 minutes, at best, before I wouldn’t be able to see the colors on my palette. (And I don’t have a hat light yet – that’s on my wish list for nocturne painting.)
So while I squeezed out some fresh paint on my palette, my love set up the Yarka on uneven ground and I started blocking in the big color shapes, aware that it was changing by the minute. When I got home I refined some of the tree shapes and the river curves, and touched up some of the canvas areas where the paint was too thin. Overall, I am very satisfied with this field study, which I might use as a reference for a larger painting, as I often do.
Plein air paintings tend to be very loose – and those that happen under changing light conditions are the loosest of all. It’s one thing to do a painting with three hours of pretty even mid-day sun … but it’s another to try to paint a scene post-sunset. But I think that’s part of the charm of it – it’s a very quick impression – colors mixed on the fly and laid down (for better or worse) with decisiveness. It’s like trying to catch “lightning in a bottle,” to quote Leo Durocher. Pretty near impossible, but fun to try.
Peaceful stream – California impressionist oil painting
Peaceful Stream
6 x 8 inches
oil on canvas
This small painting evolved as a study as I experimented with some ways to work with texture and color in clouds and reflected water using a springtime color palette. Although I do most of my paintings of specific places, sometimes I work with the landscape in a more abstract way. This is not a painting of a specific place but is inspired by landscapes and skies I’ve seen all over our state. The challenge is to unify the colors in sky and land in a convincing way.
Newport Back Bay Sunset – California Landscape Painting
Newport Back Bay Sunset
5 x 7 inch
Oil on canvas panel
This small study was painted to make some design decisions about a larger painting of Newport’s Back Bay, where we visited last week. At sunset the colors of the sky are reflected in the marshy area. The trees probably weren’t this close together (the opening to the sea is larger) but I reserve the right to tinker with the composition whenever I choose.
The rain has mostly stopped here in LA, and that means that later this afternoon we should see some dramatic skies with the clouds breaking up and leaving. If it’s not too cold I might try to get ut and paint a bit.
OK, away from they keyboard and back to the easel for me! I’m working on a large (24 x 30) commission and I need to keep on-task.
Eaton Canyon Oil Landscape Painting Study
Eaton Canyon Color
5 x 7
oil on canvas on board
These small color studies are fun to do when I don’t have time to dedicate to a larger painting. I guess that’s the essence of being a “daily painter” isn’t it? No one really expects us to finish a large painting every day, but, like Jello, there’s always room for a small study.
Although there’s not a lot of wildflower color this time of year, the remnants of autumn brush still glow against the greys and browns of winter. Buckwheat is one plant that adds a ruddy hue to any landscape. I like the white boulders that gleam in the sunlight – I think they add an interesting sculptural touch and provide contrast to the soft foliage.
This small study may be the basis for a larger work sometime soon. And speaking of larger paintings, I’ve been working on a larger Eaton Canyon oil painting, 16 x 20 inches, and I will be putting it here soon.
Owens River Fishing Spot – California impressionist oil painting
“Owens River – A good day for fishing”
14 x 18 oil on canvas
SOLD to a lovely couple relocating to Montana
This new panting features what I’ve been told is one of the best fishing spots on the Lower Owens River. It’s near Highway 168 close to a place known to the locals as “Black Rock.” In the background you can see the Eastern Sierras and the Alabama Hllls, the choclatey brown lower range, still glowing in afternoon light. For many years, the water in the Owens River was diverted for Los Angeles. Now, some of the water flows again through local steams in the Owens Valley, and the landscape is recovering. I understand that some of the best bass fishing in California can be had in this spot. The day we were there a fisherwoman was doing well. I don’t have much experience with freshwater fishing, but this place looks like a little bit of heaven.
Because the painting is wet, it’s hard to get the look of the clouds without excessive reflection. There is detail in them; it’s just hard to see. I’ll try shooting this again when it dries.
Here’s a detail of just some of the native grasses:
Yosemite Painting – Autumn, Merced River Fall Color
“Yosemite Autumn”
15″ x 22″ watercolor on paper
SOLD
See more of my Yosemite paintings here
Interested in this painting? Please write by clicking this link
The colors of fall dazzle when caught, reflected in the serene waters of the Merced River. This large (half-sheet) watercolor takes advantage of the range of Yosemite’s beauty and is a preview of some new work I’ll be showing this year, both in watercolor and in oil.
When I’m exhibiting at a public show, one of the questions that people ask me most frequently is “which do you prefer painting, watercolor or oil?” It’s a hard question because the two media are so different in some ways, yet so similar in fundamental ways. For the sheer excitement of painting with all the unpredictability and opportunity for “happy accidents” you just can’t beat watercolor. Take a look at the luminous reflections in the water, for example, they were created with a wet into wet technique. You can certainly paint water in oil (and I do it all the time) but you can’t get a look exactly like that. Oil allows you the luxury of correcting mistakes more easily. Watercolor (especially when working with staining colors) can be very unforgiving. The short answer is, I love them both, for different reasons and I find that what I learn in one medium can often be applied to the other even though paint handling is different. The basics … color, line, shape, value, feeling, interpretation, composition … these things do not change and translate easily from medium to medium.
Here’s a closeup of just a detail of one of the trees. This would actually make a nice painting, enlarged, all on its own. Hmmmm, wheels turning … stay tuned.
Brighter Tomorrows – Batiquitos Lagoon Path, near Carlsbad, California – California impressionist oil painting by Karen Winters
Brighter Tomorrows
20 x 24 inches – oil on canvas
Batiquitos Lagoon, near Carlsbad, California, San Diego County
SOLD
This is the largest oil painting I’ve painted so far, and I got a great deal of enjoyment from the process. I’ll likely be doing more larger size works, some in anticipation of my first solo show next May. This one is going to Descanso Gardens for our Encore Holiday show, hanging Friday and continuing at least through January 6 (maybe longer.)
Batiquitos Lagoon is a beautiful wetlands area popular with birders and hikers. We spent the later part of an afternoon there, and can hardly wait to get back for more. Because the light was changing so quickly, this large painting was not painted on site but was done in studio from my own photo references, on-site observations and field notes.
When it came time to name this painting, I first thought of simply entitling it “Batiquitos Lagoon Trail,” but it occurred to me that in these very stressful times something more hopeful and optimistic might better represent the feeling I tried to capture. So it is Brighter Tomorrows, and may yours be brighter with each passing day, too.
