Peaceful Pasture – Equestrian Miniature California Landscape Painting

Peaceful Pasture
(Central California)
6 x 6 inches, oil painting on canvas
SOLD

Last weekend we spent some time up in San Luis Obispo for the opening of the California Art Club’s “Gems of the Central Coast” show at the San Luis Obispo Museum of Art. We had a great time seeing old friends and making some new ones, too. Once you get out of Los Angeles you really begin to appreciate the rural beauty of the state and the quiet moods of hills, pastures, marshes and mountains. Driving up the 101 we saw many ranches with scenes just like this.

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La Canada La Crescenta View – Cherry Canyon Trail California Landscape painting


“Trail through the Foothills”
9 x 12 oil painting

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The sunlight floods the Crescenta Canada Valley in the early morning. Oak trees and other chapparal scrub frame a view of tranquility. Down below, people are gearing up to get to work. Up here, it is a reminder of how the valley used to look before it was developed, back when the early California impressionists painted. it. Remnants of buckwheat provide a warm contrast to the cool blue shadows.

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White Cactus Flower Painting – Botanical Southwestern Oil Painting of Cereus cactus by Karen Winters

Come Hither
White Cactus Flowers on a Cereus Peruvianus cactus
Oil painting 16 x 20

This wonderful cactus plant was at least ten feet tall, and covered in flowers so large and radiant that it took my breath away. The blossoms were as wide across as my hand, easily.
Those tireless workers, bees, were swarming all over them, harvesting pollen. However I chose not to paint those busy folk on this occasion. I love bees but not everyone feels the same way and I wouldn’t want their presence to prevent the painting from finding a new home. Maybe if I paint the subject again – I took many photos of this proud beauty.

White flowers are never truly white because they pick up color from everything around them – the blue violet sky light in shadow, the warm light of the sun, and so on. The value range of white varies greatly, too. Painting this was like trying to solve a large jigsaw puzzle. A bit frustrating at times, but a lot of fun.

Western Sierra Wildflower Landscape Painting – Earth Rainbow by Karen Winters

“Earth Rainbow”
(Western Sierra Wildflower Oil Painting)
9 x 12 inches
SOLD

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When morning light touches the wildflower strewn meadows of the Western foothills of the Sierra, the poppies and lupines seem to light up from within – the blue violets and golden yellows competing for the sun’s attention. In the distance the valley oaks are putting on their spring foliage. The leaves emerge as a sort of pinkish beige, then eventually green up as the weeks go on. This season of color is all too short, but glorious while it lasts. We’re hoping that all the rainfall will bring another good year to this special part of California.

Sierra Oil Painting – Sierra Daybreak – Owens Valley. California landscape painting by Karen Winters

Sierra Daybreak
6 x 12 inches
SOLD
Oil on canvas laid on panel

Light peeks over the rim of the White Mountains to the east of Owens Valley, at the base of the Sierras. If you turned and looked westward, you would see Mt. Tom, almost touched by alpenglow. It was cold and clear that November morning. Thankfully I had a hot thermos of coffee with me. It was autumn, and the dry grasses and wildflowers were ruddy looking at sunrise. A perfect complement to the cool blueviolet mountains.

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Eaton Canyon painting – California landscape oil painting by Karen Winters

“The Canyon Calls”
(Eaton Canyon, Pasadena/Altadena area)
9 x 12 inches oil painting on canvas
SOLD

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Nourished by the waters gushing out of the San Gabriel Mountains, Eaton Canyon explodes into delirious bloom – the wild mustard in shades of yellow and purple duking it out with penstemon and purple nightshade. With each bend of the trail – through the nature center area or up in the wilder parts, new vistas are revealed. Watch out for rattlesnakes and poison oak, though. This is wild country – and only partly tamed by trailbuilders.

California poppy wildflower landscape oil painting – Golden Hills of Springtime – by Karen Winters


“Golden Hills of Springtime”
6 x 8 oil painting study
on linen panel

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The foothills of the Sierra, when the weather is right, are draped in magical hues of gold, green, violet, white and orange. Amazingly, all at once. This living tapestry extends throughout the range, creating an almost mystical impression. Upon closer examination we see that California poppies grow in drifts next to white “popcorn” flowers. Fiddleheads – small yellow flowers – cover entire meadows – not to be confused with the fiddlehead appearance of opening ferns. Blue lupine provides a welcome complement. In this study I was making some changes to the actual appearance of the landforms, and experimenting with color harmony. With one small exception (a bit of ultramarine blue in the sky) this was painted with three primaries and white.

Fields of Peace – Los Osos Valley Road, San Luis Obispo County California Landscape Painting by Karen Winters

Fields of Peace Oil Painting, Los Osos Valley Road, San Luis Obispo County, California Central Coast, California impressionist landscape art by Karen Winters

“Fields of Peace”
11 x 14 inches oil painting on canvas
Central Coast California, near Los Osos
(San Luis Obispo County)

In late spring, the ranch land near San Luis Obispo starts to turn from green to a dusky brown. Here and there the dried remains of earlier grasses take on hues of violet and umber. Coastal scrub plants provide a stark contrast with their fresh green foliage. Eucalyptus, of course, stay green year round – the ever-constant providers of shade and windbreaks. As the marine layer moves in from the sea to the west, the clouds catch the light of the lowering sun and turn shades of peach and apricot.

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California Landscape Spring Oil Painting – Eaton Canyon Pasadena

“Gentle Springtime”
11 x 14 oil painting on hardboard panel
Eaton Canyon, near Pasadena, California

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I started this plein air painting a few years ago and got distracted with other things and didn’t finish it up. Now that it’s almost springtime again, it seemed like a good time to revisit it and complete it. Since then, I’ve bought an artworks essentials EasyL which is much easier to transport, and doesn’t require a separate easelmate to hold things, like this Yarka did. I like the fact that I can raise the tripod with the Easy L so I’m not looking down at the painting. I’m tall and I always ended up with a backache at the end of the day from slightly bending over at the waist. A good friend of mine said that the Yarka is great for carrying pastels outdoors, however, so I might set it up with that. Almost every plein air painter I know has a collection of easels that they try, in search of the perfect one. The biggest advantage of this old Russian Yarka is that it’s light and sets up in about 1 minute. The down side is its height and lack of adaptability to carry wet panels of all sizes.

Garden at the Ranch – San Luis Obispo – California Plein Air Landscape Oil Painting by Karen Winters

“Garden at the Ranch”
11 x 14 oil on linen panel
San Luis Obispo Central California Coast area

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I’m still catching up on posting a year’s worth of plein air paintings that didn’t get photographed when they were created. This one is from last May, 2010 at a California Art Club paint out at a friend’s ranch in the San Luis Obispo area. Although it was a gray day, the poppies and other California natives really shone through. In fact, maybe the grayness accented their colors. Our friend has a wonderful native plant garden that would rival any garden planted with cultivated non-natives. It’s drought tolerant and seems perfectly adapted to the environment – because it is!

An almost finished work in progress photo is below – thanks to my hubby for taking it. Yep, there’s that hat again.