Breeder’s Cup Bronze
9 x 12″ oil painting
This weekend is the Breeder’s Cup race at Del Mar Racetrack.
This painting is of a Breeder’s Cup statue at Santa Anita Racetrack, where the races were held in 2016.
See more of my paintings on my website.
“Grazing at Bishop”
9 x 12 inches
California landscape Oil Painting
A horse grazes in a small pasture in Bishop, California, in the Owens Valley at the foot of the Sierra Nevada. The sunlight burns through the clouds surrounding the distant Sierra mountains.
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See more of my paintings on my website.
6 x 6 inches, oil painting on canvas
Last weekend we spent some time up in San Luis Obispo for the opening of the California Art Club’s “Gems of the Central Coast” show at the San Luis Obispo Museum of Art. We had a great time seeing old friends and making some new ones, too. Once you get out of Los Angeles you really begin to appreciate the rural beauty of the state and the quiet moods of hills, pastures, marshes and mountains. Driving up the 101 we saw many ranches with scenes just like this.
Grazing at Lone Pine
(Eastern Sierras, California, near the city of Lone Pine)
12″ x 16″ oil on linen panel
Sierra Nevada oil painting
See more of my Sierra Nevada Oil Paintings at this link.
This new painting will be exhibited at Gale’s Restaurant in Pasadena beginning tomorrow as part of the Art for the Animals Group Show and Sale. A portion of the proceeds will benefit the Pasadena Humane Society and SPCA. A select group of artists were invited to explore the theme of animals for this special event. The reception will be June 27 from 3-6 pm. I hope that some of my local friends will be able to attend. The animals show will be on exhibit until September.
The eastern Sierra is a subject that I am especially fond of, and most particularly in the fall when the cottonwoods and aspens turn into deep shades of orange and gold – the perfect complement to the blue-violets of the Sierra under cloud shadows. I had been wanting to paint this scene for awhile, and Gale’s animals show gave me the perfect incentive. Between the Sierra range and the foreground (Owens valley ranch in Lone Pine) lie the Alabama Hills. The weathered reddish-brown rock formations are volcanic in origin, but have undergone metamorphosis. Scientists suggest they’re between 150-200 million years old. Early California miners named these hills for the warship, the USS Alabama.
Thanks to those of you who came out to Rancho Santa Ana Botanic Garden this past weekend for the annual Artists in the Garden show and sale. I enjoyed seeing old friends and collectors and making new friends, too.
Before the Race
12 x 16 inches
acrylic on panel
I don’t paint in acrylic too often and I’m thinking that I have overlooked a very versatile medium. I painted this scene recently of the Santa Anita racetrack in Arcadia because I needed another painting for a show featuring the foothills of the San Gabriel Mountains and the San Gabriel Valley area.
I didn’t have time to do an oil painting – because it needs to be shown this Friday afternoon in Bradbury, near Duarte. For show details, visit my events page
But acrylic gives a more opaque look than watercolor, and allows the same sort of brushwork that I’m used to with oil.
The Bowers Museum show was rewarding in every way. One of my paintings got an Honorable Mention award and sold to a new collector who also took one of my Falllbrook landscapes. One of my spring wildflowers went home with another couple. It was fun to meet new artists and enjoy the company of some of my regular painting buddies.
This weekend, Saturday the 26th and Sunday the 27th, I’ll be showing a large number of California impressionist landscape and seascape paintings at the Eagle Rock Plein Air Art Sale at 2222 Laverna Ave. in Eagle Rock.
Show hours are 9 to 3 daily, and I will be there most of the time and probably painting. A significant percentage of the proceeds go to support the Collaborative Eagle Rock Beautiful and its projects. Come learn about drought tolerant landscaping, buy some art, support a great cause and have a good time.
It’s on the grounds of the GLAD center – Greater Los Angeles Agency on Deafness. Plenty of free parking!
“San Pasqual Stables in the Morning” 9 x 12 – oil
This morning I had the wonderful opportunity to visit the San Pasqual Stables in South Pasadena, California for a group paintout. The location was challenging because I don’t frequently do architectural subjects, and morning light is hard to catch because it changes so fast. So, I decided that I was mostly concerned about getting the “color notes” right for the barn, shadow, distant trees and foreground. If I happened to get those spots of color into good shapes, all the better, but I kept my expectations low just in case.
I liked how this came out and do think it represents the feeling of hazy light between 9:30 and 10 in the morning. After that time I worked on refinement of the image rather than trying to “chase the sun” and continue modifying the shadows, color etc. That means that the “bones” of this were laid down in 20 minutes, more or less, and then as I changed shapes and edges I mixed more of the same colors that I already had.
It would have been nice if there had been some people and horses standing around outside the stables, but mostly they were inside or moving through the scene quickly and I didn’t fancy trying to fake one, so I left it alone.
There were two somewhat exciting incidents while I was there 1) a golden eagle was spotted in the vicinity, slowly gliding over the area near a few crows and 2) a big male stallion got loose and came running right near where I was standing, at the side of a corral. Now I don’t know about horses, but I think they usually have people with them – they’re not like dogs that you can just let loose to find their way home. I saw this big guy running toward me and I just froze at my easel, not wanting him to see me as threatening in any way. In a few seconds he turned and went into a corral. A groom came running after him but was clearly keeping his distance so he didn’t spook him. The groom chained the horse in the corral and then he and a few other wranglers approached him gingerly and got a halter on him to lead him back to the barn. That stallion had a lot of attitude – I’m glad he didn’t decide that I was someone to have “issues” with.