Lone Pine Afternoon – Mt. Whitney Sierra Landscape Oil Painting by Karen Winters



“Lone Pine Afternoon”
(Lone Pine Mountain, Mt. Whitney Portal, Eastern Sierra)
14 x 18 inches oil painting on canvas

As fall approaches, my thoughts turn to the color of the eastern Sierra, one of my favorite places to paint. I’m hoping I’ll get away for more Sierra painting this year, but show commitments might prevent that. We’ll have to play it by ear.

Central California Sierra Foothills Oil Painting “The Hay Barn” by Karen Winters

“The Hay Barn”
6 x 6 inches
Central California Sierra Foothills (western side)
Original Oil painting on plein air panel

SOLD

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While attending a California Art Club paint out in the Sierra foothills a few years ago, I came upon this scene of an old hay barn framed by eucalyptus with wildflower hills in the background. I thought the setting was a perfect representation of some of my favorite California things. Eucalyptus, of course … wildflowers in the hills … and rural agriculture. This small study will be a starting point for a larger painting on the same theme.

Western Sierra Wildflower Landscape Painting – Earth Rainbow by Karen Winters

“Earth Rainbow”
(Western Sierra Wildflower Oil Painting)
9 x 12 inches
SOLD

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When morning light touches the wildflower strewn meadows of the Western foothills of the Sierra, the poppies and lupines seem to light up from within – the blue violets and golden yellows competing for the sun’s attention. In the distance the valley oaks are putting on their spring foliage. The leaves emerge as a sort of pinkish beige, then eventually green up as the weeks go on. This season of color is all too short, but glorious while it lasts. We’re hoping that all the rainfall will bring another good year to this special part of California.

Sierra Oil Painting – Sierra Daybreak – Owens Valley. California landscape painting by Karen Winters

Sierra Daybreak
6 x 12 inches
SOLD
Oil on canvas laid on panel

Light peeks over the rim of the White Mountains to the east of Owens Valley, at the base of the Sierras. If you turned and looked westward, you would see Mt. Tom, almost touched by alpenglow. It was cold and clear that November morning. Thankfully I had a hot thermos of coffee with me. It was autumn, and the dry grasses and wildflowers were ruddy looking at sunrise. A perfect complement to the cool blueviolet mountains.

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California poppy wildflower landscape oil painting – Golden Hills of Springtime – by Karen Winters


“Golden Hills of Springtime”
6 x 8 oil painting study
on linen panel

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The foothills of the Sierra, when the weather is right, are draped in magical hues of gold, green, violet, white and orange. Amazingly, all at once. This living tapestry extends throughout the range, creating an almost mystical impression. Upon closer examination we see that California poppies grow in drifts next to white “popcorn” flowers. Fiddleheads – small yellow flowers – cover entire meadows – not to be confused with the fiddlehead appearance of opening ferns. Blue lupine provides a welcome complement. In this study I was making some changes to the actual appearance of the landforms, and experimenting with color harmony. With one small exception (a bit of ultramarine blue in the sky) this was painted with three primaries and white.

High Sierra California landscape ranch painting- Bishop, California


Grazing in Paradise
8 x 10 oil painting

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A herd of cattle grazes peacefully in a region called “Paradise” near Bishop, California, in the shadow of the Eastern Sierra.
If I were a cow I’d think this was a pretty heavenly place to graze, especially in the late afternoon when everything is warm and mellow.

Mt. Whitney Portal Lone Pine painting – Eastern Sierra Nevada Landscape oil painting by Karen Winters

“The Way to Mt. Whitney”
(Lone Pine, Eastern Sierra, Mt. Whitney Portal)
18 x 24 inches
Oil painting on canvas

SOLD

Although this painting is sold, find more Sierra Nevada paintings here

These days I’ve been completing some of my Sierra paintings that I’ve been working on for awhile. During the holidays things got so busy that I didn’t have the time to bring them to finish.

Interesting facts about Mt. Whitney and the Lone Pine area:

Mt. Whitney (slightly right of center in the painting) is the highest mountain the lowest 48 states, and is the most-climbed peak in the Sierra and one of the most climbed mountains in the US. It is composed of granite and is a “jointed” formation. Looking at Whitney from its east face, a formation known as “The Needles” is directly to the left.

There is little rainfall most of the year, so the eastern slopes reflect that climate. Below there are alpine forests, but at the higher reaches greenery is scarce, dominated by gray granite.

Sierra Light – Mt. Whitney Portal -Lone Pine, Sierra Nevada landscape oil painting

“Sierra Light”
Mt. Whitney Portal, Lone Pine
20 x 24 ” oil painting
Oil on linen

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This is a painting from last fall’s trip to the Sierra. I did some studies on site to capture the light conditions on that day where a storm was moving in … and this was painted in studio from those references. Because the clouds were moving rapidly, occasionally there would be a break where a shaft of light would hit the high desert below. I found that “spotlight” very intriguing.

Mammoth Snowcreek Landscape Oil Painting – California impressionist oil painting snow scene

Snowcreek at Mammoth
6 x 8 inches oil on canvas

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The combination of autumn russets and deep mountain blues at Mammoth was a compelling late fall image to paint. The soft scattering of melting snow brought an interesting texture that reinforced this transitional season. Soon the glittering golds will be gone and all will be covered in a gentle white quilt. I’ll have to return to paint that scene, too.

Willows are blazing with color everywhere there is a stream or creek in the Sierra. The Inyo National Forest is glorious to behold right now.

Lone Pine Plein Air Study – Sierra Landscape painting

Lone Pine (study)
6 x 8 oil on linen panel

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I had hoped for a sunny day when we visited Lone Pine on one of our many Sierra trips last fall. But that time a storm was on its way in, wrapping the majestic peaks in shades of gray. But I was there and I wasn’t about to be discouraged. The muted tones actually added some interesting color that I wouldn’t have had any other way, and provided a soft contrast to the vivid yellow rabbitbrush which blooms that time of year.

I’m working on Sierra studio paintings based on this and other fall studies, and they’ll be posted over the next month or so.

By far the most annoying part of that day’s paint out was the swarm of flies that appeared as soon as I set up. I’m guessing there must have been free range cattle out there at some time – or where did they come from?