Vineyard Oak
Vineyard Oak – 9 x 12 original oil painting
SOLD
We are winding down at the gallery – only three days to go before we pack up and go home on Thursday night. It’s been a good run – an interesting and educational experience in many ways. This painting was started today at the Carriage House and finished at home. As much as I enjoy painting in public I still need some quiet time alone to bring a piece to completion. My guess is that this stately oak will remain growing for some time and will not end up as a barrel. In fact, I believe these evergreen live oaks are protected species.
The inspiration for this painting was a road leading out of Paso Robles, off the 101 freeway. This is central coast wine country where the climate is just right to produce a wide range of varietal wines.
Blue skies – plein air study
“Blue Skies” – 9 x 12 oil on board
On Friday I arrived in the afternoon at the gallery and didn’t have time to do a whole small painting. So instead I decided to take my easel outside and do some more studies of clouds – this time in oil instead of watercolor. I think a lot can be learned just observing the forms of nature and the effect of light upon them. Needless to say the clouds did not hold still for this study, so I would simply look for a cloud that had a similar form and coloration as I painted this cluster of thunderheads and scattered puffy clouds. Are these cumulonimbus (any weather experts out there?) They look like cumulus on the top but they were definitely laden with rain and dark gray on the underside in places. There were smaler wispy clouds floating among them.
Actually, the colors are a lot more subtle than this photo shows. The painting is soaking wet so I can’t put it on the scanner. There are delicate blues and grays throughout the puffy areas, but jpeg compression just doesn’t reveal it.
Drifters in the Stream – and still celebrating!
SOLD
“Drifters in the Stream” – 12 x 16 – oil on canvas
Accepted into California Art Club’s biannual show, opens Nov. 3
We were celebrating yesterday because I just found out that my oil painting “Drifters in the stream” was accepted into the California Art Club’s biannual show at the Pasadena Women’s City Club at the Blinn House in Pasadena. The show, themed “Rivers and Harbors: Sources and Confluences” will open Saturday November 3 with the artists reception from 5-7 pm. So if you’re in So. Cal and would like to come see a lot of new art, including my painting and a painting by my friend and co-exhibitor at Descanso Gardens, Laura Wambsgans, please join us.
My painting (above) was inspired by a small koi-filled stream at Descanso Gardens where fall leaves were swirling in an eddy. I was captivated by the abstract patterns that were made by the leaves, the reflections of the oak trees above and the moving water. I did a Moleskine sketch on site and have been intrigued with the image ever since.
So, after I got the notice in the mail, we went out for some antipasti at a local Italian restaurant, and my dear husband snapped this shot of notoriously camera-shy me. There’s a little glass of champagne in my right hand in commemoration of this very happy week.
Also, tomorrow (Saturday) is my artists reception for Brand 36, works on paper, at the Brand Library Gallery in Glendale: 4-7 pm, so if you see me there, stop and say hi! I’ll be the one with the big silly grin on my face!
My Chinatown – in 39th annual Watercolor West
“Chinatown, My Chinatown” – 16″ x 12.5″ (before framing) – watercolor on paper
I came home from Descanso Gardens yesterday to a very special surprise. My painting “Chinatown, my Chinatown,” has been selected for the 39th annual Watercolor West show which will open December 6 at the Riverside Art Museum.
Watercolor West is a national transparent watercolor society, which means that the painting must be done with pure transparent watercolor – no opaque white paint, gouache, acrylic, collage, ink or other materials can be used. In past years there have been about 1000 entries, from which 100 paintings are chosen. I don’t know the facts for this year, yet, but that’s been the trend. With the acceptance of this painting into the show, I will become a Juried member of the society.
I painted this a few months ago using reference photos that I took in LA’s Chinatown. I used exaggerated color for the purpose of increasing the mood of fun and excitement. Complementary colors (red against green, orange next to blue) create energetic contrasts.
The sky was the first thing painted, with the painting upside down so the paint wouldn’t run into the building area. After that, the various elements of the buildings were “carved” out, reserving the whites.
The banner in the upper right hand corner was invented to confine that corner to keep the eye from going off the paper. The hanging streamers direct the eye back into the composition. Strong diagonals, as created by the lanterns and tops of building add to the feeling of energy.
The center of interest, of course, is the two small figures of mother and child walking through the scene. These figures were invented to link the foreground, middleground and background. Notice how the mother’s head intersects the background building and how her cast shadow touches the major shadow cast across the foreground. In fact, just about everything in the picture is linked through the overall value pattern
Rhythmic elements include the repetition of the lanterns from foreground to background, as well as the striping on the underside of the eaves and suggestion of rooftiles. It’s easy to get carried away with decorative elements, which usually come in the final stages of painting. The tassels on the banner in the upper right echo the windows in different parts of the picture.
I think that it’s worth mentioning that even though I rarely do architectural subjects, I intentionally avoided using any straightedges or other aids in painting this so as not to get caught up into a stiff, controlled feeling. In my opinion, the unevenness of the buildings suggests their age and adds to the liveliness of the subject.
I have mentioned frequently on this blog how fond I am of California scene painting of the 1930s through 1950s. This painting is my homage to the great painters of that era, to whom we are most indebted.
High Desert Trails – Karen Winters Daily Painting
SOLD “High Desert Trails” 8 x 10 oil on board (road from Palm Springs to Idyllwild)
This painting was started over the weekend at Descanso Gardens as a demonstration painting for people who took a few moments to visit our gallery. I finished it on Sunday night at home and now it’s ready to post.
As I explained to our guests, this painting started with a photo that I took along the road from Palm Springs to Idyllwild in an area known as Pine Crest which looked as though it was soon to be graded and developed. When I’m painting at the gallery I usually bring a photo reference to work from – often something I’m been thinking about for some time. I don’t think that I’ll have time or space to bring this painting back to the gallery, but it’s available.
A touch of home – karen winters daily painting
“A Touch of Home” – oil on canvas – 12″ x 16″
First of all, welcome to all the new readers that I’ve told about my blog in the past few days – gentle folk who have passed through our gallery and left me with wonderful memories and stories. I hope that you’ll find the artwork displayed here enjoyable to see – and maybe you’ll even find something you’d like to give a home to. Each of these paintings are very special to me – and most have a story to go along with them.
I worked on this still life for two days in the gallery, and then took it home to have a second look and to put on some finishing touches. Soon it will be signed and framed. In my living room I have a place where I can set up still life setups and they are illuminated by western light. When the afternoon sun comes streaming in, it touches everything with a wonderful golden radiance. Fresh flowers are always a favorite component of these arrangements, but I also include fresh fruit and some of the decorative cobalt blue bottles I’ve collected through the years. I like the cut glass vase not only for its faceted design but also the way it picks up the color of adjacent objects.
Desert Hills – Daily Painting
“Desert Hills” – 5″ x 7″ pastel
The colors of the desert near Palm Springs provided the inspiration for this small pastel painting, which I worked on today. It was quite gray and drizzly today at the show, but it didn’t seem to dampen the spirits of our visitors.
Just to give you an idea of what a difference a frame can make, here’s an example of how this little painting might look with a simple gold frame
Under Autumn Skies – Arroyo Seco – Pasadena
“Under Autumn Skies” – 11 x 14 oil on canvas
SOLD
This was the painting I worked on yesterday at Descanso Gardens’ Carriage House Gallery. I did a good part of it during the day while I gallery-sat, then finished the rest at home in the evening.
The place is the upper Arroyo Seco, north of Devil’s Gate Dam – AKA “Hahamongna Park.” When the weather starts to turn the river-loving willow trees turn yellow and big puffy clouds billow over the San Gabriel Mountains, as they did a few days ago. But the graceful eucalyptuses continue to provide a gray-green accent, year round.
Today I worked on a still life painting, which I will try to finish up this evening or in the next few days.
Although I am used to painting every day, the experience of demonstrating for the public every day has been good for me. The response has been positive and people really seem to enjoy seeing art as it is being made. If you’re in Southern California, I hope you can come up for a visit before the show ends at 4 pm October 11!
Azalea Spring – Daily Painting
“Azalea Spring” 5×7 oil on board
SOLD
Today I enjoyed visits from Ginny L. and Louisa M. of our Wednesday morning paint out group, as well as from Nan and her friend Barbara, two other art buddies. One of our son’s friend’s mother dropped by as well, so I had a wonderful time socializing and painting all day today. Having good friends visit just makes the day fly by!
This small painting represents a shady glen at Descanso when the azaleas are in full bloom.
Although this painting is sold, I’d be happy to paint something similar in the size of your choice, with much more detail, as a commissioned piece.
Onion and Peppers – Karen Winters Daily Painting
“Onion and Peppers” – 5″ x 7″ oil
Yesterday, my “Blackberry Summer” still life painting found a home with a collector, so I painted another little vignette in the same still life genre. It’s soaking wet, which is why the top of the painting is glistening from the light shining on it. When this is dry it will go to the gallery, unless it gets nabbed from the blog first.
Today I think I might paint some cut flowers as part of my demonstration today. When we arrived on Sunday morning to get ready for our reception, we saw that some beautiful flowers were being removed from the manor house nearby – there had been a wedding the night before. I inquired about the destination for the flowers and rescued them from a fate in a landfill. There was plumeria, bells of Ireland, lisiatris, roses, hydrangea and many other beauties. If they’re still a few fresh ones this morning I think it might be interesting to turn into a watercolor or small oil painting. I’m going to play it by ear.
I have been remiss in responding to all the lovely comments and good wishes you’ve left here and sent to me privately in the past few weeks. I want you to know that I appreciate each and every one of them and I am not ignoring you. I’m just very short on sleep and have to stay focused on painting and prepping each night for the day to come. I promise to make the rounds of seeing what you all are doing, and answering questions, just as soon as I can. Karen
