California plein air landscape painting – Wildflower Hills
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California Wildflower Hills
9 x 12 plein air painting
oil on linen panel
See more of my landscapes here
A few months ago, after keeping an eye on the wildflower reporting sites, we took a trip up into the foothills of the western Sierras. The online sources were right – they really were really spectacular this year. I started this painting on site, and have been waiting for the opportunity to touch it up in studio before posting here. Among the challenges at this location was a storm system that cast ever-changing shadows over the golden hills. One minute the foreground was in light and the background in darkness. Five minutes later it was the reverse. At the point of laying in my darks I decided to go with the cloud shapes on the distant hills and leave the foreground hill bright, and then to paint it that way no matter what nature was doing.
Next week, after my show is hung this Saturday at Gale’s Restaurant in Pasadena, I should be back to painting and posting regularly. There are just too many details to take care of right now.
Fallbrook Landscape Oil Painting by California Impressionist Karen Winters
Spring to Summer in Fallbrook
9 x 12 oil painting on canvas
A country ranch road in Fallbrook, California
SOLD
This painting is sold but I have others from the area. Please write me.
Here’s another little landscape inspired by my Fallbrook trip. There were several mornings when the marine layer had moved in and was cloaking the hillsides with a gauzy look. Around 8 o clock the mist would start to burn off. You can see where the grasses on one part of the field have already started to turn golden. Other foliage still maintains the fresh spring look.
I haven’t posted in a few days because it’s been very busy getting ready for my show at Gale’s Restaurant, celebrating Mothers’ Day and taking care of other family responsibilities.
Did you know that if you want to see all of my paintings in any one category – such as all Fallbrook paintings, or all mountain paintings that you can filter these posts by categories? Look for the pulldown menu in the left sidebar.
Karen Winters California Impressionism New Works Show at Gale’s Restaurant, Pasadena
If you’ve been following my blog, you know I’ve been preparing for this event for some time.
So, if you’re in the LA area and would like to see my work in person, I invite you to come to my show of California impressionist fine art.
Place: Gale’s Restaurant
Address: 452 S. FairOaks in Pasadena, California
Dates: Sat. May 16 – Friday, July 10
Reception: Sunday afternoon, May 31, 4-6 pm.
nodp
Windbreak – California landscape oil painting – Karen Winters
Windbreak
10 x 12 oil study
SOLD
This little windbreak was interesting with its varied heights and shapes. It reminded me of a group of kids lined up for their school picture, or perhaps an a capella group getting ready to perform. I had a good time capturing the top light on the trees, which suggests the middle of the day. The short shadows communicate the time of day as well.
Studies are useful for many purposes – we learn about how to render certain types of plant life, how to capture the quality of light at a certain time of day, how to describe distant and near objects, even how the sky looks under different weather and lighting conditions.
California Oak Wildflower Landscape – Karen Winters
The Oak’s New Spring Gown
9 x 12 oil on canvas panel
SOLD
In the western foothills of the Sierra range, valley oaks begin to deck themselves in fresh green foliage … lacy layers of silken fluff. Out in the meadows they look like girls going to their first big dance. The late light of day puts the lady in a spotlight as admiring wildflowers look on.
The Meadow Wakes – California landscape painting – Karen Winters
“The meadow wakes”
(Sierra foothills, east of Visalia)
6 x 8 oil on canvas
SOLD
When the first strong rays of light hit a meadow filled with fiddlehead flowers, the mist was still rising from the nearby hills, providing an interesting contrast of saturated and desaturated colors. The statuesque valley oak was just starting to put out its new foliage, creating that lacy effect that is only characteristic of earliest spring. I wonder what it would be like to live on a farm like this, with so much beauty to see in every season.
California plein air oil painting – Days End in Fallbrook
SOLD
Days End in Fallbrook
California landscape plein air painting
11 x 14 oil on canvas
At the end of the first day of Libby Tolley’s workshop, which was held in the classroom, I was excited to get outside and find a location to paint. All day the temperatures soared into the high 90s, maybe even 100 degrees, and we were all relieved to paint and practice indoors. As evening came, it had cooled off enough to be tolerable. But on top of that there was a brush fire nearby which filled the air with smoke and gave the sky a warmer than usual color. The color combination was irresistible.
What attracted me to this scene was the beautiful eucalyptus, and the layers of color and foliage disappearing in the smoke back to the distant mountain range. On any given day, the scene may have looked entirely different. A little earlier in the year and the foreground grasses would have been green. On a fire-free day the atmosphere would not have provided the interesting sky effects of warm and cool, intermixed. In the morning, everything would have been lit from the opposite direction. This is one of the things I love about plein air painting – the practice of capturing a very specific moment in time that may never occur again.
While I was there, next to a curb on a culdesac where no houses were built, a man who lived nearby hailed me with a wave and I told him what I was doing. He and his sons came over to watch me paint for awhile, and then I packed my things up. It turns out he’s in the agricultural business and knew a number of places to paint where there are reflective pools of water. Like I’ve said before, I think I could be in the middle of the wilderness and still draw a crowd. It always happens and because I’m a social person, I don’t mind sharing my love of painting.
A plein air study – granite rock group
Sketchbook, rock study
From time to time I’ve mentioned that I keep an industrial-strength watercolor sketchbook with nature studies of trees, geology, animals (occasionally) and other features of the natural world. Because the focus of this blog has changed to reflect my evolution into a full-time painter, I have stopped posting those studies. But recently I’ve joined .a group of nature sketchers on a group blog, so I will be posting some of those studies here as well. And, of course, I’ll continue to post new paintings daily, or as often as I can.
This is a study of some granitic rocks in cool morning light. The gentle morning light made the gray rock look violet, which was a beautiful complement to the yellow green spring grass. I did this study to learn more about how rocks can have several types of shadows, depending upon whether there is a hard or soft edge. This sort of observation is very useful to a plein air painter, whether one works in an impressionist or realist style.
For those of you who get this blog in an email, you may notice that these sketchbook posts will have the words “nodp” at the bottom. That is a secret code that tells the Daily Painter software not to post these entries to dailypainter.com because it’s not a painting for sale. So if you’re wondering what that phrase means, now you know.
nodp
Fallbrook Landscape Oil Painting – Morning Breeze – by Karen Winters
Morning Breeze (Fallbrook, California)
16 x 12″
oil on canvas
• SOLD
As the week progressed in Fallbrook, the weather cooled and large clouds would appear every morning. This painting, inspired by my visit there, depicts a view looking eastward across a small creek that helped irrigate the ranch where we were painting. Clouds are among my favorite subjects to paint and in this case they are the primary interest.
If this painting is dry, I might be bringing it to the Montrose Art Walk this Saturday on Honolulu Avenue in Montrose. I can’t promise, because it may not be dry enough. But on the other hand, at a plein air event, the patrons buy paintings at the end of a QuickDraw event, and they are soaking wet, painted just an hour before. So I might very well bring this one along.
Fallbrook Country Road – Plein Air Study
Fallbrook Country Road
Plein air oil sketch
9 x 12 oil on canvas laid on board
Eucs, palms, oaks, sycamores. I’d have a hard time deciding upon my favorite California tree.
This time, eucs are featured. and it turned out to be one of my favorite on-location oil sketches from Libby Tolley’s workshop. It was late top-light, about 3 in the afternoon, before the sun made its final descent. The hillside was starting to go into shadow, but the warm light was still touching the tops of the brushy shrubs here and there. The eucs are getting the kiss of the sun on their heads but shortly afterward became more sidelit. What attracted me to this scene was the warm glow of light striking the grass at the base of the eucs. I thought that it gave an interesting way to show the trunks that are usually hidden in shadow.
This is a transitional season painting. There still remains some spring grass, especially in the irrigated pasture, but the non-irrigated fields are turning the gold so characteristic of California in the summer and fall. The warm light of the day creates cool shadows – and I like the way the gold of the grass complements the shadowed blue-violet. The suggestion of fence posts adds a bit tot he composition, but I didn’t want to paint them so stiffly and regularly that they became a barrier. Just enough to let you know it’s a fenced pasture, no more.
If you’re in LA, this Saturday I’ll be showing paintings at the Montrose Artwalk, May 2. I’ll be near the bowling alley.
