Colorado Street Bridge – Summer Landscape California Oil Painting
Pasadena Bridge – Summer Days
(Colorado Street Bridge)
8 x 10 oil on canvas
SOLD but I have other bridge paintings
This California landscape is one that is familiar to residents of Pasadena and the communities surrounding the Arroyo Seco. The Colorado Street Bridge , seen here looking northward, rises over the grassy fields that are now turning golden. Only the evergreen eucalyptus, oaks, willows and other natives keep their colors. The 134 freeway bridge can be seen in the distance. On these late spring days it’s not uncommon to see thunderheads building over the San Gabriel Mountains – you can feel the humidity build up at those times.
I am counting down the days until my reception at Gale’s Restaurant in Pasadena. Sunday, May 31, 4-6 pm. If you’re local, I hope you can come!
Book tip of the day: Kevin McPherson’s Landscape Painting Inside and Out: Capture the Vitality of Outdoor Painting in Your Studio With Oils
Chapparal Trail
Chapparal Trail
(Dunsmore Canyon, La Crescenta)
9 x 12 oil
We’re having some unseasonably hot weather right now. Today it was in the high 80s and tomorrow it’s likely to be 90. Last year, when I was doing the Sierra Madre Art Fair, it was 100 both days. Because I am showing so many paintings at Gale’s (which hung this morning) I opted not to do the SM Fair just this year. It seemed like I’d be burning the candle at both ends to have 30 paintings for Gale and another 20 for a fair booth. Now, seeing the weather (again) I’m glad I opted to pass. Next year I might do it again, though. Now I’m home in my studio, staying cool, and working on some other projects.
Fallbrook Landscape Oil Painting by California Impressionist Karen Winters
Spring to Summer in Fallbrook
9 x 12 oil painting on canvas
A country ranch road in Fallbrook, California
SOLD
This painting is sold but I have others from the area. Please write me.
Here’s another little landscape inspired by my Fallbrook trip. There were several mornings when the marine layer had moved in and was cloaking the hillsides with a gauzy look. Around 8 o clock the mist would start to burn off. You can see where the grasses on one part of the field have already started to turn golden. Other foliage still maintains the fresh spring look.
I haven’t posted in a few days because it’s been very busy getting ready for my show at Gale’s Restaurant, celebrating Mothers’ Day and taking care of other family responsibilities.
Did you know that if you want to see all of my paintings in any one category – such as all Fallbrook paintings, or all mountain paintings that you can filter these posts by categories? Look for the pulldown menu in the left sidebar.
Karen Winters California Impressionism New Works Show at Gale’s Restaurant, Pasadena
If you’ve been following my blog, you know I’ve been preparing for this event for some time.
So, if you’re in the LA area and would like to see my work in person, I invite you to come to my show of California impressionist fine art.
Place: Gale’s Restaurant
Address: 452 S. FairOaks in Pasadena, California
Dates: Sat. May 16 – Friday, July 10
Reception: Sunday afternoon, May 31, 4-6 pm.
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California Sycamore Springtime Landscape Painting
Sycamore Spring
11 x 14
oil on canvas
For a few brief weeks in the spring, sycamore trees rapidly put out new growth and are quickly covered with a veil of palest green. This beautiful transformation doesn’t last long, and the leaves quickly turn deep green and expand to the size of a hand.
If you’ve noticed that I’m painting the Santa Monica mountains a lot lately, it’s because spring in this wildflower covered area is truly glorious, and … I’m getting ready for a spring show with the Allied Artists of the Santa Monica mountains and seashore. The date is March 29, a Sunday, from 11 to 4 at Headwaters Corner, which is the intersection of Old Mulholland Drive and Topanga Canyon in the Santa Monica Mountains. If you’re in So Cal, come say hello.
Peaceful stream – California impressionist oil painting
Peaceful Stream
6 x 8 inches
oil on canvas
This small painting evolved as a study as I experimented with some ways to work with texture and color in clouds and reflected water using a springtime color palette. Although I do most of my paintings of specific places, sometimes I work with the landscape in a more abstract way. This is not a painting of a specific place but is inspired by landscapes and skies I’ve seen all over our state. The challenge is to unify the colors in sky and land in a convincing way.
Descanso Rose Garden Pathway
Descanso Rose Garden Pathway
8 x 10 oil on canvas on board
Available for sale.
This painting has evolved through the years. It started as an oil sketch a few years ago, but I put it away, dissatisfied. Today, with a few miles under my brush, I took it out again and revisited the subject. I’ve noticed differences in how I paint certain subjects. I’m more aware of color in shadows, and I tend to paint masses of leaves and flowers rather than just individual blossoms. I’m more likely to change the scene from “what is” to “what could be.” And I am more inclined to simplify and not to put in every bench and bud if it doesn’t add to the composition. The painting is wet so I had to filter it a little bit to get rid of all the distracting specks from the indoor light. When it’s dry I’ll either scan it or take it outside on a non-rainy day and shoot it in light shade or indirect north light. Which is to say, it’s a bit crisper than this.
If you’re interested in this painting, please write. My email is at the top left of this blog.
Tuscany Oil Painting – “Tuscan Sunshine” – Karen Winters
“Tuscan sunshine”
6 x 8 oil on canvas
Clicking the image will enlarge it.
SOLD. But I have more paintings on my website
If you’re interested in this painting, please write.
On a cold rainy February day, this small study of Tuscany warms me to the core. The vineyards below may be growing the grapes for a fine Chianti. Cypress trees gently sway in the breeze. I want to walk down that hill and rest in the shade of a small orchard. Someday soon, I hope.
Pomegranate Orchard, impressionist oil painting
Pomegranate Orchard
11 x 14 oil on linen
SOLD (commission)
This was a very interesting project to do, and one which I thoroughly enjoyed. A woman wanted a painting of a pomegranate orchard to give to a loved one for a Christmas present. The man had grown up in a middle eastern country where such groves were common, and he had childhood memories of playing there. I had never painted in that country, nor did I have any usable reference material, but I did a little research and realized that the area had a mediterranean climate and that the geography looked much like parts of California. So, I used a late afternoon photograph of a grove in California and used local reference photos of pomegranate trees to create an imaginary composite, which I showed her for her approval. So, this was the result, and I understand that her friend was very happy with the result.
We all love to paint from real life whenever we can. But this is one of the occasions when it’s just not possible. That’s when we, as artists, draw upon our memory and study of nature, and from having painted so much outdoors that we can craft as scene as it might have been.
If you’d like to give a special painting to someone commemorating a place or an event, but you don’t have a picture to work from, we can probably come up with a solution, just like this orchard from long ago and far away.
Matilija Poppies – California Impressionist Botanical Flower Oil Painting
Matilija Poppies Trio
11 x 14 oil on canvas
These papery white beauties were growing near the Serra Center in Malibu one blustery summer day. The exciting thing about painting white flowers is enjoying all the colors they pick up from their environment.
This painting blurs the line between abstraction and realism and I hope that it is successful in that effort. I was impressed by something I read recently by Marilyn Simandle (watercolorist and oil painter.) In her book “Contagious Enthusiasm” she says ““If a painting has too much detail it is as if someone is dominating a conversation and if a painting is too abstract it is like someone speaking in a foreign language.†I thought that was such an interesting metaphor for finding the “sweet spot” between realism and abstraction. The thought inspired me as I worked on this painting.
