Heavenly Light – California Tonalist Landscape Painting – Devils Gate Dam – Hahamongna Park – Arroyo Seco by Karen Winters
SOLD
“Heavenly Light at Devil’s Gate Dam”
(upper Arroyo Seco –
Hahamongna Park – La Canada Flintridge, Pasadena)
9 x 12 oil on linen plein air panel
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When we have heavy rain, the waters really back up behind Devil’s Gate Dam in the Upper Arroyo Seco, between La Canada Flintridge and Pasadena.
The graceful eucalyptus and willows have their feet in swampy water. I’m sure the water loving willows love it – not so sure about the eucalyptus. In time the waters will filter down into the aquifer, recharging the subterranean reservoir. But for now, they provide a beautiful reflecting surface in which to see the ever-changing skies.
California plein air seascape oil painting of Morro Bay – Montana De Oro by Karen Winters
SOLD “A Walk to the Dunes”
(Morro Bay, Montana de Oro vicinity, San Luis Obispo)
8 x 10 plein air oil painting on linen panel
See more of my California Central Coast paintings here
The day after the reception for the California Art Club group show at the San Luis Obispo Art Museum, the weather was perfect for some painting. In the morning I painted at Karner’s point (near Baywood Park) and in the afternoon, the destination was this spot near Montana de Oro. The hazy late afternoon light created a magical look to the whole scene. The tranquil sea can be seen beyond the distant dunes. Large eucalyptus trees shelter one of the many small houses in the area. From this viewpoint, if you were to look another 30 degrees to the right you would see Morro Rock.
Interested in this painting?
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Morning at the Cove – Baywood Park, Morro Bay California Impressionist Plein Air Painting by Karen Winters
“Morning at the Cove”
8 x 10 plein air oil painting on linen panel
Cuesta Cove, Baywood Park (near Morro Bay, Los Osos area)
California Central Coast
SOLD
This plein air painting was done last weekend while I was up in San Luis Obispo attending the opening of the California Art Club “Gems of the Central Coast” show at the San Luis Obispo Art Museum. The morning after the reception, some of my painting friends and I went over to this picturesque area. When I began to paint, the tide was in and the water was very still, allowing a beautiful reflection of the eucalyptus grove. By the time an hour had passed, the wind came up and the reflection was gone. Such is the plein air life!
Peaceful Pasture – Equestrian Miniature California Landscape Painting
Peaceful Pasture
(Central California)
6 x 6 inches, oil painting on canvas
SOLD
Last weekend we spent some time up in San Luis Obispo for the opening of the California Art Club’s “Gems of the Central Coast” show at the San Luis Obispo Museum of Art. We had a great time seeing old friends and making some new ones, too. Once you get out of Los Angeles you really begin to appreciate the rural beauty of the state and the quiet moods of hills, pastures, marshes and mountains. Driving up the 101 we saw many ranches with scenes just like this.
See more of my California Central Coast paintings here
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Western Sierra Wildflower Landscape Painting – Earth Rainbow by Karen Winters
“Earth Rainbow”
(Western Sierra Wildflower Oil Painting)
9 x 12 inches
SOLD
See more of my California wildflower paintings here
When morning light touches the wildflower strewn meadows of the Western foothills of the Sierra, the poppies and lupines seem to light up from within – the blue violets and golden yellows competing for the sun’s attention. In the distance the valley oaks are putting on their spring foliage. The leaves emerge as a sort of pinkish beige, then eventually green up as the weeks go on. This season of color is all too short, but glorious while it lasts. We’re hoping that all the rainfall will bring another good year to this special part of California.
Clivia Botanical Painting Kaffir Lily – Descanso Gardens Oil Painting by Karen Winters
“Clivia – Kaffir Lily”
10 x 8″ oil painting on hardboard
Botanical painting – Descanso Gardens
See more of my Descanso Gardens paintings here
Clivias, also known as bush lily, glow with bright orange colors through thickets of dark green strapping foliage. These secondary colors (orange and purple) make a nice contrast to each other. Painting this was like working a jigsaw puzzle. Every flower has dimension. The petals turn with the light, and the strappy foliage intersects the blooms in interesting patterns.
I don’t do a great number of botanical studies – especially not realistic ones – but I’m thinking of doing more this year as I redevelop my garden which will provide material for compositions. In the meantime there is always Descanso gardens, walking distance from my house, where I’ll have a solo show in the Heritage Gallery in the Boddy House mansion this November and December.
(There’s a little bit of glare at the top of the painting due to the wetness of the paint and the light source. Pretend you don’t see it.
Eaton Canyon painting – California landscape oil painting by Karen Winters
“The Canyon Calls”
(Eaton Canyon, Pasadena/Altadena area)
9 x 12 inches oil painting on canvas
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See more Pasadena area paintings here
Nourished by the waters gushing out of the San Gabriel Mountains, Eaton Canyon explodes into delirious bloom – the wild mustard in shades of yellow and purple duking it out with penstemon and purple nightshade. With each bend of the trail – through the nature center area or up in the wilder parts, new vistas are revealed. Watch out for rattlesnakes and poison oak, though. This is wild country – and only partly tamed by trailbuilders.
California poppy wildflower landscape oil painting – Golden Hills of Springtime – by Karen Winters
“Golden Hills of Springtime”
6 x 8 oil painting study
on linen panel
See more of my California wildflower paintings here
The foothills of the Sierra, when the weather is right, are draped in magical hues of gold, green, violet, white and orange. Amazingly, all at once. This living tapestry extends throughout the range, creating an almost mystical impression. Upon closer examination we see that California poppies grow in drifts next to white “popcorn” flowers. Fiddleheads – small yellow flowers – cover entire meadows – not to be confused with the fiddlehead appearance of opening ferns. Blue lupine provides a welcome complement. In this study I was making some changes to the actual appearance of the landforms, and experimenting with color harmony. With one small exception (a bit of ultramarine blue in the sky) this was painted with three primaries and white.