Chinatown, Los Angeles oil painting – California Art Club Plein Air Paint Out

Chinatown Afternoon
11 x 14
plein air painting
oil on canvas panel
• SOLD

Good times just don’t get any better than this. The California Art Club, which is celebrating its centennial this year, invited all members to a big paintout in Los Angeles’ historic Chinatown. Although rain had been threatened, morning brought fair skies and the promise of a picture perfect day. We arrived around 10 am to a very well-organized reception, complete with coffee and pastries – and then we were free to roam the streets of Chinatown looking for the best angles.

CAC members were there at the gracious invitation of the Chinatown Business Improvement District and we were impressed by their hospitality, including the delicious artists’ reception which refreshed us at the end of the day.

To paint, I found an angle just off the main plaza on Broadway, looking toward two of the most colorful buildings. As I explained to people who passed by and stopped to chat with me as I painted, I’m more of a tree and mountain sort of gal (as you blog readers know) – but there’s something about the ornate facades of these beautiful historic buildings that just steal an artist’s heart. In the late afternoon the warm sun makes everything radiant. At that hour, once again, it’s the Chinatown I remember visiting as a child, throwing coins into the fountain to make a wish, buying candied ginger and imported seashells from faraway shores.

The smell of the sea, joss sticks, firecrackers, oolong tea, fried shrimp … the sounds of music emanating from every shop, the babble of conversation in Spanish, Chinese, English and the tinkle of wind chimes … the cool breeze riffling the hanging lanterns and flags … a visit to Chinatown is a sensual delight not to be missed. If you’re an Angeleno and you haven’t been there lately – it’s time to discover it again.

And speaking of things to discover … if you’re an artist living in California, come join us in the CAC and become a part of a grand artistic tradition.

California Plein Air Landscape – California Mission Garden at Descanso Gardens

California Mission Garden at Descanso Gardens
11 x 14
oil on canvas, plein air painting


Interested in this painting? Please write!

The good news: it was a picture perfect day in Southern California. Perfect, in fact, for April. The bad news: this is February 1, and no rain in sight. We desperately need rain, both for the snowpack on the Sierras and to nourish our local flora as well. But I tried to make the best of a bad situation by going out to paint at Descanso Gardens today in the Rosarium. The good news: it wasn’t too busy because everyone was home getting ready for SuperBowl parties. The bad news: there weren’t any roses to paint, either (duh) because they had all been pruned back in anticipation of a fabulous spring bloom. So we looked around to find something as sparkly and fetching as newly opened roses and I came upon the Mission Garden fountain, glistening in the afternoon sun.

I got set up around 1:30 and by 3:30 the light had changed so completely that I packed it in. In the meantime, I enjoyed painting and sharing my love of plein air painting with others.

I thought I was painting, but it turned out I was drawing … a crowd. Of course, I love talking to people about painting so I didn’t mind, and it was good practice for the demo I’ll be doing in May for a local art club. I expect they’ll want me to talk while painting and I don’t want to disappoint them!

For those of you who like to know what I’m using … I have a small 7.5 lb. Yarka easel which sets up very quickly. I should have had an umbrella but didn’t. I should have been wearing a black apron but wasn’t. I have an easel pal that sits on the easel and holds my palette in the middle, while the wings open up and hold OMS, brushes, spare paper towels and whatnot.

Arroyo Seco Path – California watercolor sketch

Arroyo Seco Path
7″ x 5.5″ watercolor sketch


For more information about my work, please write

One of the most frequent questions I get about my paintings is whether they are all done plein air style (no) and, if not, what I use for reference. Although I do use photos to catch specific details of trees and structures, especially when painting architecture, one of my most valuable tools is my sketchbook. Because my roots are in watercolor, I usually do plein air sketches using that medium. This is a quick way to get color notes and the general layout of a landscape subject without having to fuss with too much detail.

General color areas are indicated with a quick wash. The colors of the shadows can be added when those are dry (and outdoors, watercolor dries fast!)

Using watercolor as a plein air medium has a long history among 19th century painters, and noteworthy is John Constable. His field work formed the basis for his later oil paintings. Eugene Delacroix followed the same practice.

Watercolor painting has the benefit of being quick and portable, and it is a good way to capture the mood with few strokes. Although I love plein air oil painting and do it as often as I can, it’s not always easy to set up an easel. But a watercolor sketchbook can be opened and put to use in a few minutes. A portable watercolor palette, a spray bottle, a collapsible water bucket and a few brushes, some paper towels and I’m good to go. And I can carry a kit in the car so it’s handy at any opportunity.

Langham Huntington Hotel Wedding reception – plein air painting – Karen Winters

Courtyard Wedding Reception, Saturday, Nov. 22, 2008 at the Huntington Langham Hotel
Original plein air painting, 9 x 12 oil on linen on board
SOLD

This past Saturday I had the pleasure of painting at the Huntington Langham Hotel in San Marino as a participant in an “artist in residence” program. I was the participant sponsored by the Segil Fine Art gallery in Monrovia. Because a wedding reception was planned for the early evening, I passed the afternoon painting indoors and brought a photo reference to work from. As night fell, wedding guests filtered in from the ceremony which was held in the garden. Although my painting time was up, I couldn’t leave, transfixed by the beautiful party. Within a short period of time it became very difficult to see the guests, so I used a little imagination to fill in the spaces and to make up for my myopia.

I don’t know the happy couple but perhaps some day they will google their wedding date and the name of the Huntington Hotel and find this memory of a very special occasion, and I hope it will bring them a smile. I think I heard someone say that the bride grew up in Shanghai, but that was only a snippet of a conversation overheard in passing.

And yes, I would love to do this again. So if you’re planning a wedding and want a plein air painter to create a unique fine art memory of your event – in a garden, a meadow, a beach or any special place, please feel free to ask.

Folklorico Dancers at Pasadena Civic Auditorium

Plein air oil painting
9 x 12 oil on canvas board

This may have been the most difficult plein air painting I’ve ever done. I’m not complaining, mind you. I love to paint outdoors and the dancers were beautiful with their colorful costumes, but it was just challenging for a variety of reasons. For one, the colors of the sunset changed moment by moment. I hadn’t taken into consideration how dark it would be when the dancers appeared in the plaza (yes, 7:30 is dark, it’s not summer any more, even though temps are still in the 90s!) And even though I arrived early to get the Paseo Pasadena background blocked in, the colors of the buildings changed by the minute. The dancers of the Clasica troupe performed for about a half an hour with one costume change. (This was the first costume, the second costumes were all white) It was the best I could do to get a suggestion of the swirling skirts. I hope the beautiful ladies will forgive me for not including faces, but I only had time for an impression of the scene – and the paint was flying!

Because plein air painting means simplifying the design and making choices about what to include and what not to include, I simplified this scene by just suggesting some of the major buildings in the Paseo Mall, the shape of the Sierra Madre Mountains, the foreground plaza and the dancers themselves. All the windows and details were reduced to a few glowing shapes to convey a night scene. The dark shapes of palms in the distance form a border to the setting. I left the painting of the ground under their feet until I got home and could assess what the painting needed.

I’m going to have to try “urban night” again sometime, and see if I can incorporate what I learned from this experience.

The dancers were appearing as part of opening night festivities for the Pasadena Symphony – and their performance was wonderful!

Rialto Theater South Pasadena Plein Air Oil Painting

“The Rialto”
9 x 12
plein air oil painting on panel
SOLD

Last Sunday, a group of 30 or more plein air painters affiliated with the California Art Club gathered together in South Pasadena for a paint-out at the venerable Rialto Theater, which has fallen into disrepair in the past few years. The paintings which we created will be sold in the Rialto Visions show and a portion of the proceeds will go to restoring The Rialto to its former glory. Some of us also painted other scenes of South Pasadena, which I will be posting here and on My Gallery website.

I arrived at the event in the afternoon and caught the building in partial shade from across the street.

Although there were promos on the marquee for movies and theater rentals, I opted to leave it empty so that a potential purchaser could always imagine their favorite flick playing there, and relive some fond memories.

Still Life with Red Vase – Karen Winters

5 x 7 oil
Still Life with Red Vase

A small study of a vase with a sprig of abelia from a bush blooming outside our door. Painted from life.

I’m off to a nocture paintout this evening, which should be an interesting challenge. I’ve scouted the location and know what to expect, generally, but lighting is always a surprise.

This past week I’ve been trying to spend some time catching up and decluttering my studio. It’s easy to let things get out of control when painting on deadline and doing the multitude of other things that an art business involves. In the act of sorting, filing and calendar updating I gain a greater feeling of control and relaxation and in a small way, I almost look forward to that time. Order … tranquility … letting the mind settle quietly.

Gotta run … more later.

Pacific Palisades Hillside – Will Rogers State Park by Karen Winters, California Impressionist

“California Summer Hillside – at Pacific Palisades, Will Rogers State Park”
Plein air painting 11 x 14 oil on stretched canvas.

Yesterday I enjoyed the company of the Allied Artists of the Santa Monica Mountains for a paint out at Will Rogers State Park in Pacific Palisades.
I saw many faces I knew from the California Art Club, Artists of the Canyon, and other paint-out groups, and we all had a wonderful day enjoying the mild good weather and range of painting subjects.

It was a little breezy and I struggled getting my umbrella to shade my work but finally gave up and positioned my medium sized Yarka easel so that the sun wouldn’t strike it directly. Note to self: bring a sandbag next time for the umbrella and stand. It had been left in the other car.

Because I positioned myself at a trailhead I had the pleasure of talking with many hikers on that beautiful Saturday morning, including some who were quite knowledgeable about impressionism and the growing popularity of plein air painting. It really is undergoing a revival!

After the paintout we enjoyed a potluck lunch and shared stories about galleries, shows, teachers, art products and more. I always have a good time getting together with artists – for all our solitary pursuits we can also be gregarious.