San Pasqual Stables – South Pasadena – Arroyo Seco
“San Pasqual Stables in the Morning” 9 x 12 – oil
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This morning I had the wonderful opportunity to visit the San Pasqual Stables in South Pasadena, California for a group paintout. The location was challenging because I don’t frequently do architectural subjects, and morning light is hard to catch because it changes so fast. So, I decided that I was mostly concerned about getting the “color notes” right for the barn, shadow, distant trees and foreground. If I happened to get those spots of color into good shapes, all the better, but I kept my expectations low just in case.
I liked how this came out and do think it represents the feeling of hazy light between 9:30 and 10 in the morning. After that time I worked on refinement of the image rather than trying to “chase the sun” and continue modifying the shadows, color etc. That means that the “bones” of this were laid down in 20 minutes, more or less, and then as I changed shapes and edges I mixed more of the same colors that I already had.
It would have been nice if there had been some people and horses standing around outside the stables, but mostly they were inside or moving through the scene quickly and I didn’t fancy trying to fake one, so I left it alone.
There were two somewhat exciting incidents while I was there 1) a golden eagle was spotted in the vicinity, slowly gliding over the area near a few crows and 2) a big male stallion got loose and came running right near where I was standing, at the side of a corral. Now I don’t know about horses, but I think they usually have people with them – they’re not like dogs that you can just let loose to find their way home. I saw this big guy running toward me and I just froze at my easel, not wanting him to see me as threatening in any way. In a few seconds he turned and went into a corral. A groom came running after him but was clearly keeping his distance so he didn’t spook him. The groom chained the horse in the corral and then he and a few other wranglers approached him gingerly and got a halter on him to lead him back to the barn. That stallion had a lot of attitude – I’m glad he didn’t decide that I was someone to have “issues” with.
Pasadena Colorado Street Bridge – 2007
Pasadena’s Colorado Street Bridge – 8 x 10 oil
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As the new year approaches, over a million people will make the pilgrimage to Pasadena, California for the Rose Parade. And perhaps one of our most elegant local landmarks is the Colorado Street Bridge, which I’ve painted several times this year and will no revisit in 2008. It spans the Arroyo Seco, along with the 134 freeway bridge, which can be seen in the background.
Now, onto my look back at some of my favorite art from the past year:
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July. “Sunset Trail” The Cobb Estate in Pasadena is a wild place in the foothills that is just minutes from the downtown. This painting gave me the opportunity to paint a sunset glow – a theme I’d continue throughout the rest of the year. |  |
August. This painting was done as an entry into a California Art Club juried competition – featuring scenes of Pasadena and the San Gabriel Valley area. It’s hanging at Marston’s restaurant right now. I wasn’t doing a lot of architectural subjects at that time, so the challenge was a good one for me. |
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September. This painting, of Zuma Beach at Malibu, was painted for my first show at the Descanso Gardens Gallery. |
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October. I got the notification that this painting had been accepted into Watercolor West, a national transparent watercolor show. It’s radically different from other watercolors I’ve done but it was SO much fun to paint. This painting is currently at the Riverside Art Museum in Riverside, California |
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November. With fall persimmons appearing in the market, I picked up a few and painted a classic realistic still life setup with a complimentary color scheme. This painting is currently at the San Gabriel Fine Arts Association Gallery at the Artist of the Year show.. |
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December. If I had to pick one favorite painting of the year, this might be it Another sunset seascape, but more chromatic than Winging Home. This painting is currently at the Descanso Gardens Art Gallery in La Canada Flintridge. |
Coming up soon … a look back at my 2007 art goals, and some new goals for 2008
Winter Peace
Winter Peace – 12 x 16 oil on canvas
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On a day like this, with new evidence of the world’s continuing strife and disharmony, I’m posting this recent painting with a wish for peace and harmony in the coming year. My rational side knows that such a wish is unlikely to be fulfilled anytime soon, but the alternative is resignation to despair. And I’m not ready to take that curmudgeonly step.
In the next few days I’ll post a brief retrospective of my art year, looking back on 2007 goals and setting some new ones for the future.
The Woods in White – Karen Winters Daily Painting
“The Woods in White” – 8 x 10 – oil on canvas on board
High in the mountains above Los Angeles (near Big Bear) we are finally getting snow. Of course it’s the snowmaking equipment at Snow Summit and Bear Mountain, but hey, we’ll take what we can get. I would love to ski again like I did when we were raising our family, but I’m more than a little concerned about falling and breaking something. If I did ski I’d have to stick to the green bunny slopes. More likely I’d find a place to paint the snow instead.
Scenes like this one – partly from an old reference photo and partly from imagination – have a lot in common with abstract paintings. This was painted with a limited palette of ultramarine blue, thalo blue, yellow ochre and a small amount of alizarin crimson. And titanium white, of course.
Live Oak and Aloes – Huntington Gardens Plein Air Painting
Oak and Aloes – 9 x 12 oil on canvas
In the desert garden area of Huntington Botanical Gardens there is a mature live oak tree surrounded by exotic desert and tropical plants, many of which have an origin in South Africa. Winter is the time for aloes to bloom – and their red flower stalks are holiday cheerful amidst the green of succulents and cacti. Nature puts on a fabulous show every day of the year.
An epiphyllum (orchid cactus) nestled between the trunk and the branches – but they will bloom much later in the year.
In Southern California we are finally in the middle of autumn. Liquidambar trees are turning, the gingkos are fully yellow, sycamores are a blend of green and gold and some trees are already bare. It takes us a long time to get around to the seasons, but we try to do a good job with it when we do.
Sailing Home – Karen Winters Daily Painting
“Sailing Home” – 16 x 20 – oil on canvas – SOLD
This is the next in my marine series – and I am discovering new things with each one that I do. This time my objective was to experiment with some atmospheric effects. Unlike the previous painting, the palette is considerably more limited, with values designed to create a more dramatic presence.
Now, I know that some people will object to the dark and turbulent clouds. But when you think about it, when do you appreciate the sun the most? On a mild blue-sky day – or when it finally breaks through after a storm? So there’s my Deep Thought of the day.
Anyway, tomorrow is the opening of Watercolor West’s annual show and reception, I’ve been looking forward to this occasion for a long time, seeing my painting hung and visiting with friends. I’m sure it will be wonderful and I hope the weather will cooperate. It’s at the Riverside Art Museum in Riverside, California if you’re in Southern California and are looking for an art filled way to spend the afternoon.
On other art fronts, our holiday Descanso show is being hung today. There was a lot of good work I saw this morning, and is a second good reason to visit Descanso other than the camellias now in bloom!
Radiant Sea – Karen Winters Impressionist painting
“Radiant Sea” – oil on canvas – 16 x 20 inches
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I think this is my one of my favorite paintings that I’ve done this year … and it’s headed for Descanso Gardens’ Christmas Show starting this Friday, December 7, along with Desert Sunrise and two other new paintings yet to be posted here. Because there are 15 artists in this show (everyone who’s shown in the previous year) I won’t be gallery sitting every day – only a day and a half. So, if you have a spare moment to stop by and say hi, drop me a note. I’ll know my schedule on Friday.
I don’t usually have time to do this, but I thought it would be fun to post some larger closeups of some of the areas in the painting. Click the thumbnails to enlarge.
The surf and sand reflect all the colors in the painting
The “silver lining” part was tricky. I guess this cloud has a golden lining.
Using fingers and rags to get this effect.
Desert Sunrise – Palm Springs – Karen Winters Daily Painting
“Desert Sunrise” oil on canvas 14 x 18
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But you can find more of my desert paintings and other landscapes at Karen Winters Gallery Site
This Friday, December 8, I will be exhibiting some paintings again at Descanso Gardens in La Canada, and this painting may be among them. (I’m still deciding which four I’ll bring for the group exhibition, and my final selection will probably be made that morning.) This painting was inspired by the warm beauty of the sunrise in Palm Springs.
On another topic, last Friday night we attended a lecture at the Norton Simon museum in Pasadena on the landscapes of Renoir. His painting continued to evolve through the years, and there were some startling examples of contemporaneous paintings executed in very different styles, depending upon the subject matter. This came as a surprise to me because I think we are used to seeing a great deal of consistency in the bodies of work of the masters. It’s refreshing to see how they experimented and explored new techniques with a variety of interesting results.
Tranquil Lake – Karen Winters Daily Painting
“Tranquil Lake” 5 x 7 oil on canvas on board
Cool and serene. A place to retreat to when the world’s cares weigh on the soul.
Oh Golden Hills – Karen Winters daily painting
Oh Golden Hills – 8 x 10 oil on canvas
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California’s central coast area is full of beautiful areas like this – golden rolling hills decorated with passages of live oak trees that characteristically seek the gullies and crevices where water is most plentiful. This vignette is from a roadside on the way to Lompoc, California, an area known for fertile flower fields and rich agriculture.
This painting will be dry in a few days, and ready for shipping!
The blue dome of the sky arched over this tranquil scene, and the late afternoon shadows were tinged with violet. I didn’t see any cattle resting in the shade of those oaks, but they were likely there.
