Folklorico Dancers at Pasadena Civic Auditorium
Plein air oil painting
9 x 12 oil on canvas board
This may have been the most difficult plein air painting I’ve ever done. I’m not complaining, mind you. I love to paint outdoors and the dancers were beautiful with their colorful costumes, but it was just challenging for a variety of reasons. For one, the colors of the sunset changed moment by moment. I hadn’t taken into consideration how dark it would be when the dancers appeared in the plaza (yes, 7:30 is dark, it’s not summer any more, even though temps are still in the 90s!) And even though I arrived early to get the Paseo Pasadena background blocked in, the colors of the buildings changed by the minute. The dancers of the Clasica troupe performed for about a half an hour with one costume change. (This was the first costume, the second costumes were all white) It was the best I could do to get a suggestion of the swirling skirts. I hope the beautiful ladies will forgive me for not including faces, but I only had time for an impression of the scene – and the paint was flying!
Because plein air painting means simplifying the design and making choices about what to include and what not to include, I simplified this scene by just suggesting some of the major buildings in the Paseo Mall, the shape of the Sierra Madre Mountains, the foreground plaza and the dancers themselves. All the windows and details were reduced to a few glowing shapes to convey a night scene. The dark shapes of palms in the distance form a border to the setting. I left the painting of the ground under their feet until I got home and could assess what the painting needed.
I’m going to have to try “urban night” again sometime, and see if I can incorporate what I learned from this experience.
The dancers were appearing as part of opening night festivities for the Pasadena Symphony – and their performance was wonderful!
Laguna Beach Shores – Oil Painting Seascape by California Impressionist Karen Winters
Laguna Beach Shores
12 x 16 inches, oil painting on canvas
See all of my Laguna Beach paintings here
This painting is for sale. If you are interested in it please write: karen@karenwinters.com and use Laguna Beach Shores in the subject line. This is also on the seascape page of my website, see the link on the right under “Other Places on this Site”
For the past two summers we’ve enjoyed visiting Laguna not only to see the art festival but the sparkling beauty of the landscape, the golden shores and deep turquoise water. This new painting is a result of that inspiration.
What I especially like about this one: I like the contrast of the warm cliffs and sand against the complimentary cool blues and greens of the sea and landscaping of Heisler Park, which overlooks this serene scene.
South Pasadena Painting – Plein air Paint out – Arroyo Drive Sycamores
The Sycamores of Arroyo Drive, South Pasadena
12 x 16 oil painting
This painting is available.
Write karen@karenwinters.com
This is the second in the series of paintings I’ll be bringing to the California Art Club Rialto Visions show. The Collector’s Preview is Tuesday night at the South Pasadena Library on El Centro Ave. Last week I was on Arroyo Drive, which skirts the Arroyo Seco in South Pasadena. Looking southward in the 400 block, the sycamores are just beginning to color up. In a few weeks they may either be brilliant orange and gold or a dusty brown. The coloration change seems to vary with the weather. In the afternoon the light streams through the trees, casting long shadows across the street. A baseball field in to the right, down the hill behind the trees. Although I paint architecture (and my architectural subjects have found new homes quite well) I still have a special fondness for trees and afternoon light. So how could I resist?
It’s sycamore season – that’s what it is … and I just love to paint their luminous trunks that pick up every color in the environment, at times looking violet, dusky brown or shades of orange and apricot, depending upon what’s close by.
Update on my relative: she is speaking again and seems to have weathered this storm. At 93, anything can happen to cause a cascade of unfortunate results. We are practicing watchful waiting and trusting the excellent skills of her medical team. Our thanks for all the positive thoughts.
La Canada Flintridge Bridle Trail Landscape Oil Painting
I haven’t posted in a week, but more art will be coming soon. I was painting in South Pasadena last weekend, follwed by an out of town trip followed by a close relative having a serious stroke. I’ve been painting in the midst of it all but there hasn’t been time to get it shot and uploaded. So here is one from the archives that is still available.
Arroyo Seco Reflections – California Impressionist Landscape Oil Painting
Arroyo Seco Reflections
8 x 10 inches – oil
SOLD
I’ll be taking this new painting to the Pasadena Art Walk October 11 on El Molino Ave (between Colorado and Green Street) . When I took a walk through the arroyo yesterday, I noticed several aspens by the stream that I hadn’t noticed before. I can hardly wait for them to turn color because I think the show is going to be dazzling.
The sycamores are starting to look dry, there’s no evidence of fall in their foliage. It may be that they will only get dusky looking this year – it seems to depend on the weather.
This Saturday I’m looking forward to the artists reception for the Day of the Dead show at The Marengo Collection. The reception will be from 2-6 pm and will include a painting which was juried into last year’s Brand Works on Paper show. More about that tomorrow.
Now, it’s time for me to get back to the easel!
El Molino Afternoon – First Place – Pasadena Artwalk painting contest 2008
El Molino Afternoon SOLD
11 x 14 oil on board
First Place, 2008 Pasadena Artwalk “Life in the Theater District” competition
Remember a few months back when I said I was in a painting frenzy, getting ready for all sorts of shows and competitions? You might have even seen this painting here on my blog at that time. Well, this is one of the shows that I was painting for, and last night the news was announced that this urban cityscape was given First Place by the judging committee, along with a VERY nice cash prize and certificate. (Thank you, judging committee, and thank you Playhouse District Merchants’ Association for your generosity.)
If you’ve been reading this blog for awhile, you know that cityscapes aren’t a frequent subject of mine – I lean more toward seascapes and sycamores. But I also enjoy a good challenge and this contest gave me the opportunity to experiment in an architectural vein.
The Pasadena Artwalk is an annual show, now in its third year, which will take place on October 11 in the Pasadena Playhouse Theater District on El Molino Street. This painting presents a point of view looking toward Colorado Blvd (yes, where the floats go by on New Years’ Day).
If you’re in the LA area two weeks from now, please come say hello. I’ll have new paintings and prints on display including this one.
Celebrating – Third Prize – Bowers Museum Invitational Art Show 2008
So this was the result of last weekend’s art show at the Bowers Museum in Santa Ana. This was the first invitational museum show I’ve participated in, and I was thrilled to learn that I received one of the top prizes for “Sunset Magic.” Now, I’m hoping that it will find a good home soon. The next time I’ll be showing it will be at the Pasadena Artwalk on October 11, across from the Pasadena Playhouse on El Molino Avenue between Colorado Blvd. and Green Street. Full details are on my website events page.
Selling one of my Tuscany-inspired paintings to a delightful new bride who is decorating her home (Hi Sandra!) was the frosting on the weekend cake.
Now, I’ve got to catch up on my correspondence and head back to the easel! Look for more work here very soon. Like tomorrow, probably.
nodp
Malibu California Impressionist Seascape oil painting – El Matador Beach
El Matador View
11 x 14
oil
This is a painting that I worked on while gallery sitting, enjoying the company of passers-by. With the heat we experienced this past month, there were many days that I would have preferred to have been on that shoreline. Soon enough, I’ll be there.
Today I’m getting ready for a two day invitational fine art show at the Bowers Museum in Santa Ana, Saturday and Sunday September 20-21. I’ll be near the entrance to the museum in a grassy area. Today my task is to figure out which paintings I’ll be bringing and making name tags for them, updating my portfolio etc. By Monday I’ll be able to catch my breath and get back to painting for a little while.
Matilija Poppies – California Impressionist Botanical Flower Oil Painting
Matilija Poppies Trio
11 x 14 oil on canvas
These papery white beauties were growing near the Serra Center in Malibu one blustery summer day. The exciting thing about painting white flowers is enjoying all the colors they pick up from their environment.
This painting blurs the line between abstraction and realism and I hope that it is successful in that effort. I was impressed by something I read recently by Marilyn Simandle (watercolorist and oil painter.) In her book “Contagious Enthusiasm” she says ““If a painting has too much detail it is as if someone is dominating a conversation and if a painting is too abstract it is like someone speaking in a foreign language.†I thought that was such an interesting metaphor for finding the “sweet spot” between realism and abstraction. The thought inspired me as I worked on this painting.
Arroyo Seco Colorado Street Bridge – Pasadena – California Impressionist Painting by Karen Winters
11 x 14 oil on canvas
“Arroyo Afternoon”
Colorado Street Bridge, Pasadena, late afternoon in early fall
SOLD
See more Pasadena paintings here
There are few places that I enjoy returning to again and again as much as Pasadena’s Arroyo Seco where the majestic Colorado Street Bridge is framed by oaks, sycamores and those ever present eucalyptuses. In this painting my objective was to capture the warm glow of the earth and grees in contrast to the cool light bouncing off the landmark bridge.
I have a story connected to the bridge, also. Many years ago, we were producing a segment on Nightmares for a national TV newsmagazine show. We wanted to simulate a fear of falling and so lowered a small film camera (film rolling) off the bridge. The special effect truly created a feeling of vertigo. No brick or mortar was harmed in the making of that film
