High Desert Breeze –
“High Desert Breeze” – 8 x 10 oil on panel
On the road between Palm Springs and Idyllwild (highway 74) there’s a turnoff which leads to a beautiful high desert road where sagebrush, pine and cactus freely mingle. It is perhaps a transitional zone in the local ecology – no longer the hot barren desert but not yet the pine forest of the high mountains. I found the plant life and pastel colors – suggestive of heat – enjoyable to work with.
Throughout the area I saw small stakes with colored strips of plastic, which gave me the idea that the area was in the process of being developed. I think it’s important to document some of these wild spots before they are gone. If the California impressionists hadn’t painted the San Gabriel Valley in the early parts of the 20th century we’d never know that in the springtime fields of poppies and lupine sprawled across the area that is now is covered with houses and fast food places.
This is one of the jobs of an artist: not just to be a recording camera but to interpret what he or she sees in such a way as to preserve the sense of place and time which will never be the same again.
For those of you who are reading this blog for the first time, having visited me at Descanso, here’s how the painting turned out.
Vineyard Oak
Vineyard Oak – 9 x 12 original oil painting
SOLD
We are winding down at the gallery – only three days to go before we pack up and go home on Thursday night. It’s been a good run – an interesting and educational experience in many ways. This painting was started today at the Carriage House and finished at home. As much as I enjoy painting in public I still need some quiet time alone to bring a piece to completion. My guess is that this stately oak will remain growing for some time and will not end up as a barrel. In fact, I believe these evergreen live oaks are protected species.
The inspiration for this painting was a road leading out of Paso Robles, off the 101 freeway. This is central coast wine country where the climate is just right to produce a wide range of varietal wines.
Blue skies – plein air study
“Blue Skies” – 9 x 12 oil on board
On Friday I arrived in the afternoon at the gallery and didn’t have time to do a whole small painting. So instead I decided to take my easel outside and do some more studies of clouds – this time in oil instead of watercolor. I think a lot can be learned just observing the forms of nature and the effect of light upon them. Needless to say the clouds did not hold still for this study, so I would simply look for a cloud that had a similar form and coloration as I painted this cluster of thunderheads and scattered puffy clouds. Are these cumulonimbus (any weather experts out there?) They look like cumulus on the top but they were definitely laden with rain and dark gray on the underside in places. There were smaler wispy clouds floating among them.
Actually, the colors are a lot more subtle than this photo shows. The painting is soaking wet so I can’t put it on the scanner. There are delicate blues and grays throughout the puffy areas, but jpeg compression just doesn’t reveal it.
Drifters in the Stream – and still celebrating!
SOLD
“Drifters in the Stream” – 12 x 16 – oil on canvas
Accepted into California Art Club’s biannual show, opens Nov. 3
We were celebrating yesterday because I just found out that my oil painting “Drifters in the stream” was accepted into the California Art Club’s biannual show at the Pasadena Women’s City Club at the Blinn House in Pasadena. The show, themed “Rivers and Harbors: Sources and Confluences” will open Saturday November 3 with the artists reception from 5-7 pm. So if you’re in So. Cal and would like to come see a lot of new art, including my painting and a painting by my friend and co-exhibitor at Descanso Gardens, Laura Wambsgans, please join us.
My painting (above) was inspired by a small koi-filled stream at Descanso Gardens where fall leaves were swirling in an eddy. I was captivated by the abstract patterns that were made by the leaves, the reflections of the oak trees above and the moving water. I did a Moleskine sketch on site and have been intrigued with the image ever since.
So, after I got the notice in the mail, we went out for some antipasti at a local Italian restaurant, and my dear husband snapped this shot of notoriously camera-shy me. There’s a little glass of champagne in my right hand in commemoration of this very happy week.
Also, tomorrow (Saturday) is my artists reception for Brand 36, works on paper, at the Brand Library Gallery in Glendale: 4-7 pm, so if you see me there, stop and say hi! I’ll be the one with the big silly grin on my face!
A touch of home – karen winters daily painting
“A Touch of Home” – oil on canvas – 12″ x 16″
First of all, welcome to all the new readers that I’ve told about my blog in the past few days – gentle folk who have passed through our gallery and left me with wonderful memories and stories. I hope that you’ll find the artwork displayed here enjoyable to see – and maybe you’ll even find something you’d like to give a home to. Each of these paintings are very special to me – and most have a story to go along with them.
I worked on this still life for two days in the gallery, and then took it home to have a second look and to put on some finishing touches. Soon it will be signed and framed. In my living room I have a place where I can set up still life setups and they are illuminated by western light. When the afternoon sun comes streaming in, it touches everything with a wonderful golden radiance. Fresh flowers are always a favorite component of these arrangements, but I also include fresh fruit and some of the decorative cobalt blue bottles I’ve collected through the years. I like the cut glass vase not only for its faceted design but also the way it picks up the color of adjacent objects.
Desert Hills – Daily Painting
“Desert Hills” – 5″ x 7″ pastel
The colors of the desert near Palm Springs provided the inspiration for this small pastel painting, which I worked on today. It was quite gray and drizzly today at the show, but it didn’t seem to dampen the spirits of our visitors.
Just to give you an idea of what a difference a frame can make, here’s an example of how this little painting might look with a simple gold frame
Under Autumn Skies – Arroyo Seco – Pasadena
“Under Autumn Skies” – 11 x 14 oil on canvas
SOLD
This was the painting I worked on yesterday at Descanso Gardens’ Carriage House Gallery. I did a good part of it during the day while I gallery-sat, then finished the rest at home in the evening.
The place is the upper Arroyo Seco, north of Devil’s Gate Dam – AKA “Hahamongna Park.” When the weather starts to turn the river-loving willow trees turn yellow and big puffy clouds billow over the San Gabriel Mountains, as they did a few days ago. But the graceful eucalyptuses continue to provide a gray-green accent, year round.
Today I worked on a still life painting, which I will try to finish up this evening or in the next few days.
Although I am used to painting every day, the experience of demonstrating for the public every day has been good for me. The response has been positive and people really seem to enjoy seeing art as it is being made. If you’re in Southern California, I hope you can come up for a visit before the show ends at 4 pm October 11!
Winging Home – Karen Winters Daily Painting
“Winging Home” 16 x 20 oil on canvas (Zuma Beach – Malibu)
SOLD
Today was a wonderful day in so many ways. The reception took place as planned and I had the opportunity to visit for awhile with friends old and new. My college roommate, Bobbi, came with her husband and mom and we have vowed to set aside some time to catch up on all our lives. Some of our clients came to join in the fun as did new friends like Holly the creekhiker who I’ve been enjoying through her blog. Our son Michael came up to spend the day with us and that was great, too. Labelle Kel is in Chicago at Northwestern, but she was with us in spirit. We had a very good turnout and I think that everyone had a good time, too. I know I sure did.
I didn’t paint today since we were busy meeting and greeting everyone, so tonight I pulled out a reference photo of Zuma Beach generously offered by my good friend Wendee who is designer and teacher at Art Center. I am indeed blessed to have so many talented and creative friends. My roommate Bobbi, mentioned above, is an outstanding writer and PR consultant; Holly is a marvelously talented glassworker and TV producer, and our friend Jeannie Poole, who also visited today, is a wonderful musician who has composed and conducted symphonies.
And I am eagerly looking forward to Wednesday when a group of my paint out friends will be having their weekly paint out at Descanso and making the trek up the hill to visit our little gallery.
Now, about this painting.
I confess that the last time I painted a seascape in oil I was about 14-15 years old and in high school. I took oil painting lessons for a few summers and occasionally painted on Saturdays until the academic schedule got too tough, and then I gave it up. I have often wondered what would have happened if I had rigorous training back then, rather than casual hobby type lessons. The road not taken, sigh. College came, and marriage and work and a family and so many good things. And there have been many summers between then and now. But I have rediscovered my bliss and intend to follow it all the rest of my days. Who is “winging home?” I am. Back to what did and always will bring me joy – painting.
Are you following your bliss? (as Joseph Campbell would have said.) If not, what are you waiting for?
On Descanso Pond – La Canada
“On Descanso Pond” 5 x 7″ oil on gessoed board
SOLD
There is a large pond (or a small lake) at Descanso Gardens where migrating birds stop to rest. Turtles swim in the water and herons are commonly seen wading in the distance along the far shore. A large white goose seems to be the king of the roost. Today I painted this small landscape while visitors passed by the gallery.
I’m very happy with how it turned out, and at the suggestion of my co-exhibitor Laura, I think I will use it as a basis for a much larger painting. If this dries quickly I might even bring it back to our reception on Sunday – party time – noon to four!
We had many pleasant talks, and I especially enjoyed my time with a very precocious young lady of 3 or 4 who was very interested in mixing colors. We discussed the names of everything on my palette and I mixed a few colors to show her how it all worked. At the end she picked out a sunflower from my cards to put in her room. I like the idea of that sunflower greeting her every morning when she wakes up.
I was delighted also to meet a lovely betrothed couple who are going to have their wedding in Greece. I am quickly discovering that one of the very best things about doing the show is all the interesting new and friendly people I get to meet. Painting and good conversation – could there be any better way to spend a day?
September Clouds
“September Clouds” – 11 x 15 watercolor on paper – plein air
I couldn’t imagine a more picture perfect day than the one I had today. Although there was the suggestion of a weather front on the way, the cumulus clouds merely circled our little valley, putting on one of the grandest display of cloudage that I’d ever seen. So I set up my easel outside of our gallery and devoted the day to cloud studies. The colors and patterns changed literally by the moment and sometimes I’d start painting one cloud and finish with details from another. Overall, it was an excellent opportunity to explore the many shapes and hues that clouds provide in a landscape. Creating soft edges and hard edges, painting wet in wet, charging pigment into semi-wet paint, doing dry brush, utilizing oozles and glazing, lifting pigment and creating texture with sponges, clouds give you the opportunity to try it all. These clouds were painted around noontime.
Also, one of the real joys of being at the Descanso Gallery is meeting all of the nice people who come by to chat about art and the gardens. I can’t think of anything I’d rather do on a crisp pre-fall day.
