California Sycamore – Tranquility – Ink Brush Painting
“California Sycamore – Tranquility”
18″ x 18″
SOLD (commission)
This is the matching painting which pairs with the California Live Oak which I posted yesterday. Together, the two frame the dining room door of gentle lady who commissioned their creation. There is always some serendipity with painting. You never know exactly what is going to happen when you put brush to paper, and this is no exception. I knew that I was going to do an ink brush drawing with wash, but when the ink separated on this particular type of paper, the component elements of the black ink separated into shades of gray and taupe … and the taupe is the exact shade of the paint under the wainscoting in her room. I took advantage of this characteristic of the ink to simulate the gray, white and taupe patches which are so characteristic of the California sycamore, but maintaining the feeling of an ink drawing.
Conceptually, the oak tree (seen yesterday) represents strength, stability, fortitude, structure, endurance. I painted the sycamore to represent shelter, grace, resilience and flexibility.
This Saturday night I’m looking forward to going to her Christmas party and seeing them hung in the room, all decked out and lit by candlelight.
California Oak Tree – Strength
“Strength”
18 x 18 ink and ink wash on paper
SOLD (commission)
This painting was done as a commission for a client and I have posted it here to show an example of my work.
Please do not use it without my permission. It is protected by copyright and is not “free” to use as you wish.
If you wish to use it commercially, it may be possible for you to license it.
Eastern Sierra Oil Painting – Autumn Cottonwoods
Autumn Cottonwoods
(Owens Valley, on Hwy 395)
12 x 16 oil on linen panel
SOLD
More Sierra Nevada paintings here
Last weekend we took a trip up into the Eastern Sierras for a painting and photo trip. Unfortunately the wind gusts were up to 15 miles per hour which made keeping a canvas on an easel pretty much impossible, so I made use of my sketchbook and camera instead. Best of all was the experience of being there and seeing the subtle change in the colors of the day from pre-dawn moments to post-sunset nocturnes. The days were long but oh so rewarding.
What attracted me to this scene was the contrast of the oranges and golds of the cottonwoods juxtaposed with the blue violets of the mountains. No exaggeration, the Eastern slope of the Sierra Nevada chain really is that color in the afternoon as the sun makes its descent into the west. One more good storm and the leaves will all be gone.
If you’re in Southern California, I’ll be showing my work at the Montrose Art Walk this Saturday, November 8 on Honolulu Avenue.
Matilija Poppies – California Impressionist Botanical Flower Oil Painting
Matilija Poppies Trio
11 x 14 oil on canvas
These papery white beauties were growing near the Serra Center in Malibu one blustery summer day. The exciting thing about painting white flowers is enjoying all the colors they pick up from their environment.
This painting blurs the line between abstraction and realism and I hope that it is successful in that effort. I was impressed by something I read recently by Marilyn Simandle (watercolorist and oil painter.) In her book “Contagious Enthusiasm” she says ““If a painting has too much detail it is as if someone is dominating a conversation and if a painting is too abstract it is like someone speaking in a foreign language.†I thought that was such an interesting metaphor for finding the “sweet spot” between realism and abstraction. The thought inspired me as I worked on this painting.
