Moonstone Beach, Cambria, oil painting – California impressionist seascape by Karen Winters

Moonstone Beach
20 x 32 oil on canvas
SOLD (painted on commission)


If you’d like to commission a custom painting of the California central coast or any location, please write.

This painting was finished last April and in all the hustle bustle of getting ready for shows and paint outs, I neglected posting it here. It was a studio painting, based upon smaller studies that I did ‘en plein air’ on location. This is a typical way for me to work – to study a subject from life, and then to produce larger pieces in the studio when I can explore them slowly and thoughtfully. The original study was painted during a paint out with the California Art Club.

Plein Air art Lightner Peak Walker Basin Oil Painting – Morning Light – California impressionist landscape by karen Winters

Morning Light on Lightner Peak
9 x 12 plein air oil painting on panel

Walker Basin, view from Rankin Ranch of Lightner Peak,
Kern County oil painting

A few days ago I had an opportunity to paint at the Rankin Ranch near Caliente in the Walker Basin, Kern County. This was painted 95% on location, and corrected in minor ways in the studio when the painting was dryer. It’s one of many plein air paintings that I did during our stay, more to come.

Below, a shot of me working on it on location:

The painting looks warmer in the large photo because it was taken under indoor light (warmer) which is the way it will likely be viewed in someone’s home or office. The outdoor photo captures how it looks under shady outdoor light, which is bluer.

Return to Golden Pond (On Golden Pond) California Tonalist Landscape Oil painting by Karen Winters

“Return to Golden Pond”
14 x 18 inches
Oil on canvas
SOLD

Central California – Western Sierra Foothills painting

This painting was done for an upcoming exhibition at the Colony Theater Gallery in Burbank, in conjunction with the performance of “On Golden Pond.” In addition to a dozen or more other paintings which will be exhibited, I painted this one to tie in very specifically with the theme of the play. Although the play is set in the eastern United States, I decided to do my own take on it, as a California landscape painter. The location is a pond bordering the western foothills of the Sierras. I don’t usually paint in a tonalist/monochromatic style, but it seemed perfect for this project.

More details on the show will follow as the opening approaches.

Big Sur, Bixby Bridge Wedding Gift Commissioned California Seascape Oil Painting


“Big Sur, Bixby Bridge”
16 x 20 oil on canvas
SOLD – painted on commission


Interested in commissioning a painting? Please write.

This painting was commissioned as a surprise wedding gift for a very lovely bride to give to her bridegroom to commemorate the exact place where he proposed to her. She and I worked closely together to identify the exact spot where he popped the question. Then, after the painting was finished, approved and drying, the unexpected happened. The bridegroom, who also knew of my work, contacted me separately looking to buy a painting of the same location to give to the bride. Suddenly I had an O’Henry “Gift of the Magi”-type situation on my hands! I couldn’t tell him I wouldn’t sell him this painting he saw on my site– he’d think that odd. And if I told him it was sold, but he might buy somewhere else, so immediate was his need. Honesty and open communication always being the best policy, I contacted the bride and let her know about his urgent inquiry and she handled the situation gracefully with her betrothed. So he knew that there was a painting by me in their future but would have to wait to see what it was.

The painting was shipped last week and they opened their gift to each other last night —with champagne, strawberries and candlelight, I hope. Today there are two very happy nearlyweds, with a painting created with love, just for them, so they can always remember that very special day. And everyone lived happily ever after.

California Poppy Plein Air Landscape Oil Painting – Tejon Ranch

Tejon Ranch Poppy Hillside
9 x 12
oil on plein air panel

Interested in this painting?
Click this link to write me.
See more of my paintings on my website

See more of my wildflower paintings here:

A few weeks ago, I had the pleasure of painting at the Tejon Ranch with other artist and signature artist members of the California Art Club. It was a unique opportunity to enjoy the spring beauty of the land, which is not open to the general public. The wind gusts were intense at times, but the color made up for the distraction. This is one of the paintings I worked on over the two day period – this one was on the Antelope Valley side, not too far from the Lancaster Poppy Reserve. I’ll be posting more soon.

When California Hills Turn Gold – California Impressionist Landscape Oil Painting by Karen Winters


SOLD
“When California Hills Turn Gold”
9 x 12 oil painting on plein air panel

See more of my landscapes here

See more of my paintings on my website

The winter season has almost departed and the bright fresh green of springtime is starting to leave some of our hills. Soon they will all be shades of brown and tan, creamy white with wild grasses with hints of violet and sienna. This transition is as predictable as the fall return of Santa Ana winds and the carpet of poppies that covers the foothills of the western Sierra.

California Landscape Spring Pastel Painting – Quiet Spring Reflections – Western Sierra Foothills – by Karen Winters


Quiet Spring Reflections
9 x 12 pastel on sanded paper
Western Sierra Foothills, near Visalia


Interested in this painting? Click this link to write me.

See more of my California landscapes here

I enjoy pastel painting although I don’t do it as often nowadays as oil. But I’m getting back into it. For this subject, I thought the soft spring foliage lent itself to the soft buttery texture of the pastel on sanded paper. I toned the paper first with a warm under painting, then let it dry, then painted into it directly with hard, then soft pastels, finally accented with pastel sticks.

Pastel has advantages over oil: there is less opportunity to make mud when working in layers alla prima. But there is the disadvantage of not being able to use transparent layers in the same way one can with watercolor and oil.

Surprisingly, I use many of the same techniques that I do in oil. Instead of doing drybrush, I drag the side of the pastel horizontally over a layer. Negative painting is much the same as with oil. Edges can be lost and found in much the same way. Getting the color right is the most difficult part. Virtually any color can be mixed with a warm and cool of each primary, plus black and white, in oil. In pastel you need to have a kaleidoscope of sticks unless you mix and blend some on the paper.

Whichever medium I choose, it’s still California impressionism and I think it still looks like something painted by me.

San Luis Obispo Plein Air Landscape Painting – When Sunrise Fills the Sky – SLO Art by Karen Winters

SOLD to a collector from Nipomo …

“When Sunrise Fills the Sky”
11 x 14 oil on linen plein air panel
Near Nipomo, San Luis Obispo County
Plein Air Landscape Oil Painting

I thought that I had photographed all the paintings I did last year at the CAC paint out, but I recently came across this one and thought I’d wait until spring to post it. It was painted near the Dana Adobe near Nipomo, as were the other two done that day at the California Art Club paint out.

In the early morning the sun broke through the moody fog with the promise of a beautiful day.

See more of my California Central Coast paintings here

My paintings have been recently featured in an article “Top 15 oil painting blogs” on this site. Thanks to the site owner, Andrea.

Gaviota Springtime – California Art Club Gold Medal Show – California Landscape Oil Painting by Karen Winters


“Gaviota Springtime”
11 x 14 oil on plein air panel
Central Coast California

SOLD

This painting is now in a private collection, but you can see more of my California Central Coast paintings here

Saturday is the opening night for the Centennial of the California Art club’s Gold Medal Show. I’m very happy to have my painting, “Gaviota Springtime,” included in this historic exhibition at the Pasadena Museum of California Art. The early members of the California Art Club include such legendary painters as William Wendt, Edgar Payne, Benjamin Brown, Franz Bishoff and many other early California impressionists. The CAC commitment to fine representational painting continues now into its second century, and I am honored to be a part of that tradition.

View all of the paintings in the California Art Club 100th Gold Medal Show.

The Gold Medal show will be on display until April 24, and the museum is closed Monday and Tuesday, weekdays.

Central California Sierra Foothills Oil Painting “The Hay Barn” by Karen Winters

“The Hay Barn”
6 x 6 inches
Central California Sierra Foothills (western side)
Original Oil painting on plein air panel

SOLD

More Sierra Nevada paintings here

While attending a California Art Club paint out in the Sierra foothills a few years ago, I came upon this scene of an old hay barn framed by eucalyptus with wildflower hills in the background. I thought the setting was a perfect representation of some of my favorite California things. Eucalyptus, of course … wildflowers in the hills … and rural agriculture. This small study will be a starting point for a larger painting on the same theme.