California Plein Air Farm Painting – Peaceful Valley – Karen Winters
Peaceful Valley Farm
9 x 12 inches
plein air oil painting
SOLD
Last week I noticed that the theme on the Creative Construction blog was “farm” and that jogged my memory of this farm study, painted last fall, up around the Santa Ynez Valley. I don’t know the location since we were driving around without a GPS. So I found it in my archives and put on a few finishing touches and here it is.
Today my project is to make canvas panels for a workshop I’ll be attending in Fallbrook the week after next. Someone asked me recently about the importance of study in painting. I think that it’s essential to be a perpetual student, either literally, as in taking classes and workshops, or self-study by learning from nature.
When I’m riding in the car with my husband, if we’re not talking, I’m constantly observing and making mental notes about the landscape. It might be the color of the clouds when the light is coming at a certain angle, or the value difference between the light-struck part of a bush and the underbrush on a bright day. I might think about how I’d mix a certain shadow color that I see on the hills, or the sort of brushstroke I’d use to convey the softness of a field of grass vs. the roughness of a broken stump. We are not just painters when we sit or stand at the easel. We are painters every moment of the day (and sometimes, when we are asleep, too.)
Radiant Roses at Descanso – Rose Garden Paintout and Sale
Radiant Roses
14 x 18 oil on canvas
Unless someone claims it before next weekend, this painting will be among many others for sale at Descanso Gardens in the Rosarium, April 18-19 from 9am to 4 pm.
Each of Descanso’s featured artists has been invited to bring 6 rose-themed paintings for display … and many of us will also be in the rosarium painting in the garden.
I will be there all day Saturday and until early afternoon on Sunday, so if you’re in the area, please stop by and say hello. I’m probably going to be leaving Sunday around 2:30 because I have a workshop I’m attending the coming week. But my paintings will remain at Descanso until the show closes.
This painting features what I believe are grandiflora roses. I didn’t see a tag but I’m going to guess that they are the AARS 2008 rose of the year “Dream Come True.” The interior is yellow but the outside of the petals are a magenta which looks red under warm light and more pinkish blue in the shade.
Because you know how I feel about color (and lots of it) I opted to use the full range of colors that these beauties reveal, showing some of them spotlighted by the sun, and painting others shyly bluish in the shade. I’m hoping that someone will find a place for it in their dining room or a sunny bedroom.
This year I added three new roses to my garden: Traviata, Christian Dior and Radiant Perfume. It will take a while for them to bloom, but look for their sunny portraits here in coming months.
California Poppy Landscape with Oak Trees – Karen Winters
Poppies on the Hill
11 x 14
oil on canvas
SOLD, but I have more poppy paintings
Interested in a poppy painting?
Click this link to write me. See more of my paintings on my website
See more of my wildflower paintings here
I can’t think of a landscape more quintessentially Californian than spring’s poppy covered hillsides – and when you add oak trees it’s downright iconic. In this painting my objective was to capture the feeling of the radiant hillside, crowned by sprawling oaks. The Fresno Bee reports that this is one of the best years for wildflowers in a long time. I don’t know why – we haven’t had an abundance of rain, but whatever conditions brought about this abundance, I’m glad.
More California spring landscapes to come …
Central California Plein Air sunset creek painting
Twilight Creek
9 x 12 plein air painting
oil on canvas
Because the light was certainly fleeting, this is my entry for illustration Friday’s theme: fleeting
Not too long ago (pre-crash) when my husband and I were on a weekend trip to see the wildflowers north of us, we saw this view at the end of a long day. Although I was tired from painting and taking pictures of the ephemeral bloom, I saw a ribbon of light by the side of the road and felt that I just “had” to paint it. “Stop the car!” I yelped to my husband. (he’s used to this – he knows what it means.) The sun was already down and I knew that I had 20 minutes, at best, before I wouldn’t be able to see the colors on my palette. (And I don’t have a hat light yet – that’s on my wish list for nocturne painting.)
So while I squeezed out some fresh paint on my palette, my love set up the Yarka on uneven ground and I started blocking in the big color shapes, aware that it was changing by the minute. When I got home I refined some of the tree shapes and the river curves, and touched up some of the canvas areas where the paint was too thin. Overall, I am very satisfied with this field study, which I might use as a reference for a larger painting, as I often do.
Plein air paintings tend to be very loose – and those that happen under changing light conditions are the loosest of all. It’s one thing to do a painting with three hours of pretty even mid-day sun … but it’s another to try to paint a scene post-sunset. But I think that’s part of the charm of it – it’s a very quick impression – colors mixed on the fly and laid down (for better or worse) with decisiveness. It’s like trying to catch “lightning in a bottle,” to quote Leo Durocher. Pretty near impossible, but fun to try.
Aspen Sierra Morning – California Eastern Sierra Oil Painting
Aspen Sierra Morning
(near Bishop, Owens Valley, Eastern Sierras
16 x 20 oil on canvas
Because many of my Sierra/aspen/Owens Valley paintings have gone away to new homes, I decided to finish up another that I began last year, inspired by our Eastern Sierra trip. This painting features a grove of aspens caught in the earliest morning light. And I mean *really* early, when the color is intense and warm. That’s the time when more sensible people are snug in their beds, or enjoying their first cups of coffee in the kitchen, but the plein air painters and photographers are stomping around in the brush, looking for the best compositions and getting tangled up in barbed wire. (Yes, that happened to me in November, and it wasn’t pretty.)
Truck crash update, for those who are interested.
At Flintridge bookstore, seven of my ten paintings have been found, in various states of damage. All framing has been destroyed. Some of the watercolors survived, others will require significant repair, and the other (one of my favorites) was torn down the middle. The only acrylic – painted on a hard panel, came through ok. It will only need a brush off to remove some plaster dust, and a few touch-ups. The other two oil paintings are still buried, no doubt. On the positive side, all of those who were hospitalized have been discharged to their homes, and there were no more deaths. Large trucks have been banned on Angeles Crest Highway, at least temporarily, until legislative action can ban them permanently.
We watched the city council meeting last night via cable TV and were glad to see a good discussion of the options to prevent future calamities. And the council was very thorough in thanking everyone who helped in the aftermath, including those who sent letters of support and ideas. At the council meeting I did not hear an acknowledgment of Girl Scout, Malia Mailes, whose 46 slide powerpoint project outlined the disaster waiting to happen before the crash, and she was not mentioned in the round of hearty back-slapping. Perhaps it’s the fact that her report was horrifically prescient and is/was a source of embarrassment to our council who were unable to use her research to get any action. It’s interesting, isn’t it, that teenagers are usually characterized as feeling “immortal” and behaving as though nothing bad could happen to them. Yet here you have a teen sounding a clarion call and the adults patiently waiting for the state to throw them crumbs.
The burning question, which a member of the public raised at the meeting, was, why did it take so long, with repeated runaway truck “near misses” and finally two deaths to get some action? Clearly, the carefully worded requests for action from our city manager, as politely “by the book” as they may have been, fell on deaf ears with the regional CalTrans director who recently told a reporter he wasn’t going to spend any money on our requests. If our city representatives tolerated a runaround on this issue, which ended in fatalities, how will they respond to future needs? Will they have learned a little assertiveness from the experience? Perhaps the PR firm that they hired to manage the media and interviews on the day of the event can give them some helpful suggestions.
Here’s a helpful suggestion: Malia Mailes for City Council in two years, when she’s 18. She sounds like a go-getter, someone who is passionate, energetic and wants to get things done. We can use more of that around here.
Sierra Blessing – California Eastern Sierra Nevada Oil Painting Commission
Sierra Blessing
18 x 24″ landscape oil painting on canvas
SOLD (commission)
Today, I finished this Eastern Sierra Nevada painting with much love and joy, and shared a photo of it with the client who commissioned it. I have since signed it and will give it a protective coating in a few days and then it will be time to leave my studio and go to live with a new family.
The origin of the painting has an interesting story, I think. The individual contacted me because she had seen a painting of mine on my website of a location close to where she lives. But as we got to talking, it turned out that she also liked my painting of the Sierras, a place where she and her family had camped together and enjoyed many happy days together.
This painting is a reflection of one of those special places, with a view of Lone Pine and Mt. Whitney. It has a special significance to the family that makes it especially sacred to them. I feel honored that she entrusted me to interpret this spot artistically, and I hope that long after I am gone it will be passed down in their family.
For me, this is what making art is all about. It is about taking something in the real world and, through the application of study, practice and technique, turning it into a creation that will capture a feeling, a moment in time, a spiritual insight. I love painting plein air, and I do it as much as I can, but sometimes I rely on my field studies, sketches, direct observation and other references to re-create a scene. That was the process I used here.
I love this painting so much that I am going to paint it again, in a slightly different size, probably a little bigger … and no doubt I will interpret it a little differently. That always happens.
Out of the wreckage of the runaway truck accident, there are some positives. Yesterday my dear husband went to the store and recovered three paintings which the store owner had carefully found and put up on the counter in a safe place. (The vase of peonies, a pink magnolia watercolor which I had forgotten was there, and the vertical eucalyptus painting.) Today my husband visited just as a cleanup crew was arriving and showed them a poster we made with small images of the remaining six works. They promised to keep an eye out for them. If they find even one or two more I will be very happy. And I am optimistic that they will!
As a dear friend of mine is fond of saying “You can’t see around life’s corners.” Indeed we can’t. Which is why it is especially important to do our best and be kind to each other at every opportunity.
And now, it’s time for me to get back to the easel!
California Spring Landscape – Walk through the Oaks
A Walk through the Oaks
16 x 12 oil on canvas
SOLD
This is where I’d like to be right about now, walking along a trail in an oaky meadow. The last 24 hours have been more than a little traumatic to our small town of La Canada Flintridge. If you’re in LA, no doubt you know that a big rig car transport truck came down the Angeles Crest Highway, ran through an intersection, impacting numerous cars and finally stopping in a bookstore on Foothill Blvd., the main street. Two people were killed, a man and his daughter, and 12 were injured, some critically. I have not heard the names of the injured.
The accident is under investigation and the driver, Marcos Costa, has been arrested for vehicular manslaughter. He did not live in the area. Why his brakes failed is not known, whether it was operator error or mechanical error. Nor is has it been revealed if he was DUI. One thing is known, however, and that is that it was an accident waiting to happen. A near miss happened in September and our city council has been unable to get Caltrans to make changes to its policies that ban trucks on the steep mountain road that leads into the city, and to put signage back up that tells drivers that there is a gravel filled runaway median. (Which as not been maintained by Caltrans.) Why the median notification signs were taken down is a good question.
Our city council has been hammering the local Caltrans district office for months since the September incident, only to be rebuffed, ignored, given lame excuses about how they need more time to make a study.
Last month a Girl Scout, Malia Milez, as part of her Gold Award project put together a comprehensive 46 slide powerpoint presentation about this problem and the urgency to fix it. Her presentation ended with a photo of the bookstore and adjacent nail salon – in the bullseye. This was presented at a city council meeting who lauded her for her work and one councilperson suggested that Caltrans should look at it.
What I want to know is, what options does a city council have if they are rebuffed by a bureaucrat, in this case, a Mr. Doug Failing of Caltrans? Other than shrugging their shoulders and saying “oh well” is there no way to file a complaint instead of accepting the typical “we’re studying it – stop bugging us” answer.
Other than the public safety issue, which is of foremost importance, I was also impacted by this terrible accident. A number of my paintings were hanging at Flintridge Books, on the wall hit by the truck. I am optimistic that some of them may be recoverable. If you are a regular reader of this blog, you may remember me writing about the weekend art event in February where I was demoing in the store for two days. When I think how much time I’ve spent there, and that I could have been there on any given day, it just gives me chills. On the art show weekend there were 80 or more people there at times – right where the truck went through. Shiver.
California Desert Landscape Oil Painting – Anza Borrego Yucca
Yucca at Anza Borrego
(San Diego County)
9 x 12 oil on canvas
A visit to the Anza Borrego Desert State Park inspired this painting of yucca and desert wildflowers. When the rainfall is sufficient and in the right quantity and at the right time, the color is breathtaking, even though short-lived.
Tomorrow is the spring group show and sale of Allied Artists of the Santa Monica Mountains and Seashore, and I’ll be showing about 15 paintings including many that have not been exhibited before. The show starts at 11 and goes through 5 pm at Headwaters Corners, at the intersection of Topanga and Mulholland Drive in the Santa Monica Mtns. If you get a chance come on out. I’m going to be finishing up my framing and packing for the rest of today. Come on out if you’re in the area. Art, beautiful weather, friendly artists and refreshments.
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Drifters in the Stream – California botanical oil painting – Descanso Gardens
SOLD
Today I got the good news that this painting, of fall leaves at Descanso Gardens, has been juried into the Pasadena Society of Artists spring show. Previously it was juried into the California Art Club’s “Rivers and Harbors” show at the Pasadena Women’s City Club. I hope it finds a good home on this outing. It’s more abstract than most of my work and painting it was a bit like doing a big jigsaw puzzle.
The PSA show will run from April 29 to May 16 at the VIVA Gallery on Moorpark in Sherman Oaks.
Arroyo Seco Trail – Pasadena California Landscape Oil Painting
Arroyo Seco Trail
16 x 20 inches
Oil on Canvas
SOLD to a collector from Pasadena
See more Pasadena area paintings are here
This painting of the Arroyo Seco, featuring the Colorado Street Bridge, will be available starting May 17 at Gale’s Restaurant in Pasadena, where I will be having a solo show from mid May until early July. I will likely be using it on my postcard, so I need to hold it for the show.
Spring and fall are my favorite seasons in California, and I’d have a hard time deciding which I prefer. Fall is great for the foliage in the Sierras, but spring is wonderful for wildflowers and just the feeling of lush abundance.
I’m not sure about the name of the plant that has purple flowers. I’m guessing that it’s a ceanothus but I can’t be sure. If there’s a botanist in the house and you happen to take a walk down by the bridge, maybe you could ID it and let me know. (It’s not a garden lilac because they’re not in bloom yet and it didn’t have a lilac scent.) Maybe a native lilac species?
Once a month the California Art Club comes to the arroyo to paint. I’m usually busy on those days but this month I think I’ll try to join in the paint out with my CAC friends. It’s just the most beautiful time of the year, I think.
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