Sandstone Peak – near Malibu – Karen Winters Plein Air painting
“Sandstone Peak”
12 x 16 oil on canvas
Here’s the result of last Saturday’s paintout, with a very nice group of painters who specialize in the Santa Monica Mountains area. This location is at Circle X Ranch, high in the mountains above Malibu, actually a little closer to Ventura, just north of “County Line.” We arrived around 9 am – a problematic time for plein air painting as the face of the mountain was completely front lit. We’re talking full frontal eastern sunlight, which pretty much wiped out any chance of getting strong shadows. I knew this was going to be difficult, but we didn’t drive over an hour to paint some trees and bushes in the shade, so I figured I’d give it a go anyway.
When I got home from the paintout I discovered that I had to alter some of the colors to make the hillside recede, and to punch the foreground wildflowers to make them come forward. I could have done it on the spot but by the time I finished (around noon) the light had changed enough that there wasn’t much point in painting more. A reference photo allowed me to put on the finishing touches at home.
I was talking with pastellist Bruce Trentham while we took a break, and it turned out that we had both seen the same Ansel Adams PBS documentary which aired within the past week. One of Adams’ principles was to create a photograph not exactly as it WAS but how it made him feel. In other words he didn’t just photograph the scene he photographed his personal experience. That experience might have been a feeling of awe, rapture, serenity or other strong emotion. Sometimes he would use special filters to darken the sky unnaturally, the better to express what he was feeling. That, I believe, is one of the differences between fine art photography and just taking “a picture.” And it is the difference between merely copying a scene, either en plein air or in studio … and expressing a personal reaction. And that is why we paint more flowers than were really there (or that close), or we change colors, or soften and sharpen edges and so much more. Did I faithfully copy every nook and cranny of the rocks? Of course not! I got the general shape and enough crevices to say rocks, but more really isn’t necessary nor even advisable.
After the paintout we drove up and down the coast, stopping at several pocket beaches which were swarming with people. Little did we know that it was a hot day in the valleys and everyone had headed for the beach.
Here’s the work in progress shot. To answer a question I received a week ago (sorry, it’s been crazy busy) I use a Yarka easel and an easelmate which is like a wooden box with two “wings” that unfold to hold brushes, paper towels, etc. I have sheet of 12 x 16 glass (mounted to foamcore) which slides into the easelmate when I paint out. Under the painting in progress you can see a small sketchbook in which I did a composition before blocking in my color.
Poppy Garden – sketchbook watercolor
“Poppy Garden” – approx 9 x 12 watercolor
Tuesday afternoon I had the opportunity to join my friend Wendee for some sketching and painting in a nearby garden that is filled with billows of California poppies. Do you detect a seasonal theme here? I didn’t have time for a big painting but I wanted to do a reference sketch that I could take home to use for a larger watercolor or oil painting. It contains just enough information to describe the scene without being too detailed. I can paint the smaller touches from memory. Or leave them out, as the case may be.
Poppy fields forever – Karen Winters Daily Painting
“Poppy Fields Forever” 9 x 12 oil on board
SOLD, but I have more wildflower paintings at See more here
All over Southern California the golden poppies are in bloom. In the Antelope Valley, in Pasadena, and even a few in my yard.
Wildflower Spring – Karen Winters Daily Painting
“Wildflower Spring” – 14 x 18 oil on canvas
This very new painting (painted last week) was inspired by my recent trip to California’s Anza Borrego State Park in North San Diego County. I’ve never been much of a desert person, although one of my warmest memories of a family trip was to see the California desert for the first time – around Joshua Tree, I believe. Perhaps it’s because most of the year it is fairly dry and barren. But when springtime follows a winter of abundant rainfall – stand back. This is the desert as I’ve never seen it before. Next year I’ll be looking for new places to paint and take photos with different kinds of flora.
If there is someone reading who lives in the North San Diego area and is familiar with the native plants, I’d like to know the name of the tree/shrub, which grow near Coyote Canyon at the upper part of the A-B preserve. Some have said it’s a smoke tree but it seems too full for that. It has some resemblance to a palo verde, but the trunks weren’t green. The foliage is soft and airy and drooping. It grows out in the middle of the desert, in what look like flash flood gullies. It likes sand as opposed to a craggy, rocky habitat.
This might be a good time to remind new readers of a few things about the images you see here:
I scan and process my photos on a Mac, which means that it may look slightly different on a PC, even though I have my monitor setup for PC preview, since that’s what more people use. I do my best to get a good color match, but if you’ve ever been in a computer store or the TV department of a large retailer, you know that there are rarely two screens that look alike. I’ve been told that in most cases the painting “in real life” looks even better than on the monitor.
Thing two: My name and blog address which appear in one of the corners of the photo are NOT on the painting.That is not how I sign my name. It’s a watermark that I apply digitally to my work so that if it ever gets separated from my site, or if I display it on Flickr (not here) that people know where to go to see more. I usually sign my name very small and subtly in either the lower left or right hand corner, whichever looks best.
Thing three: What you see in this post is a low res version so the blog page will load quickly. If you want to see a somewhat higher res version, click the image and it is likely you’ll be able to see more brushstrokes and detail.
More paintings coming soon … I have a lot on the easel(s) and I’m doing final tweaking for all the shows coming up this month and next, among them the Art Matters show and sale at the Huntington Library and Gardens in San Marino. More details as the dates approach. Mark your calendar for the weekend of May 2-3-4.
Incoming Tide – Dana Point – Karen Winters Daily Painting
Incoming Tide (at Dana Point) 16 x 20 – oil on canvas
SOLD
OK, I’ll say it. This is probably one of my favorite paintings so far, for several reasons. I like the color, the composition, but mostly I like the energy and action of it and how it reminds me of being there. It’s good sized (for me) and was not painted on location but in the studio after a day of studying the waves on location. My reference photo was tempered with my very vivid memory of what the rock looked like, how the waves moved, the feeling of the day, the spray of the surf. And I can hardly wait to get back to the ocean to study some more.
This brings me back to the Jerry Stitt watercolor demo I went to a few months ago. He said instead of painting things, paint what the things are doing. In this painting the rocks are thrusting up, the waves are curling with energy as they rush forward, the water is pulling under the wave, swirling. The spray is flying, whipped by the wind. The distant horizon water is lying flat (at least at this distance.) The clouds have motion in the sky, but not so much that they are competing with the waves for attention. The brushstrokes all seek to express this movement. I hope that the viewer can feel my act of painting this, and in so doing participate in my experience of being there when I observed the scene.
Big Sur Seascape Oil Painting – California Coast – Karen Winters Daily Painting
“California Coast” (near Big Sur) 16 x 20 oil on canvas
Click to enlarge to higher resolution image
When we were first married, young and footloose, my husband and I loved to travel up and down California on photo safaris. One of our favorite places was the coastline. So it’s not surprising that it would be a favorite subject mine for painting, also.
A few days ago we spent hours on beaches in Orange County, just watching the surf and studying how the color changes with the passage of time. The results of those studies will be seen here soon.
Wildflower Wonderland – Karen Winters Daily Painting
“Wildflower Wonderland” 12 x 16 oil
This year promises to have an extraordinary crop of wildflowers due to the heavy rains we enjoyed for part of the winter. The desert bloom is under way and will continue for several more weeks.
Spring Memories – Karen Winters Daily Painting
“Spring Memories” 12 x 16 oil on canvas
Yes, spring is here – the hillsides covered with fresh green grass, the birds singing in every tree, and gentle breezes replacing the harsher winds of winter. Well, as harsh as it gets in Southern California – which is not much, all things considered.
This particular scene is a pathway in Descanso Gardens. But it could be just about anywhere in So. Cal this time of year.
Still, we welcome springtime as does everyone else. The wildflowers have already begun blooming and I’m looking forward to some poppy painting soon.
Fun Zone (LA County Fair) – National Watercolor Society 2008 painting – Karen Winters
Fun Zone – 20″ x 22″ – watercolor on paper
Well, I didn’t think it could happen two years in a row, and with such different styles and subject matter, but, happily, it did. I just got my notification in the mail that this painting has been accepted to the 2008 National Watercolor Society All Member show, opening April 19 at the VIVA Gallery in Sherman Oaks, Calif. It is an amalgamation of different scenes at the LA County Fair in Pomona, including the Tilt a Whirl, Ferris Wheel and several other rides. This is another one of those projects that I was busily painting over the past few months and that I said I’d share when the time was right. So if I missed some days with daily paintings, now you know why.
It was a whole lot of fun to paint (I hope that comes through!) and takes me back to the days when I was an advertising group head and copywriter for the agency that had the fair account. I still enjoy going there to watch the people, animals, shows and more. I didn’t get there last year because it coincided with our Descanso show, but maybe this year!
For any of you who are newer readers of this blog, here was my painting in the 2007 NWS all member show.
A Spring Walk – Karen Winters Daily Painting
A Spring Walk – 9 x 12 – watercolor sketch
This one is a little bit from real life, and a little bit from imagination. I embellished the wildflower strewn meadows just a tad beyond reality, but if you don’t tell, I won’t.
Ah, springtime. Our peach tree is in bloom, magnolias are covered with blossoms and the mustard is starting to blanket whole hillsides in a warm yellow glow. I’m looking forward to getting out and painting again soon, now that the rush to deliver paintings to shows is almost over. I have more deadlines ahead of me for other shows yet on the horizon, but there is a bit of a breather, at least.
And speaking of shows, the “Warm Welcome” watercolor of the Chevy Chase clubhouse garden and front door was purchased today, two days before the opening reception. I am very pleased and hope that the new owner enjoys it as much as I did painting it, although it will hang for the duration of the show. I hope this is a good omen for the rest of the show.
Someone asked me the other day if I felt stress painting to deadlines for shows and competitions. I thought for a moment and realized, yes, I feel stress, but it doesn’t feel like a negative pressure – just busy-ness. It causes me to focus and be deliberate about what I’m doing, but it’s not a bad feeling. Quite the contrary!
Did you know that there are actually two kinds of stress? One, the one we think of commonly, is actually distress. It makes us feel bad. The other kind of stress, associated with good things, is called “eustress.” Here’s a link, look it up! So when I’m painting to a deadline, I feel eustress and it actually energizes me. I think this is the kind of stress people refer to when they say “I do my best work under pressure.” Distress, on the other hand, tends to paralyze you and make you lose focus and confidence. That kind of stress makes you avoid the project instead of looking forward to the next one. So, as a long way of answering, I do feel stress, but it’s the kind that makes me want to jump out of bed in the morning and get to work, not to pull the covers over my head!
And since it’s past midnight right now, I think I’ll go pull the covers over my head and hopefully dream about walking down that spring path.
