Sandstone Peak – near Malibu – Karen Winters Plein Air painting
“Sandstone Peak”
12 x 16 oil on canvas
Here’s the result of last Saturday’s paintout, with a very nice group of painters who specialize in the Santa Monica Mountains area. This location is at Circle X Ranch, high in the mountains above Malibu, actually a little closer to Ventura, just north of “County Line.” We arrived around 9 am – a problematic time for plein air painting as the face of the mountain was completely front lit. We’re talking full frontal eastern sunlight, which pretty much wiped out any chance of getting strong shadows. I knew this was going to be difficult, but we didn’t drive over an hour to paint some trees and bushes in the shade, so I figured I’d give it a go anyway.
When I got home from the paintout I discovered that I had to alter some of the colors to make the hillside recede, and to punch the foreground wildflowers to make them come forward. I could have done it on the spot but by the time I finished (around noon) the light had changed enough that there wasn’t much point in painting more. A reference photo allowed me to put on the finishing touches at home.
I was talking with pastellist Bruce Trentham while we took a break, and it turned out that we had both seen the same Ansel Adams PBS documentary which aired within the past week. One of Adams’ principles was to create a photograph not exactly as it WAS but how it made him feel. In other words he didn’t just photograph the scene he photographed his personal experience. That experience might have been a feeling of awe, rapture, serenity or other strong emotion. Sometimes he would use special filters to darken the sky unnaturally, the better to express what he was feeling. That, I believe, is one of the differences between fine art photography and just taking “a picture.” And it is the difference between merely copying a scene, either en plein air or in studio … and expressing a personal reaction. And that is why we paint more flowers than were really there (or that close), or we change colors, or soften and sharpen edges and so much more. Did I faithfully copy every nook and cranny of the rocks? Of course not! I got the general shape and enough crevices to say rocks, but more really isn’t necessary nor even advisable.
After the paintout we drove up and down the coast, stopping at several pocket beaches which were swarming with people. Little did we know that it was a hot day in the valleys and everyone had headed for the beach.
Here’s the work in progress shot. To answer a question I received a week ago (sorry, it’s been crazy busy) I use a Yarka easel and an easelmate which is like a wooden box with two “wings” that unfold to hold brushes, paper towels, etc. I have sheet of 12 x 16 glass (mounted to foamcore) which slides into the easelmate when I paint out. Under the painting in progress you can see a small sketchbook in which I did a composition before blocking in my color.
Poppy fields forever – Karen Winters Daily Painting
“Poppy Fields Forever” 9 x 12 oil on board
SOLD, but I have more wildflower paintings at See more here
All over Southern California the golden poppies are in bloom. In the Antelope Valley, in Pasadena, and even a few in my yard.
Wildflower Spring – Karen Winters Daily Painting
“Wildflower Spring” – 14 x 18 oil on canvas
This very new painting (painted last week) was inspired by my recent trip to California’s Anza Borrego State Park in North San Diego County. I’ve never been much of a desert person, although one of my warmest memories of a family trip was to see the California desert for the first time – around Joshua Tree, I believe. Perhaps it’s because most of the year it is fairly dry and barren. But when springtime follows a winter of abundant rainfall – stand back. This is the desert as I’ve never seen it before. Next year I’ll be looking for new places to paint and take photos with different kinds of flora.
If there is someone reading who lives in the North San Diego area and is familiar with the native plants, I’d like to know the name of the tree/shrub, which grow near Coyote Canyon at the upper part of the A-B preserve. Some have said it’s a smoke tree but it seems too full for that. It has some resemblance to a palo verde, but the trunks weren’t green. The foliage is soft and airy and drooping. It grows out in the middle of the desert, in what look like flash flood gullies. It likes sand as opposed to a craggy, rocky habitat.
This might be a good time to remind new readers of a few things about the images you see here:
I scan and process my photos on a Mac, which means that it may look slightly different on a PC, even though I have my monitor setup for PC preview, since that’s what more people use. I do my best to get a good color match, but if you’ve ever been in a computer store or the TV department of a large retailer, you know that there are rarely two screens that look alike. I’ve been told that in most cases the painting “in real life” looks even better than on the monitor.
Thing two: My name and blog address which appear in one of the corners of the photo are NOT on the painting.That is not how I sign my name. It’s a watermark that I apply digitally to my work so that if it ever gets separated from my site, or if I display it on Flickr (not here) that people know where to go to see more. I usually sign my name very small and subtly in either the lower left or right hand corner, whichever looks best.
Thing three: What you see in this post is a low res version so the blog page will load quickly. If you want to see a somewhat higher res version, click the image and it is likely you’ll be able to see more brushstrokes and detail.
More paintings coming soon … I have a lot on the easel(s) and I’m doing final tweaking for all the shows coming up this month and next, among them the Art Matters show and sale at the Huntington Library and Gardens in San Marino. More details as the dates approach. Mark your calendar for the weekend of May 2-3-4.
Incoming Tide – Dana Point – Karen Winters Daily Painting
Incoming Tide (at Dana Point) 16 x 20 – oil on canvas
SOLD
OK, I’ll say it. This is probably one of my favorite paintings so far, for several reasons. I like the color, the composition, but mostly I like the energy and action of it and how it reminds me of being there. It’s good sized (for me) and was not painted on location but in the studio after a day of studying the waves on location. My reference photo was tempered with my very vivid memory of what the rock looked like, how the waves moved, the feeling of the day, the spray of the surf. And I can hardly wait to get back to the ocean to study some more.
This brings me back to the Jerry Stitt watercolor demo I went to a few months ago. He said instead of painting things, paint what the things are doing. In this painting the rocks are thrusting up, the waves are curling with energy as they rush forward, the water is pulling under the wave, swirling. The spray is flying, whipped by the wind. The distant horizon water is lying flat (at least at this distance.) The clouds have motion in the sky, but not so much that they are competing with the waves for attention. The brushstrokes all seek to express this movement. I hope that the viewer can feel my act of painting this, and in so doing participate in my experience of being there when I observed the scene.
Wildflower Wonderland – Karen Winters Daily Painting
“Wildflower Wonderland” 12 x 16 oil
This year promises to have an extraordinary crop of wildflowers due to the heavy rains we enjoyed for part of the winter. The desert bloom is under way and will continue for several more weeks.
Spring Memories – Karen Winters Daily Painting
“Spring Memories” 12 x 16 oil on canvas
Yes, spring is here – the hillsides covered with fresh green grass, the birds singing in every tree, and gentle breezes replacing the harsher winds of winter. Well, as harsh as it gets in Southern California – which is not much, all things considered.
This particular scene is a pathway in Descanso Gardens. But it could be just about anywhere in So. Cal this time of year.
Still, we welcome springtime as does everyone else. The wildflowers have already begun blooming and I’m looking forward to some poppy painting soon.
Chevy Chase Canyon View – Glendale – Calif – Karen Winters Daily Painting
“Canyon Dreams (view from Olympic Road)” – 12 x 16 oil on canvas
This is another in my series of paintings I’ll be taking to the Chevy Chase Country club for the Artists of the Canyon show beginning this Friday, March 14.
Until I started working on this project, there were areas within 6-7 miles of our house that I had never explored, and this is one of them. It’s a view from a trail/fire road that winds up a hillside off of Chevy Chase Drive. When the clouds clear and the sun comes out, it’s a wonderful sight. With the tile roofs, cypress trees and houses in pastel colors, I can imagine it’s somewhere in a Mediterranean setting. But it’s actually right here, just a short drive away.
Pasadena Arroyo Seco Paintings – new show for Art Night
Arroyo Pond – 11″ x 14″ oil on canvas – Click to enlarge
Under Autumn Skies – 11″ x 14″ oil on canvas – Click to enlarge
SOLD
New California Art Club Show
See more of my arroyo seco paintings here.
Yesterday I got official notification that these two paintings have been accepted into a special exhibition of the California Art Club featuring paintings of the Arroyo Seco area of Pasadena. These paintings are of the northernmost part of the Arroyo, near JPL and Devils Gate Dam, on the border of La Canada Flintridge, my home town.
The show will be hung in the Pasadena Public Library and will open Friday night, March 14 (this Friday) and continue through March 30.
Reception is from 6 to 10 pm and artists will be present to chat with. The show is part of Pasadena’s bi-annual ArtNight – a great event in which all of Pasadena’s many museums and concert venues are open, free, for the evening. Shuttle buses take art lovers around to all the locations so you don’t have to keep driving and parking. More information about ArtNight can be found here.
So, if you’re in LA or especially if you live near Pasadena, you should really get out and enjoy this special evening of art, music and more. And if you get by the Pasadena Library, stop by and say hi.
Earlier that same evening, I’ll be at the Chevy Chase Country Club for the opening of another show featuring paintings of the club, canyon and surrounds. More details about that (and pictures) in a day or two.
Now you know why I’ve been saying I’ve been crazy busy for the past month or so!
Eaton Canyon Stream – Karen Winters Daily Painting
Eaton Canyon Stream – 9 x 12 oil on canvas on board
Eaton Canyon, in Altadena (near Pasadena, California) is running with water this time of year. This painting is of the east side of the riverbed, looking southward.
Hispanic Man – Karen Winters Daily Painting
Hispanic Man – 8 x 10″ oil on canvas
No, I am not putting landscape painting aside; I will continue with it as always, but I am interested in doing some portrait painting in oil, which has an entirely different feel and way of working than portraiture in watercolor. This was painted in one session, starting with a sketch and progressing until all of the canvas was covered with paint. I don’t know this man; he was listening to a speaker at an outdoor event and I liked the look of his face.
