Way of the Oak – California Impressionist Landscape Oil Painting of Oak Tree on Trail – by Karen Winters
“The Way of the Oak”
12 x 16 oil on canvas
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This graceful old oak arches over a trail on Eaton Canyon, beckoning the hiker to walk under the arch and continue their journey. Scenes like this are typical of trails all over California, though. From the Arroyo Seco of Pasadena, the Cerro Gordo campgrounds of California’s Central Coast, the equestrian trails of La Canada, where I live, and the trails of Irvine Park, Malibu Creek State Park, Agoura, and more. I’ve seen so many places like this that it is truly iconic of California, especially in the springtime when the grasses are still fresh and only beginning to turn to gold.
California Sunset Oil Painting – Impressionist Landscape – Eucalyptus Sunset by Karen Winters
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Eucalyptus Sunset
9 x 12 oil painting on canvas
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Dramatically lit by a blazing sunset, this lone eucalyptus stands guard against the coming night. The gray-green foliage, stirred by the breeze, takes on the sunset colors. I’ve seen scenes like this in Carpinteria, Orange County, Cambria, San Luis Obispo, Fillmore, Fallbrook, and even close by in Pasadena and La Canada. Eucalyptuses are everywhere in Southern and Central California.
Oak Valley – Agoura California Landscape Oil Painting by Karen Winters
“Oak Valley”
8 x 10 oil painting on plein air panel
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Some fresh new oaks in the Conejo Valley, near Agoura. The hills are no longer pure emerald green, and the seed heads of the grasses are turning shades of brown and mauve. An interesting color combination against the dark rich green of the live oaks. I’m going to be painting on a nature preserve soon where there are abundant oak trees among wild flowers. I’m getting in a little practice ahead of time to get in the mood.
California Landscape Spring Pastel Painting – Quiet Spring Reflections – Western Sierra Foothills – by Karen Winters
Quiet Spring Reflections
9 x 12 pastel on sanded paper
Western Sierra Foothills, near Visalia
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See more of my California landscapes here
I enjoy pastel painting although I don’t do it as often nowadays as oil. But I’m getting back into it. For this subject, I thought the soft spring foliage lent itself to the soft buttery texture of the pastel on sanded paper. I toned the paper first with a warm under painting, then let it dry, then painted into it directly with hard, then soft pastels, finally accented with pastel sticks.
Pastel has advantages over oil: there is less opportunity to make mud when working in layers alla prima. But there is the disadvantage of not being able to use transparent layers in the same way one can with watercolor and oil.
Surprisingly, I use many of the same techniques that I do in oil. Instead of doing drybrush, I drag the side of the pastel horizontally over a layer. Negative painting is much the same as with oil. Edges can be lost and found in much the same way. Getting the color right is the most difficult part. Virtually any color can be mixed with a warm and cool of each primary, plus black and white, in oil. In pastel you need to have a kaleidoscope of sticks unless you mix and blend some on the paper.
Whichever medium I choose, it’s still California impressionism and I think it still looks like something painted by me.
Gaviota Springtime – California Art Club Gold Medal Show – California Landscape Oil Painting by Karen Winters
“Gaviota Springtime”
11 x 14 oil on plein air panel
Central Coast California
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Saturday is the opening night for the Centennial of the California Art club’s Gold Medal Show. I’m very happy to have my painting, “Gaviota Springtime,” included in this historic exhibition at the Pasadena Museum of California Art. The early members of the California Art Club include such legendary painters as William Wendt, Edgar Payne, Benjamin Brown, Franz Bishoff and many other early California impressionists. The CAC commitment to fine representational painting continues now into its second century, and I am honored to be a part of that tradition.
View all of the paintings in the California Art Club 100th Gold Medal Show.
The Gold Medal show will be on display until April 24, and the museum is closed Monday and Tuesday, weekdays.
Heavenly Light – California Tonalist Landscape Painting – Devils Gate Dam – Hahamongna Park – Arroyo Seco by Karen Winters
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“Heavenly Light at Devil’s Gate Dam”
(upper Arroyo Seco –
Hahamongna Park – La Canada Flintridge, Pasadena)
9 x 12 oil on linen plein air panel
Interested in this painting?
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When we have heavy rain, the waters really back up behind Devil’s Gate Dam in the Upper Arroyo Seco, between La Canada Flintridge and Pasadena.
The graceful eucalyptus and willows have their feet in swampy water. I’m sure the water loving willows love it – not so sure about the eucalyptus. In time the waters will filter down into the aquifer, recharging the subterranean reservoir. But for now, they provide a beautiful reflecting surface in which to see the ever-changing skies.
California plein air seascape oil painting of Morro Bay – Montana De Oro by Karen Winters
SOLD “A Walk to the Dunes”
(Morro Bay, Montana de Oro vicinity, San Luis Obispo)
8 x 10 plein air oil painting on linen panel
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The day after the reception for the California Art Club group show at the San Luis Obispo Art Museum, the weather was perfect for some painting. In the morning I painted at Karner’s point (near Baywood Park) and in the afternoon, the destination was this spot near Montana de Oro. The hazy late afternoon light created a magical look to the whole scene. The tranquil sea can be seen beyond the distant dunes. Large eucalyptus trees shelter one of the many small houses in the area. From this viewpoint, if you were to look another 30 degrees to the right you would see Morro Rock.
Interested in this painting?
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Morning at the Cove – Baywood Park, Morro Bay California Impressionist Plein Air Painting by Karen Winters
“Morning at the Cove”
8 x 10 plein air oil painting on linen panel
Cuesta Cove, Baywood Park (near Morro Bay, Los Osos area)
California Central Coast
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This plein air painting was done last weekend while I was up in San Luis Obispo attending the opening of the California Art Club “Gems of the Central Coast” show at the San Luis Obispo Art Museum. The morning after the reception, some of my painting friends and I went over to this picturesque area. When I began to paint, the tide was in and the water was very still, allowing a beautiful reflection of the eucalyptus grove. By the time an hour had passed, the wind came up and the reflection was gone. Such is the plein air life!
Peaceful Pasture – Equestrian Miniature California Landscape Painting
Peaceful Pasture
(Central California)
6 x 6 inches, oil painting on canvas
SOLD
Last weekend we spent some time up in San Luis Obispo for the opening of the California Art Club’s “Gems of the Central Coast” show at the San Luis Obispo Museum of Art. We had a great time seeing old friends and making some new ones, too. Once you get out of Los Angeles you really begin to appreciate the rural beauty of the state and the quiet moods of hills, pastures, marshes and mountains. Driving up the 101 we saw many ranches with scenes just like this.
See more of my California Central Coast paintings here
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