Sierra Splendor – Mt Whitney, Lone Pine, California landscape oil painting – Eastern Sierra Nevadas
Sierra Splendor
a view toward Mt. Whitney Portal from Lone Pine
18 x 24 oil on canvas
SOLD
More Sierra Nevada paintings here
Some time this fall we’re going to return to the area again for another painting and research trip. A new collector has tipped me off to some beautiful painting spots in the area – and it’s a trip I’m eagerly anticipating.
San Juan Capistrano Train Station Plein Air Oil Painting by Karen Winters
SOLD
Capistrano Train Station
9 x 12 oil on linen panel
Plein air painting – June 2009
This painting is sold but I have others of Capistrano. Please write
Among the other locations we explored during our week in San Clemente was nearby San Juan Capistrano. The old train station is a picturesque diversion bordering the Los Rios Historical District.
I found a good spot in the shade and had fun talking to people as I painted.
California Golden Hills – Oak Landscape Plein Air Oil Painting
California Golden Hills
11 x 14
Plein air oil painting
Interested in this painting? Please write
This painting is currently on exhibition in the San Clemente Art Association Gallery, in San Clemente, CA.
Much of the week in San Clemente we experienced “June gloom” – that cool gray marine layer that covers the seacoast until early afternoon. Although paintings in the gloom do have a certain mystery to them, I was looking for a more colorful subject, and so we traveled inland along the Ortega Highway to find this vista at Caspers Park. But really, it could be anywhere in the state – the golden hills studded with oaks is so typical of our scenery.
Just for fun, I included a photo of me, mid-painting, on location. You can see my preliminary sketch on the easel, above the canvas. If I have the time I always try to do a sketch because it helps me to organize my thoughts and not to “get lost” as I strive to capture the scene on canvas. Here are the steps I usually take:
1) select an appealing scene
2) do a value sketch
3) draw the “bones” of the scene on canvas
4) put in the darks
5) put in the lights
6) refinement
If the light is rapidly changing, though, all bets are off, and sometimes you just have to paint whatever is most ephemeral. In this case, I knew that the cloud shadows might go away, so I painted them first, saving the golden grasses for last.
More paintout paintings to come …
Above San Clemente Coastal Plein Air Seascape Skyline Painting
“Above San Clemente”
8 x 10 oil
The view from Salvador Drive, high above San Clemente, about 5:30 in the evening
This painting is on exhibit at the San Clemente Art Association Gallery, until July 31.
If you are not in the area but are interested in purchasing, please write me and I will contact the gallery.
This was one of the paintings I did for the plein air paintout – at the end of a very long day painting in other locations. It portrays the silvery bay in late afternoon light from the vantage point of Salvador Drive, up Presidio, east of the city. The sun was just out of the frame, and I was trying to keep it under the brim of my hat – not easy! My husband took this picture of the painting on the easel at the end, just as the sky was starting to turn warmish. I thought it looked kind of neat backlit by the sun.
More of my work from the paint out will be posted all this week, so please check back.
Peppertree Hill – California Landscape Oil Painting
This California landscape oil painting was inspired by a pepper tree I saw leaning into the wind on a golden hill.
Peppertree Hill
9 x 12
oil on wood panel
Interested in this painting? Please write.
The spring green grass has turned to gold, now, and even though we are experiencing more than a usual amount of “June gloom,” the sun occasionally breaks through. When it does, it’s wonderful.
Over the weekend we had the opportunity to see the new California Art Club associates show at the Women’s City Club in Pasadena. After that, we went to the opening at Segil Fine Art in Monrovia. An art-filled weekend in the very best way. Now, I’m getting ready for next week’s plein air paint out in San Clemente. I have 25 paintings framed and ready to take with me for the final sale June 27-28.
Windblown Cypress Tree – California beach seascape oil painting
“Windblown Cypress Tree”
(Southern California seacoast)
11 x 14 oil on canvas
SOLD
If you’re interested in this painting, please write.
From the moment I saw this California cypress tree I knew I had to do an oil painting of it. Most of my tree experience comes from the big four: eucalyptus, oaks, sycamores and palms. Cypresses only seem to grow natively near the ocean and they are almost always sculptural in form and are icons of California art. The iceplant growing at its roots, in the sandy dunes, provided an interesting textural contrast.
Westward Waves – Southern California Art – Marine Seascape Oil Painting by Karen Winters
“Westward Waves”
16 x 20 oil on canvas
Interested in this painting? Please write
This painting was done in anticipation of the San Clemente paintout and sale, which will start a week from Saturday and continue through the following Saturday and Sunday, June 27 and 28.
This will be my first year participating and I’m really looking forward to it. I have painted before in the San Diego County area, most recently for a week in Fallbrook, and I think the country is beautiful. I’m not sure yet whether I’ll be doing ocean scenes or some of the lovely inland areas, but I know it will be a great experience either way.
The small Laguna Tide Pool study sold last week at the Rancho Santa Ana Botanical Gardens show, and this larger painting, based upon that study, was already under way.
Colorado Street Bridge – Summer Landscape California Oil Painting
Pasadena Bridge – Summer Days
(Colorado Street Bridge)
8 x 10 oil on canvas
SOLD but I have other bridge paintings
This California landscape is one that is familiar to residents of Pasadena and the communities surrounding the Arroyo Seco. The Colorado Street Bridge , seen here looking northward, rises over the grassy fields that are now turning golden. Only the evergreen eucalyptus, oaks, willows and other natives keep their colors. The 134 freeway bridge can be seen in the distance. On these late spring days it’s not uncommon to see thunderheads building over the San Gabriel Mountains – you can feel the humidity build up at those times.
I am counting down the days until my reception at Gale’s Restaurant in Pasadena. Sunday, May 31, 4-6 pm. If you’re local, I hope you can come!
Book tip of the day: Kevin McPherson’s Landscape Painting Inside and Out: Capture the Vitality of Outdoor Painting in Your Studio With Oils
California Art Oak Landscape Oil Painting
Evening Peace
12 x 16 oil on canvas
(Central California, Sierra Foothills oil painting)
This painting is SOLD, but I have more oak paintings:
See more of my oak tree paintings here
This California oil painting celebrates the end of the day in Central California as valley oaks are silhouetted by the fading sun. The warm glow of sunset still lingers in the sky. Mist is already starting to form in the distant Sierra foothills, creating a sense of mystery.
Last weekend’s opening of the California Art Club “On Location in Malibu” show at the Weisman Museum at Pepperdine University was really outstanding. Although I paint frequently in Malibu it is always interesting to see other artists’ interpretations of the same subjects. I hope to return to the exhibit to see more of the paintings when there is no crowd. It was really elbow to elbow in the galleries.
Windbreak – California landscape oil painting – Karen Winters
Windbreak
10 x 12 oil study
SOLD
This little windbreak was interesting with its varied heights and shapes. It reminded me of a group of kids lined up for their school picture, or perhaps an a capella group getting ready to perform. I had a good time capturing the top light on the trees, which suggests the middle of the day. The short shadows communicate the time of day as well.
Studies are useful for many purposes – we learn about how to render certain types of plant life, how to capture the quality of light at a certain time of day, how to describe distant and near objects, even how the sky looks under different weather and lighting conditions.
