Descanso White Azalea – Daily Painting
Descanso White Azalea – 7.25 x 5.3 inches – watercolor on 140# paper – available
The azaleas have started blooming at Descanso again – some bushes show great masses of them and others just show one or two here and there. These were the topmost blossoms on one bush in the Japanese teahouse area. No doubt the rest of the shrub will burst forth very soon. I was painting there around noontime and the light striking the flowers made them seem to glow from within.
If you are going to be in the LA area in the spring, you really must visit Descanso Gardens in La Canada – one of LA’s loveliest botanical gardens.
Monster Radishes – Daily Painting
“Monster Radishes” – 10″ x 14″ watercolor on 140# paper
Purchase from the artist: karen@karenwinters.com
When we go to the Farmers Market on the weekend, we are often delighted to see unusual vegetables from regional truck gardens. This week I was astounded to see these Radishes of Unusual Size (with a tip of the hat to Princess Bride.) These vegetables are between three and four inches in diameter and one alone would be sufficient to populate a salad with piquant red and white medallions.
Because time was short before preparing dinner, this was direct-painted without any pencil underdrawing, an experience I have compared at other times (like working on Yupo) to skiing downhill on ice. With staining pigments like these you get one chance to make the stroke, for good or bad, and then let it be.
A lot of people don’t like radishes because they can be hot, but I like them for crunch and flavor, but I’m going to have a hard time cutting up these proud beauties.
Art thought of the day from Matisse:
“It is feeling that counts above all. It is not physical matter one renders, but human emotion.”
Abstract Cliffs
Cliffside 7.25 x 3.25 – watercolor on paper
This small watercolor was an experiment in abstracting a scene – an exercise that I found very liberating and refreshing. When I look at the work of the California regional painters of the 30s and 40s, I see how often they broke away from realism to paint simplified forms and improvised color schemes. You can see the evidence of this movement in the highly designed travel posters of the era.
Quote of the day from Robert Henri:
“The object isn’t to make art, it’s to be in that wonderful state which makes art inevitable.”
May you all be in that state all this week!
Asparagus – Watercolor painting
Asparagus 9 x 12 – 100 lb. paper
From my sketchbook …. When asparagus shows up in stores it’s a sure sign of spring, even if it comes from Chile or who knows where. My dear husband knows how much I love the vegetable and when it appears for a good price at Trader Joe’s or one of our other local markets, he brings it home when he’s out doing errands. I like it simply prepared, like most of the fresh vegetables we enjoy around here. Steamed or microwaved briefly, with a little butter and salt.
This was painted directly with ink and brush and watercolor. Simple and quick, just like asparagus should be prepared.
Mums on the Table
“Mums on the Table – 6.5″ x 10” (approx.) – watercolor
Purchase from the artist
Being in Southern California, even with occasional cold days, my chrysanthemums don’t know when to stop blooming. They start around late October but there are always some stragglers that manage to put out a few more blooms unless I cut them back – hard – in December.
Our oak dining room table is becoming one of my favorite places for a still life setup. You’ve seen it in the eggshells and in the black and white study of the pear/grape and bottle … and now the dining room window provides the rimlight for these blooms, casually tossed in a glazed ceramic vase we picked up a few years ago at a garage sale.
Communicating Pairs – Illustration Friday
“Communicating Pairs” 9″ x 7 3/4″
Watercolor and mixed media on board
$150 + shipping …
Purchase from the artist
For Illustration Friday on the theme of “Communication.”
Loose Flowers – Daily Painting
“Loose flowers – watercolor on paper – approx 7″ x 11”
This was yesterday’s study in our watercolor class. The objective was to paint the still life arrangement using a split complement color scheme. I did … using a red violet, a red orange and green. But the only mixable background color ended up being brown … Not exactly what I had in mind, so when I got it home I glazed it with blue. Next time, I’ll pick other colors to experiment with and maybe save the green red split complement for a landscape where brown would be a welcome consequence.
Now, I have to confess the flowers were some wispy looking orange bougainvilleas, but we were encouraged to paint shapes, not the individual blossoms, so mine ended up looking more like roses. And … there wasn’t another fallen blossom at the base of the glass vase. I threw that in because I thought it needed something for balance. And when I got it home, I cropped it (in the computer) and like it better than seeing the whole thing. I like the suggestion that there is more than just what we see.
Inspiring Quote of the Day:
” The struggle is not to be a great artist. It is to be a great student.” – Robert Henri
I read someone’s email recently in which the person sounded a little apologetic for being a beginner. How I wish I could change that person’s mind about that belief. Being a beginner is a wonderful thing because it means we’re still open to change, learning, growth and new discoveries. There’s no shame in being a beginner, and we are all beginners at something. My teacher is a master watercolorist but a real beginner at computers. Our veterinarian is an incredibly skilled doctor but a beginner at welding. My father was a master welder but a beginner at metal sculpting. I know superb sculptors who are beginners at oil painting. And outstanding oil painters who are beginners at watercolor. How sad it is to apologize for being a beginner at anything. It’s a good place to be – and may we all continue to be beginners at something as long as we live.
Valentine Tulips
Spring Tulips – 5.5″ x 9.25″ – NFS – prints available
My dear husband surprised me with a beautiful pot of tulips for Valentine’s Day. Now that he is participating so much with me in my art activities, he has developed an quite an eye for things I would like to paint. I have always loved tulips, and carried them in my wedding bouquet, but being able to paint them just doubles the enjoyment.
OK, a few art notes about this. After I painted it I realized that it is really a painting made up of just one color and its complement – magenta and yellow green. The gray for the background is something I’ve heard described as “palette gray” – you mix together the various bits of red, maroon, dark green and yellow green and it produces a soft neutral that works well with the bright colors.
On another note … I’ve gotten quite a few emails that people are unable to leave comments when they try – and last night I was getting database error messages from my host when I tried to publish. Please drop me a line and let me know if you’ve run into the same problem, and what system, browser you’re using. Something is afoot but I’m not quite sure what it is. Thanks!
Bronze Nude – Getty
Torso after Maillol – 9 x 12 charcoal on toned paper
In the sculpture garden of the West Pavilion are several Maillol bronze nudes, two of which I had time to draw. In many ways this was more challenging than the interior marble sculptures because of the dazzling bright sunlight and the dark reflectivity of the of the form. For this surface I switched to a vine charcoal to suggest the contrast.
Recently on the everyday matters list a question was asked “what do YOU do to really get yourself going when you feel
stalled?”
I guess I’d say I take a preventive approach to that question. I don’t usually get to the stalled point because I’m constantly changing gears in what I hope is a spiral path of growth. Here’s what I wrote in response to that very good question:
When tired of drawing in a sketchboook, draw on some big sheets of paper
If you usually paint big, paint small.
When you’re tired of using watercolor, try pastel or acrylic.
Always work in color? Try black and white.
If you’re getting bored painting landscapes, paint people.
If you usually paint people, try a still life.
Always draw with pencil? Try charcoal.
If you always draw with a dip pen and ink, use a brush pen instead.
When you get weary of doing finished works, do a series of quick studies.
If you always paint tight, loosen up.
If you always draw on white paper, try drawing on toned paper.
Always gravitate to bright colors? Try a subdued palette.
Too weighed down with reality? Try a fantasy scene from your imagination.
Tired of realistic representation? Have a little fun with abstraction.
Everything feel like same old, same old? Go to a museum or some
galleries and get fresh inspiration.
Try an old subject in a new technique.
Try a new subject in a familiar medium or technique.
This ‘shake things up’ approach may not work for everyone, but it keeps me from ever feeling bored. Give it a try!
The Stories They’d Tell – Daily Painting
“The Stories They’d Tell” – 5 1/8″ x 7″ – oil on canvas mounted on masonite.
Among the homeliest objects in our home are this old pair of scissors and a wooden “Clarks” spool. Both are probably from the 40s or 50s, judging from the look of them. Occasionally we’ll go to estate sales in our area, and inevitably there is a sewing basket with old scissors, spools and papers of pins. I like to think about their years of service and all the jobs they’ve done – a hem raised or lowered to suit the fashion of the time … a collar taken off and reversed to save buying a new shirt during the Great Depression … a Halloween costume made. Perhaps this thread and scissors patched up a hole in Santa’s jacket before it was packed away for another year.
What stories would your scissors tell, years from now?
