Crest Pines
“Crest Pines” 15″ x 11″ watercolor on paper
Pines and summer wildflowers on the Angeles Crest – the newest in my trails of the San Gabriel series.
This weekend, at two different watercolor demos held at Watercolor West and the National Watercolor Society, both demonstrating artists mentioned how they like to work in themes and series. I hadn’t been consciously thinking that way, but I now realize that I keep doing similar paintings of trails or byways and our local mountains. So I guess you could call that a series. Although I don’t know that I’ll make every upcoming painting a part of that, I’m sure that tomorrow’s plein air is likely to be a continuation, and I’ll be doing more in the future. I do find that by working consistently on similar subject matter that it reinforces what I’m learning and experimenting with.
As with others in this series, the only pencil drawing was about a half a dozen lines to indicate horizon, mountain range, the shapes of the two prominent pines and the shape of the trail. Everything else was ‘drawn’ with the brush as I painted.
I used about four brushes for this: a one inch flat, a 12 round, a 4 round and a #6 liner. The colors were primarily chrome yellow, thalo blue, payne’s gray and a bit of leftover burnt sienna from yesterday’s painting
Snowy Field – Painting a Day
Snowy Field
Watercolor on paper 5.5″ x 13.5″
An exploration in monochrome for a Wet Canvas Weekend Allmedia event. The challenge was to take a reference photo provided by Wendy/Sundiver and adapt it in some way to make it more interesting.There was no foreground in the ref photo, and no shadows. My solution was to turn it into a vertical format, rather than horizontal, and to let the cast shadows of the trees be part of the design. The shadows point up to the sun (or moon, as the case may be) which is the center of interest.
Now if any of you wants to get technical, yes I know that the cast shadow from a point source (the moon) should radiate from that source, and that the trees furthest to the right should not cast shadows to the left. But I did it for a design reason, ok?
The provided reference photo:
Illo Friday “Clear” – Wild Stream
SOLD
“Wild Stream”
7.5″ x 11″ Watercolor on 140# paper
Clean, clear, water – what a precious resource. Can anything match it for clarity and freshness?
I did this painting today just for fun for some water practice, using a very limited palette of two blues, a red and a yellow. That’s about it. Oh, and a little gouache white for some ripples here and there. The Angeles Crest forest above La Canada is just full of places like this.
I don’t think there’s any way to paint wild water in a quiet, contemplative way. For me, it’s necessary to be a little bit excited about the subject matter and to paint quickly and almost impulsively, even though that usually means making a lot of mistakes. The vitality of the water flow is communicated by the energy of the brushstrokes.
(My watermark and blogaddress is not in the painting – only in the scan.)
Yorkshire Pals – Daily Painting
11″ x 9″ Watercolor on 140# paper. Available.
This was my (very) early morning project for Wet Canvas’ weekend drawing event, in which reference photos are provided to draw or paint from. One’s work or work in progress must be posted within 2 hrs of starting.
Well, I had a dilemma. I liked parts of two photos but I wasn’t sure either one would make a good painting on their own. So I composited the two in Photoshop and used that as my ref.
Something I observed this week at LACMA when I wandered through the 18th century landscape galleries. Almost all of the skies were full of interesting cloud formations – and the reason appeared to be so that certain landscape elements could be highlighted by the sun, and other, less interesting parts thrown into shadow. Hmm, pretty clever those Dutch. So it occurred to me that I could make a more interesting pattern of light and darkness on the ground if I put some clouds up into the sky. (Look at the horse photo and you’ll see it’s a clear day.) The fluffy clouds I experimented with in Photoshop were my way of seeing if that solution would work. I also wanted some strong diagonals in the composition so I exaggerated that with color and shadows.
Here are the two source photos which were taken by Deepat’s friend June
Mango and Mates – Daily Painting
Watercolor on paper 10″ x 7.5″. Available
What I learned on my weekend vacation that I decided to apply today …
Colorful shadows with reflected light. Playing around with complementary schemes.
Being bold with wet in wet painting.
Getting more daring with saturated color.
Painting watercolor standing up (even when not plein air) to give more arm/shoulder range.
Mixing colors from a limited palette.
Oh, and this is not the same mango that my husband was pining for before. That one went into the margaritas.
Rosarium sycamore – Daily Painting
Watercolor on paper. 11″ x 6.25″
Tired but happy, I’m back from two back-to-back days of watercolor demonstrations in Orange County – one sponsored by Watercolor West, the other sponsored by the National Watercolor Society. The styles of the instructors (Chris Van Winkle and Cathy Quiel) were quite different but they both offered such inspiration and so much to absorb. And the two society shows were fantastic as well. If you’re in So. Cal and like watercolor, I urge you to see the shows at the Brea Civic Center and the Muckenthaler Cultural Center.
Because I was in student mode both days, I didn’t get out to do a new painting, so I offer one painted about ten days ago, one afternoon at Descanso Gardens. It was about 3:30 in the Rosarium, and the light was starting to filter through an old sycamore, creating that stained glass look that yellowing leaves get.
If you haven’t heard my good news yet, I am beaming with joy over something that happened yesterday. I entered my first juried show and was so very pleased to find out that not only did I get in but won 2nd prize. The painting that won was Descanso Arbor, painted about a month ago, with a winding path leading to a distant light spot.
So I’d like to say thank you, to everyone who reads here and so very many of you who have written me privately, for all the encouragement and support you’ve given as I’ve undertaken this year-long painting project. This is a better outcome than I had hoped for; I would have been thrilled just getting in the show.
Chili and the Dumpling – Daily Painting
8 in. x 10 in. Oil on gessoed hardboard
SOLD to a collector in New Mexico
Sure, they’re an odd couple. Chili, he’s a hotty with a sharp, peppery personality. Dumpling, she’s tender, sweet and rounded in all the right places. But they get along just fine. Maybe you know someone(s) like that? I know I do.
Fall guys
“Fall Guys” 6″ x 6″ pastel on paper.
A good art buddy brought me this lil punkin last week when she came over to visit, and I thought it was so cute i paired it with a little striped gourd that I had hanging around. It has a Mutt and Jeff quality that I like and it was fun to paint (in pastel.)
This was done on a dark brown Mi-Tientes paper, which shows through in the texture here and there. I used the rough side.
Painting a Day – Redwood Cove
7.5″ x 11″ on 140 lb. watercolor paper
Click to bid. Bidding starts at 99 cents for the monthly Nibblefest contest.
What’s Nibblefest you may be wondering? It’s a monthly activity in which the objective is to get the most number of bids from different individuals. That’s why the price starts so incredibly low. So help me out, folks, I’d like to be a contender this time; it will help my visibility and newly-launched store.
You can bid in very small increments and win yourself a nice little original painting. It’s not the number of bids that counts, it’s the number of different unique bidders. I may not do this every month, but I thought I’d try it once in a while just to see what happens. And of course you can bid twice, but your seller name will only count once for the contest.
The monthly NFAC theme is “gnarled trees” so this one seemed to be old and ropy enough to qualify. The location is the Northern California coast, near Humboldt County, where we went several years ago for a video shoot about a food bank.
What else can I say about this? Well, it was painted with only two brushes – a 3/4″ long-handled flat … and a very small thin “rigger” for the little twigs.
Painting a Day – San Gabriel Sunset
7″ x 10″ on 140# watercolor paper – from my sketchbook
The beautiful San Gabriel Mountains. They’re sleeping right now, but rumor has it that the Sierra Madre fault, which runs along the foothills, could wake at any time, giving us all a wild and rocky ride. Those of us who are foothill-dwellers hope that it will be eons before that event occurs.
