Two Sweets – Daily Painting
“Two sweets” 5 1/8″ x 7 1/8″
Oil on canvas mounted on hardboard. Available.
While I finish up my larger painting, here’s a little one for today – two chocolates from Trader Joes. They were presented as pralines, but they are actually milk chocolate. The red ones have an amaretto flavor, the silver ones are tiramisu and chocolate. Very very delicious.
Today, on the way back from lunch, I spent some time looking at liquidambar trees. We have an assignment in our watercolor class to study trees very carefully this week, no doubt in preparation for some tree painting on Saturday. I like drawing trees and painting them as well. I guess you just can’t study something too much, can you? I thought I might be bored by the tree drawing assignment because I paint trees so often, but I’m finding, as I expected, that nothing dealing with art is boring to me. At least not now. Well, washing brushes is sort of boring, and gessoing canvases, but the creating part is endlessly enjoyable.
Hilltop Haven – Daily Painting
Hilltop Haven – 2.5″ x 3.5″ watercolor on illustration board with watercolor pencil accents
I like painting these miniature scenes of rural peace. The small size forces me to simplify the message.
I spent the remainder of my painting time yesterday working on a bigger oil painting 11 x 14, which I hope will be finished tomorrow.
Camellia Study
Camellia Study – 7.5″ x 6″ – watercolor on paper
It’s camellia season at Descanso Gardens again. Here’s a quick study I did of one of the countless blooms in the massive camellia forest.
Yesterday we went to the Irvine Museum to see the last day of the exhibit “Majestic California.” The museum will now be closed for a week while they hang their new show of paintings representing spring in California. All this nature viewing has me inspired to paint, paint, paint.
The colors used here were mostly thalo blue, new gamboge, opera, payne’s gray, and a few small touches of colored pencil in the stamen area.
Chapparal Road – Daily Painting
Chapparal Road – 2.5 in x 3.5 in – ACEO – oil on gessoed matboard
This miniature oil painting was inspired by our recent trip up to Idyllwild. Along the way we passed through an area of chaparral, at the edge of the pine forest. Within a few hundred feet this sagebrush and scrub began to give way to tall pines such as those I painted earlier in Idylllwild Slope.
One thing that I’ve discovered by painting oils this small (the size of a sports trading card) is that it prevents me from getting too fussy with tiny details. I suppose it would be the equivalent of painting with large brushes on a 9 x 12 canvas. It’s all a matter of scale. Painting this small forces me to make decisions about broad shapes and values, and not to paint every leaf on the tree. (Well, some of them, but not all.) It would make a swell over the sofa painting if you had a very small sofa!
Here it is approximately actual size. Fortunately I am very nearsighted, which makes it easier to paint closeup than far away.
Squeaky Clean – Daily Painting
“Squeaky Clean” – 5″ x 7″ – oil on canvasboard
Fresh off the easel … this is our upstairs bathroom soapdish, lathered up to give it a little more interest. I think it’s Irish Spring but I couldn’t be sure. The words had worn off.
I thought the bubbles were going to be the most difficult part to paint, but it didn’t turn out that way. The biggest challenge was the dish itself, which is probably a hand built and hand painted, with strange dips and turns and curves along the fluted edge.
But, you know, I like a challenge, so it was actually kind of fun.
A Young Hare – Daily Painting
Young Hare – 4″ x 4″ watercolor on Arches paper
Click to bid
I had a lot of fun with this one – painting layer upon layer of very transparent glazes to build up the suggestion of fur.
Many years ago, my husband and I read Watership Down at the same time, passing the book back and forth as we’d read chapters in our spare time. I can imagine that this might be Fiver or one of the other watchful young rabbits.
Here’s a closeup of the head:
Idyllwild Slope – Daily Painting
Idyllwild Slope – 9 x 12 – oil on canvasboard
This past weekend we had the opportunity to go to the Palm Springs International Film Festival for a work-related project, and we stayed for the weekend, enjoying the desert as well as the nearby mountain village of Idyllwild. They had a little snowfall a few weeks ago which left about six inches on the ground. I really hoped to see drifts of snow, but I’m happy with any snow that I can get – it’s been very warm in So. Cal, and there’s been little rainfall. All that may change soon as I hear we’re in an El Nino year. But for the moment we’re long on wind and sand and short on snow.
I haven’t painted rocks or snow recently, so this gave me an opportunity to try something out of the usual. I had a pretty good time gauging the color of snow in sun vs. in shade, as well as experimenting with the shapes and colors of the rocky outcropping.
Weekend update …
I was away for a long weekend of movies, art and photography in Palm Springs and environs. New art coming up soon, please check back later Monday after I get some things scanned. Thanks, Karen.
Looking Down the Road (Ojai) – 2006
“Looking Down the Road (near Ojai) – 5 x 7 study – oil on canvasboard
The end of a year is a time for taking a look at the road one has traveled, as well as the road ahead.
Today, a look back.
At the beginning of this year, I posted A list of resolutions which included a resolve to paint daily, to paint larger, to participate in activities of our local art association and to take a figure drawing class. The local studio that features figure drawing lost its lease, so that goal will be pushed into 2007.
Some highlights of my year …
I started with a period of intense sketchbook painting at Descanso Gardens. I must have returned to the Japanese gardens dozens of times to observe it in different seasons and lights.
Although I continued to draw, I pushed painting to the forefront, painted daily and read every book I could get my hands on – books by Frank Webb, Edgar Whitney, Kate Johnson, Charles Reid, Jan Kunz and others. I immersed myself in watercolors by JS Sargent, Homer, Turner, Constable and Delacroix.
I went on numerous sketchcrawls and discovered the fun of trying to do a painting – albeit a sketchbook painting – quickly and loosely. The experience helped me learn to look at color and value in the environment.
About that time I started doing some digital oil paintings in Corel Painter and Photoshop. I didn’t know it at the time, but I was starting to entertain the idea of painting in ‘real’ oils again – something I hadn’t done since I was a newlywed – a very long time ago. Probably I was toying with the notion before investing in the supplies!
Around June, I got out of my Aquabee sketchbook and started using 140 # watercolor paper, as I had some 20 years ago, and began to think more about composition. I was invited to join a plein air painting group, whose company I’ve enjoyed on a weekly basis.
In the second half of the year, I experimented with a variety of media: watercolor, pastel, acrylic and finally, in September, oil.
In watercolor I began painting on larger sheets, and although I haven’t tackled a 22 x 15 inch sheet yet, I’m feeling just fine with 11 x 15 and smaller. The experience of trying out these different media was liberating. In a way it was like being in college again, with the whole course catalog to choose from. I’m still very much in that experimental phase, and perhaps I always will be. I find it tremendously exciting to look at a subject and then to think about which medium I want to use to express it. Sometimes, this past year, I’ve done the same subject in different media, just to learn from the experience.
And I guess I’d have to say that’s the theme of the year for me: intensive learning.
Around October I decided to enter a juried competition with our local art association, and was pleased to have three things juried into the show, and to get a prize. Fortified by this happy experience, I entered another peer reviewed contest and was rewarded again.
With the constant encouragement of friends and family, I also decided to offer a few artworks for sale – and that has also been a very pleasant experience. (Thank you, everyone!)
In November-December I attended watercolor demo workshops every weekend, put on by Watercolor West and the National Watercolor Society. Seeing outstanding watercolorists at work is both inspiring and energizing. I can hardly wait until next year’s demo series.
In November I joined the cadre of Daily Painters at dailypainters.com and made the commitment to do a watercolor, oil or pastel painting daily (well, mostly, except for some of the holidays.) I plan to continue that indefinitely.
This year has brought new friends, new experiences, new challenges and new opportunities – almost all through the shared love of art. I couldn’t ask for more but to continue learning and growing as much as I can for as long as I can.
I thank my artistic boon companions – every single one of you – for accompanying me on this Creative Journey for this, and previous years. Especially , I’d like to thank my dear husband for his constant support of this rediscovered passion of mine. He shares my journey to new places to sketch or paint – a trail in the mountains, or a scroungy junkyard. He takes me to museums and brings his cameraman’s eye for composition and lighting, which enhances my experience through our lively conversation. And he’s the first one to suggest and implement ingenious solutions – whether it’s turning a paintbox and a tripod into a portable easel or rigging excellent lighting from pro movie lights for painting indoors. I am a very blessed woman, and I know it!
This is getting pretty long, so I’m going to break this into a few parts. Tomorrow I’ll probably post some of my favorite paintings of the year and what they represented to my Creative Journey at the time. And the day after that, I’ll talk about where I want to go from here. Subject to change without notice, of course!
Merry Christmas
Blessings of the season to everyone!
EDITED TO add the rest of the story (originally posted December 2005)
This image was painted entirely in Photoshop using the Liquify, smudge and other gooey tools. There was no paintbrushing in this, nor preset global filters. It was done entirely by pushing around pixels, a few at a time.
Last year, in late November, a long-time dear friend of mine was remodeling her home and put in a beautiful new front door with a beveled glass insert. We happened to stop by to visit her at a time of day when the afternoon light was streaming through the door, casting scattered golden patterns on her wall. I was entranced with the look of it, and, because I never go anywhere without my digital camera, I took about a dozen shots of it from different perspectives – close up, wide, high, low and so on.
A few days later I opened one of the photos in Photoshop and just started manipulating it using my Wacom pad. I tried several different experiments but this was the one that turned out the best. My friend is a devout Catholic and attributes her recovery from the very early stages of colon cancer, and her husband’s cancer survival in part to the protection of her guardian angel. So I created a representation of that “being of light” … literally … painted with the light that came in her own door every single day. She liked it a lot and I hope you will, too.
I get a lot of mail from people asking different questions, and because I love chatting about art, I try to answer every single one. One of the most frequent questions is “where do you find inspiration?” I think that this demonstrates the process very well. I just look at things and start asking myself “what would happen if I tried this? Or this?” Sometimes you end up with a silly looking bulldog. And every now and then, an angel.
