A Walk in the Surf – Romantic Seascape California Marine Oil Painting
A Walk in the Surf
8″ x 6″
oil on canvas
SOLD to a collector from Santa Cruz
A romantic stroll on the beach, the water rolling up gently on the shore. If you live near a coast I’ll bet you have a memory or two, don’t you?
I’m thinking seaward these days, getting geared up for the San Clemente paint out the week of June 20 – 28, culminating with a two day show and sale. The plein air painting should be great – I’m really looking forward to it.
California Plein Air Landscape – Fallbrook Fan Palms
Fallbrook Fan Palms
12 x 12″
oil on canvas panel
I have been so busy this past week that I just woke up and realized that I haven’t posted in awhile, and I’ve had a hard time getting painting time in.
The show is going well at Gale’s and I had a wonderful turnout for my reception. Many thanks to everyone who stopped by to see my work and say hello. So many friends, family and collectors – it was a day to remember. Special thanks to our children who drove down from Palo Alto for the weekend. We celebrated every moment, and enjoyed seeing UP on Saturday night. If you haven’t seen it yet, don’t miss it.
Monday morning we took my entire show down at Gale’s to make room for her annual Taste of Art show – this year benefitting Pasadena’s Ronald McDonald House, which provides housing for families visiting sick children. I donated a painting of the Casita Del Arroyo Garden, and was delighted to discover that the same couple bought it who bought one of my bridges last year. It was a great party – delectable appetizers and drinks, and good cheer all around for a good cause. Tuesday morning we rehung my show, which will continue now through July 10.
Now I’m framing 25 additional paintings to take to Rancho Santa Ana Botanical Gardens this Saturday and Sunday, June 6 and 7, in Claremont for the Art in the Garden show and sale. This is the third annual juried event and I’m happy to be participating for the 2nd time. The gardens are at 1500 N. College Drive if you live in the inland empire and would like to come say hello. I’ll have original oils and watercolors, framed and unframed, as well as prints and cards.
Because things have been so busy, I am posting a plein air painting that I did in late April, but I haven’t had time to get it photographed. Three or four stately fan palms bordered a path through an open grassy ara. The late afternoon light wrapped everything in a warm glow.
Pretty soon I’ll be back in the groove of everyday painting again. I miss it, but I have to take care of business, too.
California Art Oak Landscape Oil Painting
Evening Peace
12 x 16 oil on canvas
(Central California, Sierra Foothills oil painting)
This painting is SOLD, but I have more oak paintings:
See more of my oak tree paintings here
This California oil painting celebrates the end of the day in Central California as valley oaks are silhouetted by the fading sun. The warm glow of sunset still lingers in the sky. Mist is already starting to form in the distant Sierra foothills, creating a sense of mystery.
Last weekend’s opening of the California Art Club “On Location in Malibu” show at the Weisman Museum at Pepperdine University was really outstanding. Although I paint frequently in Malibu it is always interesting to see other artists’ interpretations of the same subjects. I hope to return to the exhibit to see more of the paintings when there is no crowd. It was really elbow to elbow in the galleries.
Laguna Tide Pool California Impressionist Oil Painting Seascape
Laguna Tide Pool
6 x 8 oil on canvas
SOLD
This small painting is a study for a larger Laguna seascape, which will probably feature several different rock patterns rather than just the one. It just felt too cluttered to put multiple rocks in such a small painting.
I’m back at the easel, getting ready for other upcoming shows. In a day or two it will be time to start framing again.
California plein air oil painting – Days End in Fallbrook
SOLD
Days End in Fallbrook
California landscape plein air painting
11 x 14 oil on canvas
At the end of the first day of Libby Tolley’s workshop, which was held in the classroom, I was excited to get outside and find a location to paint. All day the temperatures soared into the high 90s, maybe even 100 degrees, and we were all relieved to paint and practice indoors. As evening came, it had cooled off enough to be tolerable. But on top of that there was a brush fire nearby which filled the air with smoke and gave the sky a warmer than usual color. The color combination was irresistible.
What attracted me to this scene was the beautiful eucalyptus, and the layers of color and foliage disappearing in the smoke back to the distant mountain range. On any given day, the scene may have looked entirely different. A little earlier in the year and the foreground grasses would have been green. On a fire-free day the atmosphere would not have provided the interesting sky effects of warm and cool, intermixed. In the morning, everything would have been lit from the opposite direction. This is one of the things I love about plein air painting – the practice of capturing a very specific moment in time that may never occur again.
While I was there, next to a curb on a culdesac where no houses were built, a man who lived nearby hailed me with a wave and I told him what I was doing. He and his sons came over to watch me paint for awhile, and then I packed my things up. It turns out he’s in the agricultural business and knew a number of places to paint where there are reflective pools of water. Like I’ve said before, I think I could be in the middle of the wilderness and still draw a crowd. It always happens and because I’m a social person, I don’t mind sharing my love of painting.
A plein air study – granite rock group
Sketchbook, rock study
From time to time I’ve mentioned that I keep an industrial-strength watercolor sketchbook with nature studies of trees, geology, animals (occasionally) and other features of the natural world. Because the focus of this blog has changed to reflect my evolution into a full-time painter, I have stopped posting those studies. But recently I’ve joined .a group of nature sketchers on a group blog, so I will be posting some of those studies here as well. And, of course, I’ll continue to post new paintings daily, or as often as I can.
This is a study of some granitic rocks in cool morning light. The gentle morning light made the gray rock look violet, which was a beautiful complement to the yellow green spring grass. I did this study to learn more about how rocks can have several types of shadows, depending upon whether there is a hard or soft edge. This sort of observation is very useful to a plein air painter, whether one works in an impressionist or realist style.
For those of you who get this blog in an email, you may notice that these sketchbook posts will have the words “nodp” at the bottom. That is a secret code that tells the Daily Painter software not to post these entries to dailypainter.com because it’s not a painting for sale. So if you’re wondering what that phrase means, now you know.
nodp
Fallbrook Landscape Oil Painting – Morning Breeze – by Karen Winters
Morning Breeze (Fallbrook, California)
16 x 12″
oil on canvas
• SOLD
As the week progressed in Fallbrook, the weather cooled and large clouds would appear every morning. This painting, inspired by my visit there, depicts a view looking eastward across a small creek that helped irrigate the ranch where we were painting. Clouds are among my favorite subjects to paint and in this case they are the primary interest.
If this painting is dry, I might be bringing it to the Montrose Art Walk this Saturday on Honolulu Avenue in Montrose. I can’t promise, because it may not be dry enough. But on the other hand, at a plein air event, the patrons buy paintings at the end of a QuickDraw event, and they are soaking wet, painted just an hour before. So I might very well bring this one along.
Central California Plein Air sunset creek painting
Twilight Creek
9 x 12 plein air painting
oil on canvas
Because the light was certainly fleeting, this is my entry for illustration Friday’s theme: fleeting
Not too long ago (pre-crash) when my husband and I were on a weekend trip to see the wildflowers north of us, we saw this view at the end of a long day. Although I was tired from painting and taking pictures of the ephemeral bloom, I saw a ribbon of light by the side of the road and felt that I just “had” to paint it. “Stop the car!” I yelped to my husband. (he’s used to this – he knows what it means.) The sun was already down and I knew that I had 20 minutes, at best, before I wouldn’t be able to see the colors on my palette. (And I don’t have a hat light yet – that’s on my wish list for nocturne painting.)
So while I squeezed out some fresh paint on my palette, my love set up the Yarka on uneven ground and I started blocking in the big color shapes, aware that it was changing by the minute. When I got home I refined some of the tree shapes and the river curves, and touched up some of the canvas areas where the paint was too thin. Overall, I am very satisfied with this field study, which I might use as a reference for a larger painting, as I often do.
Plein air paintings tend to be very loose – and those that happen under changing light conditions are the loosest of all. It’s one thing to do a painting with three hours of pretty even mid-day sun … but it’s another to try to paint a scene post-sunset. But I think that’s part of the charm of it – it’s a very quick impression – colors mixed on the fly and laid down (for better or worse) with decisiveness. It’s like trying to catch “lightning in a bottle,” to quote Leo Durocher. Pretty near impossible, but fun to try.
Idyllwild Memories Oil Painting – California Mountain Landscape by Daily Painter Karen Winters
Idyllwild Memories
9 x 12 oil on canvas
SOLD
For information about other Idyllwild paintings, please write.
Idyllwild, California, has always been one of our favorite places to retreat. We began visiting when we were first married, and always loved the beautiful mountain sunsets. Once we stopped our car and watched in awe, while classical music played from a nearby cabin. This is a recreation of that spectacular scene, when the sky was awash with color and all was right with the world. I still like to return, in memory, to that golden time.
Thousand Oaks Conejo Valley Sunset Oil Painting – Karen Winters
Sunset Splendor
Thousand Oaks at Satwiwa Park
9 x 12 oil on linen panel painting
SOLD
Last weekend we enjoyed a beautiful sunset out in Thousand Oaks, in the Santa Monica Mountains near the Satwiwa Village Cultural Center and Boney Mountain. Slight rainfall has made the landscape green with a down of annual rye grass, but the wildflowers have not yet emerged. The sycamores (not seen here) are already pushing out small green leaves. The color was just stunning in the Conejo Valley as twilight came.
Today my dear husband and I are celebrating 35 years of marriage. What a wonderful adventure it has been, and will continue to be. He is my best friend and love, outstanding father to our two grown kids, supporter of all my wild dreams and ambitions, and romantic sharer of sunsets (like this one.)
