Still Life with Red Vase – Karen Winters
5 x 7 oil
Still Life with Red Vase
A small study of a vase with a sprig of abelia from a bush blooming outside our door. Painted from life.
I’m off to a nocture paintout this evening, which should be an interesting challenge. I’ve scouted the location and know what to expect, generally, but lighting is always a surprise.
This past week I’ve been trying to spend some time catching up and decluttering my studio. It’s easy to let things get out of control when painting on deadline and doing the multitude of other things that an art business involves. In the act of sorting, filing and calendar updating I gain a greater feeling of control and relaxation and in a small way, I almost look forward to that time. Order … tranquility … letting the mind settle quietly.
Gotta run … more later.
El Molino Afternoon – First Place – Pasadena Artwalk painting contest 2008
El Molino Afternoon SOLD
11 x 14 oil on board
First Place, 2008 Pasadena Artwalk “Life in the Theater District” competition
Remember a few months back when I said I was in a painting frenzy, getting ready for all sorts of shows and competitions? You might have even seen this painting here on my blog at that time. Well, this is one of the shows that I was painting for, and last night the news was announced that this urban cityscape was given First Place by the judging committee, along with a VERY nice cash prize and certificate. (Thank you, judging committee, and thank you Playhouse District Merchants’ Association for your generosity.)
If you’ve been reading this blog for awhile, you know that cityscapes aren’t a frequent subject of mine – I lean more toward seascapes and sycamores. But I also enjoy a good challenge and this contest gave me the opportunity to experiment in an architectural vein.
The Pasadena Artwalk is an annual show, now in its third year, which will take place on October 11 in the Pasadena Playhouse Theater District on El Molino Street. This painting presents a point of view looking toward Colorado Blvd (yes, where the floats go by on New Years’ Day).
If you’re in the LA area two weeks from now, please come say hello. I’ll have new paintings and prints on display including this one.
Arroyo Seco Colorado Street Bridge – Pasadena – California Impressionist Painting by Karen Winters
11 x 14 oil on canvas
“Arroyo Afternoon”
Colorado Street Bridge, Pasadena, late afternoon in early fall
SOLD
See more Pasadena paintings here
There are few places that I enjoy returning to again and again as much as Pasadena’s Arroyo Seco where the majestic Colorado Street Bridge is framed by oaks, sycamores and those ever present eucalyptuses. In this painting my objective was to capture the warm glow of the earth and grees in contrast to the cool light bouncing off the landmark bridge.
I have a story connected to the bridge, also. Many years ago, we were producing a segment on Nightmares for a national TV newsmagazine show. We wanted to simulate a fear of falling and so lowered a small film camera (film rolling) off the bridge. The special effect truly created a feeling of vertigo. No brick or mortar was harmed in the making of that film
Arroyo Trail – California Impressionist Oil Painting by Karen Winters
Arroyo Trail
11 x 14 oil
See more Pasadena paintings here
The Arroyo Seco continues to be one of my favorite subjects for landscapes. In the distance are the San Rafael Hills, part of the communities of La Canada Flintridge and Pasadena.
Malibu surf – California impressionist seascape oil painting by Karen Winters
Malibu Surf
12 x 16 oil on canvas
SOLD
Although this painting is sold, if you are interested in something similar
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I confess. I love to paint seascapes. No, I won’t forsake the rolling golden hillsides of California’s precious central coast … nor the eucalyptus groves of Southern California, or the many treasures of the sierra nevada range. But there’s just something about the power and beauty of the surf that never ceases to inspire me. I have enjoyed going to Malibu from when I was a child – and at night some of my fondest dreams are still of being at the ocean. My father sunburned so easily that we could rarely go to the beach (this was long before SPF 50 sun block). So waves like these always fill me with nostalgia. Maybe I had a prior life as a beach bum. Or, more likely, a sand crab.
Anyway, I digress. If you’d like to see the result of a year of painting this beautiful state, including a bounty of seascapes and sunsets, I hope you’ll come to our show at Descanso Gardens from this weekend through September 18. We hang the show on Friday morning, so that’s the official first day, but my guess is that things will be a little more relaxed over the weekend. Keep your fingers crossed that this marvelous weather continues.
Desert Dawn – Palm Springs California Impressionist Oil Painting
Desert Dawn – Palm Springs – California Impressionist Oil Painting
11 x 14 oil on canvas
Click image to see larger, better res version
Painting the desert as seen in morning light is definitely a challenge. The air is remarkably crisp and clear, probably clearer and with less particulate material than just about anywhere I’ve seen. So that’s a distinctive look that says “desert.” But this is in contrast to one of the principles of landscape painting that tells us that distant objects should be softer, grayer, bluer and with less distinct detail. I could have painted this painting that way .. “pushing back” the mountains with desaturation and adding more blue. But this time I chose to keep them darker, almost close enough to touch. This alluvial area comes out of the San Jacinto Mountains. I believe it’s an area along the Randall Henderson Trail, but I’m not certain. I really need to take better notes about my locations.
This painting was done using only three colors, black and white: ultramarine blue, cadmium yellow light and alizarin crimson. I feel that the limited palette can help to create greater color harmony. It was an experiment and I like the results. Some very wise teachers advocate using a full palette with perhaps two dozen colors, many premixed, so that you can quickly select the right color when time is short. There is definitely an advantage to working that way, speed being a major concern. But other good painters say that you can get more color harmony if you limit your colors and just mix like crazy. I know one demo painter that only uses about seven colors on his palette on location. Another teacher, John Cosby, challenges his students to paint with just five. So there are a lot of different things to explore and learn from.
I may be taking this painting with me to the show at Descanso. Now I’m down to the wire deciding on the right mix of subject matter, size, color, medium and so forth. Although I’m restricted to bringing 20 paintings, if you’re coming to the show and would like to see something else that I’ve featured here or on my website, drop me a note and make sure I have it available for viewing in person.
This Golden Land – California Central Coast Impressionist Oil Painting by Karen Winters
“This Golden Land”
10″ x 20″ oil on canvas
SOLD
See more of my landscapes here
This painting represents my first experience in painting a panoramic scene, as opposed to rectangular canvases I normally use for studio paintings which are more in a 4:3 aspect ratio. You’d have to see it in person to see how it captures more of the feeling of “being there.” I think that’s because we are used to seeing panoramically more than through windows.
The location of this painting in in California’s Central Coast region near Paso Robles. It is wine country, but I’m guessing that this golden field was used as grazing pastureland. If I were a cow I’d think it was a little bit of heaven. The time of day was about 4 pm in mid summer when there was still plenty of light to illuminate the field, but not so much that the colors were all washed out. How I’d love to be back there at this moment, painting, and listening to the calls of the red winged blackbirds. I can imagine that there are probably a few head of cattle resting under that big oak in the windbreak. Can you?
One other note about the painting. Because it is wet there is a bit of glare in the sky that is brighter than the actual painting. It is light in that part of the sky, but not “burned out” white. When It’s drier I’ll reshoot it or scan it. Until then, I need to get it uploaded.
This Saturday, as I mentioned in an earlier post, I’ll be painting in the tearoom lobby at the Langham Huntington Hotel in San Marino as a weekend “artist in residence.” We are invited to bring a few paintings along for display and I’m hoping this will be dry enough by then to travel.
Huntington Beach Seascape Impressionist Oil Painting by Karen Winters
Peaceful Planet – 8 x 10 oil on canvas on board
Huntington Beach Sunset
The sea has always been a source of strength and serenity for me, and it remains one of my favorite subjects for photography and painting. The colors change with the moment, reflecting the beauty of our natural world.
Today I had the delightful experience of meeting a charming woman who is the newest collector of my work. I have not said it often on my blog, but I truly feel that the creative experience is most fulfilling when I have a chance to meet the person who will be giving my art a new home. So I have seen the place where she will be hanging Flint Canyon Trail, and I agree she has found the perfect setting for it.
And speaking of meeting other art lovers, I will be painting publicly in two places this weekend, August 9 and 10. So if you happen to be in the area(s), please come by and say hello.
Saturday afternoon, arranged by Segil Fine Art in Monrovia, I will be the “artist in residence” from 2-4 pm at the Langham Huntington Hotel in San Marino, California (near Pasadena.) This is the same beautiful hotel where I painted on Mothers’ Day this year. I will be in the lobby of the tearoom, most likely painting a still life which they have thoughfully set up. I will also bring some smaller works with me.
On Sunday from 9am to 1 pm, I will be painting at the new Americana mall in Glendale, on Brand Avenue. It is a group paintout and I don’t know where I’ll be positioned yet, but I’ll be there! If you have met me at Descanso Gardens or one of the other places where I attempt to talk and paint at the same time, you know i enjoy meeting people, so don’t be shy. It turns out the plein air paintings have become so “hot” that you can practically find a paintout somewhere every weekend day. Good thing we have a lot of beautiful locations here!
I am counting down the days until our Descanso show opens – only about 2 weeks to go and I’m painting like crazy, here.
Wisconsin Sunset – Impressionist American Landscape Oil Painting – Karen Winters
“Wisconsin Sunset”
12 x 16 oil on canvas
This is another in the series of paintings inspired by the beauty of Wisconsin which we saw on a recent trip.
After visiting the Art Institute of Chicago, I was impressed by the works of George Inness, an American “Hudson River School” painter who was greatly influenced by the French Barbizon painters (who were impressionist forerunners.) Although I had not seen an Inness in person, before, I remember seeing a Theodore Rousseau painting (Barbizon school) at the Norton Simon Museum near us in Pasadena – and my response to it was the same: I found it breathtaking and deeply moving. These painters’ choice of dramatic landscape subject matter and the use of powerful darks is something that I’ve included in my paintings from time to time and it may be one area I’ll be exploring in the future. They also were fond of spectacular skies, and I am, too.
This location was near a farm in the southeast part of the state where there were numerous outbuildings. The water feature is probably a seasonal pond, left as a result of the spring floods in that area.
When I look at this painting, it takes me right back to that time and place. I’m satisfied with it. What do you think?
Castle Green – new show UPDATE
SOLD
Today I was delighted to get a notification that this will be one of 15 paintings accepted into the upcoming juried California Art Club group exhibition “California in Focus: Scenes of Pasadena and the San Gabriel Valley. Part 2”
The exhibition will be on view at Marston’s Restaurant in Pasadena … 151 E. Walnut Street … from November 27, 2007 – January 27, 2008. A reception will be held toward the end of the exhibition – the exact date and time to be determined. I’ll announce it on the blog as soon as I know.
Needless to say I am thrilled to be included in this beautiful CAC show, and to meeting my fellow exhibitors, but it just so happens that Marston’s is on the short list of our very favorite casual local restaurants. If you ever have a chance to dine there there you simply MUST try the Pasadena or Cordillera salad. Their cottage garden is a delight, too. I can’t tell you how many times I’ve photographed those blooms, and how it’s been an inspiration to my own cottage garden. I’m going to have to paint the Marston’s garden one of these days. If Descanso is my garden home, Marston’s is definitely my lunch home!
This was one of many painting projects that have been in the works these past weeks, and I am so very happy to be included.
