Golden Hour – California Art Club show -Pasadena Women’s City Club
“Golden Hour”
14 x 18 oil on canvas
SOLD to a collector from Claremont
So here’s the other painting that was accepted into the California Art Club show at the Women’s City Club in Pasadena.
It represents a few moments just before sunset in California’s Central Coast, not far from Paso Robles. I am just thrilled to be in the show for the second consecutive time, on this occasion with two entries, one watercolor, and one oil. (See day before yesterday for my watercolor portrait, “Strength is Beautiful.”
My objective here was to show a more traditional view of Natural Beauty, that of California’s scenic splendor. I thought about choosing one of the frequently selected wonders, like Yosemite or the Sierras, but this commonplace scene of oak woodlands seemed to represent beauty just as well. Perhaps beauty truly is all around us, if we just have eyes to see.
The painting will be displayed for sale at the Women’s City Club in Pasadena until late November.
Big Sur Seascape Oil Painting – California Coast – Karen Winters Daily Painting
“California Coast” (near Big Sur) 16 x 20 oil on canvas
Click to enlarge to higher resolution image
When we were first married, young and footloose, my husband and I loved to travel up and down California on photo safaris. One of our favorite places was the coastline. So it’s not surprising that it would be a favorite subject mine for painting, also.
A few days ago we spent hours on beaches in Orange County, just watching the surf and studying how the color changes with the passage of time. The results of those studies will be seen here soon.
Peppertree Road – Karen Winters Daily Painting
Peppertree Road – watercolor sketch
Here’s another watercolor vignette from my sketchbook while I’m working on another large oil seascape. (To be posted as soon as it’s done.) My cold/flu bug is gone (at least enough) that I can contemplate painting in oils again, and so I am.
This little sketch was derived from color notes and photos I took on a trip to northern California. No matter what the season, peppertrees are evergreen here – always brightening the scene with their greens and yellows gleaming in the sun. I see them lining our highways and rural roads, gracefully nodding with every breeze. I love to paint them!
Here’s something I’d like you painters to think about: before you started painting did you look at trees and bushes, mountains and clouds in the same way that you do now? Do you find yourself drifting into a reverie when you see the sun coming out in a certain way and thinking … hmmm … is that sky blue cobalt or more toward cerulean? Do you paint with your eyes even when you’re away from your easel?
No Mail Today – Karen Winters Daily Painting
No Mail Today – 8 x 6.25 – watercolor sketch
I painted this little vignette this morning as a way to get some art practice no matter what the rest of the day would include (chores, an art association meeting and demo, car-shopping, housework, etc.) I’m very disciplined about making sure that I paint daily – and now I know why. At yesterday’s Watercolor West demo featuring Elaine Harvey (watercolorist) she said it’s essential to practice frequently because painting is not just an intellectual activity – it’s a physical activity. If you don’t paint for awhile she says, you lose some of your dexterity in brush handling, color mixing, just the way you move your hand and move paint around. I hadn’t really looked at it that way but I can see the wisdom in it and will continue making time for at least one painting or sketch a day – more if I can afford the time.
This little sketch is a bit of a fantasy based on a little picture I took last summer of a country road. It looks nothing like this in real life but it does capture a little bit of a peaceful, cheerful country feel, in a completely romanticized way. Every now and then it’s sort of fun to escape from the mud and muck of reality. Like, during the US election season, you know?
A distant view – daily painting
“A distant view” – watercolor sketch on paper
The cold and flu season has left me a sniffling, coughing, Vicks-laden mess, so I’m trying to not exacerbate the situation by inhaling copious quantities of odorless mineral spirits without a window open for ventilation. (It’s cold outside.) So instead, I’m keeping warm, drinking lots of tea and doing some watercolor studies in preparation for larger paintings, to be completed at a later time. But it still fits within my yearly goals, and I’m content with that.
A word about goals and plans. Many of our art friends are making goal lists this time of year, and I see at least two different types of plans. Some goals are highly specific and detailed, often including numbers of types of works to be drawn or painted, or lists of subjects to be tackled. I think that this can work very well for people who enjoy structure and thrive on that – and you are to be congratulated for having thought through your plans in such detail. And there are others, myself included, who work better with a few broad guidelines and plenty of room for variety. I also find that I produce more when I set my goals low and try to exceed them than when I set them too high and then feel internally nagged to do “too much.”
So whether you’re a wonderfully detailed goal-setter or a ‘big umbrella’ goal setter, I encourage you to be thoughtful about your plans and allow room for the unexpected to happen. You may have intended to work on pen and ink drawing – but then you synchronistically meet a pastellist whose work just blows you away – and who is offering a workshop within driving distance. Sometimes these chance meetings can have extraordinarily wonderful consequences, so leave room in your plans for serendipity, without judging yourself for changing mid-stream.
Fixed forecasts may work in the financial sector but artists need to have room to course correct as the muse moves them. Now, I’m not saying you should “change your major” with every passing whim – that’s a good way to end up going in circles. But do allow yourself the freedom to be inspired by new ideas, and to follow those interests where they lead – even if they weren’t on your radar in January.
Oh Golden Hills – Karen Winters daily painting
Oh Golden Hills – 8 x 10 oil on canvas
SOLD
California’s central coast area is full of beautiful areas like this – golden rolling hills decorated with passages of live oak trees that characteristically seek the gullies and crevices where water is most plentiful. This vignette is from a roadside on the way to Lompoc, California, an area known for fertile flower fields and rich agriculture.
This painting will be dry in a few days, and ready for shipping!
The blue dome of the sky arched over this tranquil scene, and the late afternoon shadows were tinged with violet. I didn’t see any cattle resting in the shade of those oaks, but they were likely there.
Sunset Oaks – Karen Winters Daily Painting
“Sunset Oaks” 12 x 16 oil on canvas
SOLD
This studio painting, based upon plein air references is a companion piece to Evening Glory (sold) which can be seen in the sidebar to the left. Painting “oaky goodness” as my husband and I refer to it, is one of my favorite things to do. Our coast live oak trees are simply magnificent any time of year. The dried grasses glow in the sunset giving yet another reason why we’re called The Golden State.
This painting will most likely be included a week from tomorrow at the Montrose Artwalk from 9 – 4 on Honolulu Avenue in Montrose. Look for me near the Citibank bank building.
