Sierra Nevada Oil Painting Landscape – Heaven and Nature Sing – California Impressionist painting
“Heaven and Nature Sing”
16 x 20 inches oil on canvas
SOLD
Although this one is sold, you can see more Sierra Nevada paintings here
This is one of my favorite new paintings inspired by our High Sierra trip, and it represents a view of the Sierras in the afternoon, not far from Crowley Lake. In the afternoon, when a storm is in the air, the clouds hover around the top of the mountain to be backlit by the sun. The effect is nothing short of spectacular and truly expresses a feeling of spiritual joy. With that in mind, as I was searching for a title for this, I remembered a line from the Christmas carol, “Joy to the World.” The refrain is “and heaven and nature sing …” Being there and seeing this magnificent mountain crowned with light, I truly felt that heaven and nature were singing. So there you have it.
The most challenging part of this painting, to my surprise, was not painting the clouds and the light – it was defining the many gullies and ridges, all in deep shadow, that decorate the eastern slope. The values are very close but there needs to be enough definition for the eye to read it as a sculptured geological form … but not SO much definition that it appears that the shapes are light-struck. So much in that area has to be suggested rather than spelled out, lest it lose some of the air of mystery. And *that* is a constant challenge.
This painting will be among the select group of new works that I’ll be taking to Descanso Gardens on Friday morning for our Encore year end show. So if you are in LA and want to see it in person, that’s where it will be. If you are out of town and wish to purchase it, please let me know and I will replace it in the show with another of my recent works.
Santa Barbara Glow – oak tree painting in acrylic.
“Santa Barbara Glow” – near Cielito Rd – acrylic on 140# watercolor paper
7.5 x 11 inches
An oak tree on a hillside above Montecito. I hope the tree is still standing, but I’m not sure in light of the frequent wildfires.
California Oak Trail – Impressionist Landscape Oil Painting
Morning on the Trail – Hall Canyon Oaks
Oil on hardboard panel
11 x 14 inches
This is a painting that I began last year, put aside and then worked on again recently with a fresh outlook. I think that all painters have paintings like these. Either we were too busy at the time working on other paintings, or somehow lost interest along the way, or otherwise decided that the time was not right to bring it to finish.
It’s been hanging where I see it whenever I pass by. Enough repetitive glances and I start thinking … what if I tried this, or that? What if I corrected this challenging passage? What if I tried a different color here or there? Or added some different shaped branches?
The fact is, until the time that a painting is signed sold and on its way to a new home, any one may be a “work in progress” and as our experience and vision changes, so does the way we express ourselves. And just as the natural world changes and morphs with time and the seasons, so do we.
California Art Club – Women’s City Club Show
“As the Parade Passed By”
12 x 15 watercolor on paper
Yesterday I was very happy to learn that this painting has been juried into the upcoming California Art Club exhibition, “Concertos in Color” at the historic Blinn House in Pasadena. The opening reception will be December 7, from 5-7 pm and it is free to all to attend. I hope that you will join me there to see wonderful works of art from painters all over California. I am thrilled and honored that this is the third time my work has been included in the biannual show.
I am also posting this as a reminder that the holidays are coming and I am delighted to paint portraits (and other subject matter) on commission. So if you’ve been thinking of a very special gift for a friend, family member or business associate, please write me. (karen@karenwinters.com) … and put commission in the subject line.
California Original Oil Landscape – Sierra Vista
Sierra Nevada Vista
8 x 10 inches
Oil on canvas panel
Contact the artist for price information
A California original impressionist oil painting, inspired by autumn in the Eastern Sierra Nevadas. Mt Abbot and Mt. Morgan are featured rising above the Owens Valley, dressed in fall colors. Wildflowers still bloom, contrasting boldly with the brilliant blues of the mountain and skies. Although the mountaintops seem tranquil we were told that 90 mph winds were blowing off the summit. Down in the valley gusts blew us around as well.
Eastern Sierra Oil Painting – Autumn Cottonwoods
Autumn Cottonwoods
(Owens Valley, on Hwy 395)
12 x 16 oil on linen panel
SOLD
More Sierra Nevada paintings here
Last weekend we took a trip up into the Eastern Sierras for a painting and photo trip. Unfortunately the wind gusts were up to 15 miles per hour which made keeping a canvas on an easel pretty much impossible, so I made use of my sketchbook and camera instead. Best of all was the experience of being there and seeing the subtle change in the colors of the day from pre-dawn moments to post-sunset nocturnes. The days were long but oh so rewarding.
What attracted me to this scene was the contrast of the oranges and golds of the cottonwoods juxtaposed with the blue violets of the mountains. No exaggeration, the Eastern slope of the Sierra Nevada chain really is that color in the afternoon as the sun makes its descent into the west. One more good storm and the leaves will all be gone.
If you’re in Southern California, I’ll be showing my work at the Montrose Art Walk this Saturday, November 8 on Honolulu Avenue.
California Fall Landscape Oil Painting – Autumn Joy – Karen Winters
Autumn Joy
11 x 14 oil on canvas
(It was cloudy and rainy today so I couldn’t take the painting outdoors into natural light to photograph it, so there is some blurring that is not in the painting. I cant use a flash when the painting is wet, either. I’ll shoot it again when the weather is better. But it does look good in reality.)
In this typical California landscape, sycamore trees blaze with color on a local trail in Southern California. This scene is close to home in La Canada Flintridge, and I may be taking this painting next weekend to the Montrose Artwalk. If you’re a local person, look for me near the bowling alley on Honolulu Avenue in Montrose, zip code 91020.
If you’d like to purchase the painting before I take it to the artwalk, email me … karen@karenwinters.com
I came across a 1985 copy of Southwest Art the other day that had an article about artist Randall Lake, and some advice he had given to a student. Here are a few of the suggestions made:
“There are no short-cuts in this profession. For most of us, creativity has more to do with daily work than momentary inspiration. Don’t wait for the grand vision; work and re-work. When inspiration does come, your skills will be up to the task of using it effectively.”
“Painting is not a nine to five profession. It is a life’s work, whch demands that your schedule will vary.”
“Try many art forms and take risks. By that I mean go beyond what you are comfortable doing. If what you are doing doesn’t have the possiblity of failure, neither will it be brilliant. Exceptional accomplishment in any of the arts has always been the result of risk taking.”
“Always remain a student: learn through research, refinement and experimentation while remaining flexible. To paraphrase Henri Matisse: one should never become a prisoner of one’s style or reputation.”
Good words to live by as an artist!
San Gabriel View – California Impressionist Landscape
San Gabriel View
9 x 12 oil on linen
This painting is the first I’ve painted on linen, inspired by a workshop I took last weekend. The scene is of my own imagination/memory – a view of the San Gabriels in the northern part of the Arroyo Seco, AKA Hahamongna Park. I’ve painted there so many times that it feels like my own back yard.
Elizabeth Tolley, the instructor and gifted plein air painter, teaches a way of using transparent paints along with sheer opaques to get subtle layering effects. I tried out what I learned here, and I like the effect.
I told a friend of mine how much I loved working with the linen surface and she warned me that now that I’ve tried it I’ll be spoiled for painting on anything else. It’s pricey but oh so silky. Sigh …..
Ladyface Mountain Agoura Painting by California Impressionist Karen Winters
“Lovely Ladyface”
5 x 7 inch oil on canvas on board.
SOLD
Write me for more information about this special little painting in the plein air style.
I’m working on some larger paintings at the moment, so here is one from my archives that I haven’t posted before. It’s a spring view of Lady Face (or Ladyface) Mountain near Agoura and Thousand Oaks, California. Dressed in fresh spring garb, the mountain is a beautiful part of the Santa Monica Mountain range.
Although this painting is sold, I’m happy to paint something like it again as a commission.
<a href=”mailto:karen@karenwinters.com?subject=Ladyface mountain commission?”>
Click this link to write me.</a>
See more of my paintings on <a href=”http://www.karenwinters.com”>my website</a>.
Folklorico Dancers at Pasadena Civic Auditorium
Plein air oil painting
9 x 12 oil on canvas board
This may have been the most difficult plein air painting I’ve ever done. I’m not complaining, mind you. I love to paint outdoors and the dancers were beautiful with their colorful costumes, but it was just challenging for a variety of reasons. For one, the colors of the sunset changed moment by moment. I hadn’t taken into consideration how dark it would be when the dancers appeared in the plaza (yes, 7:30 is dark, it’s not summer any more, even though temps are still in the 90s!) And even though I arrived early to get the Paseo Pasadena background blocked in, the colors of the buildings changed by the minute. The dancers of the Clasica troupe performed for about a half an hour with one costume change. (This was the first costume, the second costumes were all white) It was the best I could do to get a suggestion of the swirling skirts. I hope the beautiful ladies will forgive me for not including faces, but I only had time for an impression of the scene – and the paint was flying!
Because plein air painting means simplifying the design and making choices about what to include and what not to include, I simplified this scene by just suggesting some of the major buildings in the Paseo Mall, the shape of the Sierra Madre Mountains, the foreground plaza and the dancers themselves. All the windows and details were reduced to a few glowing shapes to convey a night scene. The dark shapes of palms in the distance form a border to the setting. I left the painting of the ground under their feet until I got home and could assess what the painting needed.
I’m going to have to try “urban night” again sometime, and see if I can incorporate what I learned from this experience.
The dancers were appearing as part of opening night festivities for the Pasadena Symphony – and their performance was wonderful!
