Another opening, another show
A different view of an opening magnolia blossom from Descanso.
As part of an ongoing experiment with some art friends, I painted the background with Van Dyke brown watercolor, then scumbled some white gouache over top. When that was dry I drew the flower and stems and painted it with watercolor and gouache, and touched it up with a little colored pencil at the end.
I might go back and add the genus and species later, but maybe not. This was done mostly for practice.
I wish these magnolias bloomed all year. I just love, love, love them.
Magnolia blossom 1
The magnolia shrubs are in full bloom at Descanso, and I had the opportunity to paint some of them in my botanicals sketchbook a week or so ago. I will probably do another page with the blossom fully open, but at the time I loved their sculptural look in well-formed bud. It’s no wonder that these are often nicknamed “tulip trees.” I would like to have one of these in my yard, and perhaps I’ll plant one some time. We lost a very large magnolia tree to oak root fungus many years ago, so I’ve been hesitant to plant anything in the magnolia family since then.
Return to the teahouse
I am visiting Descanso Gardens several times a week now, weather permitting, just to capture the changing beauty of the season. Day by day the garden seems to change. The rain that nourishes some buds to open washes away others in full flower. It reminds me that beauty is very fleeting and that the time to appreciate it is NOW, not someday. A trip to the garden in May will let me paint sunflowers but not cherry blossoms.
This garden area incorporates the Japanese landscaping principle of “hide and reveal.” You enter the garden through several gates, and as you follow several meandering paths, new vistas appear before you. If you stroll by the garden from the outside, you may glimpse a different view through the camellia shrub hedge, such as this one.
If you were to move yourself 90 degrees to the left, you would see this view – that flowering tree is the same. (Oh, and Go Bruins … onward to the Final Four!)
Spring lilacs – challenge 59
It was cool and partly cloudy, but spring was in the air today at Descanso Gardens, where the lilacs are beginning to bloom. I painted this botanical study in my paperblanks journal which I am using for that purpose, exclusively (see callistemon, earlier this month.)
I used a combination of tube watercolor paints and caran d’ache watersoluble crayons for this one – with just the barest pencil drawing underneath. A Niji waterbrush provided the water. It was a special treat to have several conversations with other garden visitors who like plants and art.
Now, this is in complete contrast to “Union Station Sketchcrawl” (March 12) in which I changed almost every aspect of the courtyard to suit my composition. Here, I tried to faithfully represent the subject as best I could. I think that both are good styles for drawing, you just need to be clear about your objective before beginning.
Sketchcrawl Downtown #3 – Olvera Street
Click picture to enlarge
Here’s the third and last of my drawings I did last week on the sketchcrawl in downtown LA, and another response to the “draw a local landmark” challenge. With limited time for drawing I opted to spend the time drawing rather than doing washes or painting on location. Today I took some time to figure out how I wanted to handle those washes. As an experiment, I printed out the line drawing on watercolor paper rather than use the flimsier paper in my sketchbook. That also gave me a backup in case my ideas didn’t work – I could just toss the printed version out and print another one. In fact, I might paint one using bright colors instead of this monochrome/sepia scheme which is primarily based on tonal values.
Unlike the Union Station fountain painting, in this experiment I decided I would draw it as it actually was, because I liked the angle and the bustling activity following the morning’s rain. Also, unlike the courtyard painting, I opted for Rapidoliner and wash because I wanted to draw the small details of the shops instead of suggesting dabs of color with the brush. I did take a picture before I left, so I might still try an impressionistic watercolor sketch for comparison. Below is the drawing before painting, if you’re curious. Click to enlarge.
Meet the Beetles – Illo Friday
These beetles are all from the Milwaukee Public Museum collection, which I had the pleasure of seeing last year. I like all kinds of nature topics, even somewhat creepy ones. The designs of nature have inspired artists from the beginning of man’s history; no wonder they still continue to fascinate. Can’t you just see a tapestry fashioned after the back of that blue beetle, or a gossamer gown mimicing those transparent amber wings? I’m not so sure about the horizontal stripes on that little one down in the corner. Vertical would have been much more slenderizing.
And now the burning question … who really is the “fifth” beetle?
More vegetables – tiny eggplants
Another one for the “Draw a Vegetable” Challenge!
I had a terrific dish at a recent potluck and meeting of the Botanical Artists Guild of So. California. The hostess gave out the recipe to everyone present and I filed it away as something I wanted to try. Today, I saw these baby eggplants at the market and decided that I would give it a try. It includes small tender eggplants, italian parsley, diced tomatoes, calamata olives, garlic and some spices – all mixed with the hands and baked in a shallow pan. But like a raccoon who must wash everything before eating it, I often feel compelled to draw or paint it.
This was sketched in my Superdeluxe Aquabee workbook, 9 x 9, 90# weight. I learned some things from it that I’ll take into consideration in doing a real painting. The best thing I learned was which colors to use to get that eggplant color, and I figured out some ways to get the colors to mingle on the wet paper.
Teahouse of the February Morning – TEA for Illo Friday
A watercolor sketch of the teahouse at Descanso Gardens. Kind of. Sort of. I took a lot of liberties with it, as I understand a painter has a right, maybe even an obligation to do.
I might make a painting of this someday. For now, it’s just a study for practice. Did you know that a pivotal scene from Memoirs of a Geisha was filmed here? I didn’t – until a few days ago. Can you spot the koi in the water?
I am also going to call this my first “local landmark” for the Everyday Matters “draw a local landmark” challenge. I have a few others I think I will do also.
Arty notes: 9 x 9 Super Deluxe Aquabee sketchbook, watercolor and some colored pencil for enhancement.
portrait for practice
A quickie watercolor sketch portrait in the old “blue coptic” journal , done from photo ref, which I made a few years ago. The paper is awful – coarse, too absorbent, and you can’t push paint around when you apply it; it sinks in immediately. But I’m too stubborn to just put it away with a dozen or so pages left unused. So I’m going to use it up in the next few days so I can be DONE with it, already. The one “good” thing about this paper, if you can call it that, is that it forces you to be as deliberate with your brushstrokes as drawing with a pen. There’s no “lifting” the watercolor – it’s as merciless as indelible ink.
Why the bad paper? Because I had it on hand – some old drawing paper torn out from a tablet – and I didn’t expect the book to turn out well and didn’t want to waste “the good stuff.” And then I was stuck with it. Oh, and it kind of beads up, too, before it sinks in.
Hmmm … what about acrylic gesso on the page first … I’m going to experiment.
Now, Kate is much more optimistic and practical than I – she used good paper for her first journal, which she posted today on her blog. You should see it, it’s really nice.
Camellias Sketchcrawl style
Saturday, four hardy artists braved the cold temperatures and sallied forth to Descanso Gardens for a sketchcrawl. Because it was sprinkling, our first stop was the Japanese teahouse with its sheltering roof, which protected us from the morning drizzle. We sketched there for an hour or more and then, seeing that the sun was peeking occasionally through the clouds, we ventured out into another part of the garden.
I stopped at a camellia bush where I painted this cluster for a little while. I used a page in my Canson watercolor journal that I had previously started at the Chinatown parade, then rapidly gave up on. (Digression warning) The only scribble on said page was a stiltwalker in drag wearing a slinky Chinese dress. Think “Al” from ToolTime (the flannel-shirted, bearded one) wearing a dress from The World of Suzie Wong, only imagine him 10 feet tall. Got the picture? There simply wasn’t time to capture him/her in all his/her glory, so I gave up somewhere between the mandarin collar and the flash of beefy thigh. However, being of a frugal nature, I painted over the page with a few coats of Liquitex acryllic gesso (white) figuring I’d do something else in that space.
The else moment arrived on Saturday. I painted these using my portable w/c palette (which I have since misplaced, unfortunately.) The first challenge was trying to figure out the values of the colors when the light conditions went from full sun to dark stormy clouds, minute by minute. The next challenge was painting directly without doing any drawing or sketching underneath. Usually shadows provide positive and negative spaces to get ones bearings with. But everytime the sun went away the image “flattened out” and the shadows disappeared.
The final challenge involved the medium itself. The watercolor flowed smoothly over the gessoed surface and was surprisingly malleable until it dried. I’m guessing that the gesso prevented it from sinking into the paper, so the pigment was simply a dry layer on the surface. When raindrops started falling, it created dissolved water drop marks. Before I panicked, I realized that it looked somewhat like raindrops clinging to the petals. Hmmm. An accident becomes a technique. “Why yes, um, er, I did plan it exactly that way, timing my painting so the waterdrops would fall just so at the appropriate moment.” Sorry, Karen, not very convincing. At any rate, I stopped painting before the droplets turned the whole thing into a runny splotchy mess.
I had a nice moment when some camellia watchers came by and asked if they could see what I was doing, which I happily shared with them.
So that’s my sketchcrawl story. I am now in pursuit of the missing palette which I surmise may be proof positive of poltergeist activity in my house. When I find it, I suspect a lost shaker of salt will be nearby. Wasted away again in Watercolorville.
