Not Batman’s House
Well this will teach me to repeat something I’ve heard before vetting it through Google. I was told that this shell of a house was the house featured as the Bruce Wayne manor on the late 60s TV series Batman. However, a little searching reveals that Batman’s house was actually down the block and was, in fact, purchased a little while ago by Sir Paul McCartney (and is perfectly intact, thank you very much.) This house was owned by another unfortunate family and it was undergoing renovation when the blaze occurred. Thankfully they were not home, nor had they moved their possessions into it. I do hope they will continue renovating it and will have many happy years there.
I painted this view yesterday, looking across the arroyo in a different direction 90 degrees to the previous view. Although it was done within an hour or so of the other sketch, the color of the sky is decidedly different. The hillside was a jumble of chapparal natives and dry grass, making an interesting patchwork pattern. This sketch, like yesterday’s, is approx 4.5″ x 6″ and painted with a Niji waterbrush and tube paints.
Vista del Arroyo One
It was another hot one today, but under the oaks on the edge of the arroyo it was downright tolerable. Three of us set up our gear facing this sweeping view – the 9th Circuit Court of Appeals is on the right, and the Colorado Street Bridge (Arroyo Seco Bridge) is to the left. The Courthouse has an interesting history, having been originally the site of a boarding house, then a grand hotel which was converted to a veteran’s hospital in the 40s before its present incarnation. It’s a wonderful piece of architecture, and I’d like to paint it again, closer up. Maybe on a cooler day.
In the distance you can see the San Gabriel Mountains. Now, you may not know them by name, but I’m guessing that if you ever watch the Rose Parade on TV, when the camera pans up to those craggy peaks towering over Pasadena, that’s what you see. Today, with incredibly high humidity from a Mexican monsoon (so we’re told) the air was thick with haze which cast the whole scene in a yellowish-pink light and turned the mountains to a bluish mauve. Kind of interesting, really.
This was a half page in my journal sketchbook. Tomorrow I’ll be posting another watercolor sketch, of the famous “Batman house” (Bruce Wayne manor) which burned last year. It’s now a roofless ruin and looks somewhat less than eerie in midsummer midday light. Still, it’s a bit of history and close by. See you tomorrow, same bat blog, same bat site.
Dreamtime
I painted this of Mandu, from life, the Wednesday before she died. She was laying on our patio in the back yard, enjoying the warmth of the cement that had been heated by the sun during the day. We kept putting her on a big thick sofa pillow to cushion her bones, but repeatedly she’d walk off of it and lay on the radiant stones. Perhaps it felt good on her arthritic joints. From the angle where I was sitting, I could only see her two hindlegs – her forelegs were tucked underneath her. This last month, every evening after work, we had a ritual. We would take her outside for supervised fresh air and a little walk, which she seemed to enjoy, even though she appeared to be nearly blind. I tried to draw her on most of those occasions.
Last night, just before morning, I dreamed that I saw her sitting in a big flat bowl of butter and cream. She was practically wallowing in it, but lapping in a very ladylike way. I like to think of her being that contented, wherever she may be.
Descanso Koi
At the end of a great weekend, with everyone safely back home, or en route, I took a few minutes to paint these koi from a photo reference. In real life, they don’t hold still very well. This study will help me draw them when I encounter them again in the gardens.
These koi are from Mulberry Pond at Descanso, where they swim lazily all day in an idyllic setting. The pond got a total makeover this year, complete with a waterfall and other deluxe features like a special ledge that the koi can hide under if herons or raccoons come around. One of the days we were there we saw many small koi, less than an inch long, swimming in the water, proving that the koi are reproducing. Sadly, they will be eaten by the larger fish. If not, the pond would probably become overrun. I would have liked to have saved one of the small fry but I’d probably get caught for poaching. And I’ve never poached anything but a salmon.
This quick sketch is watercolor and colored pencil in my large size Moleskine cachet journal. Now, back to work for me.
Epidendrum
I painted this epidendrum orchid in my back yard recently. The frilled, fringed flowers are commonly orange, yellow, red or cream colored and are borne on long spikes like this (I’ve only shown a part of it – the spike is probably 2 feet tall.) This painting was done in my 9 x 12 sketchbook as a study. I will likely do one on ‘real’ watercolor paper next. I added a little colored pencil for the accent parts.
This morning I’m off to paint at Descanso with my friend Robin and I’ve been looking forward to it all week.
Mandu is now living in the kitchen, on the floor, where she has a towel and all of her “things” close by. I see her moving from one to another, delicately touching them with her muzzle, to orient herself. We’re thinking that she may have some sense of light and darkness, but it is too soon to tell. At any rate, she does not appear distressed and is eating, drinking and washing her face as usual, although she’s not eating as much as usual and needs to be ‘reminded’ to eat, since she no longer gets the visual stimulus.
You Lookin’ at ME?
Yesterday, after we finished scrambling up and down streambanks and walking over gently sloped hillsides covered with pine straw, my husband and I headed back to the car. He had walked on ahead a few yards and was turned around in my direction when he saw a slithering not far from me. Experienced Boy Scout that he was, he did not yell “look out” or “freeze” or “stand where you are,” he uttered one emphatic word that instantly stopped me in my tracks. “SNAKE.”
I froze and quickly looked around me.
“Where?”
“In front of you and to your left about 7 feet.” Gingerly, I backed up and took the long way back up to the road.
He, of course, the intrepid and curious cameraman, had to investigate.
It was a rattler, and we were the interlopers. We gave the snake space and respect. It had already wound itself up into a neat coil and was ready to defend itself – firstly, by being smaller and inconspicuous, and secondly, if necessary, by striking.
My husband knew, of course, that it could only strike at 2/3 of its length, and it appeared to be about 3 feet in length (he had seen it extended, slithering.)
He offered to take a picture from a safe distance. “Don’t you want to draw it?” he asked.
What a guy! He knew I did.
I nervously hopped on one foot and the other and made frantic little yikesy noises as he approached it to get a better shot for me.
So the snake lived happily ever after and so did my husband, and I have a sketchbook entry to show for it.
From looking at photos on the net, my best guess is that this is a Crotalus oreganus helleri., which looks a lot like your generic diamondback rattler. I read that the western diamondback rattler has now been divided into 7 distinct species, but that taxonomy is disputed. Whatever you want to call it, it is a venomous pit viper, and unlike some other snake species, its babies are born alive and loaded with poison from the get-go.
Rattlers are known to be aggressive. They prey on small rodents, birds and insects, but are themselves vulnerable to birds of prey. Deer, cows and other large mammals will stomp them to death, so they are necessarily fearful of large warm bodies (like ours.)
We couldn’t hear the snake rattling, but the photo showed a blur where a neat tail should be, so I’m guessing that it was quivering slightly.
Did you know that rattlers can SWIM and hold their rattle delicately out of the water when they do? I didn’t know that. I also didn’t know that they often lose their fangs when biting and always have a spare pair in reserve.
I don’t have a fear of snakes, per se, but I do have a healthy respect for them. The sight of one doesn’t send me away screaming and I will gladly hold a small boa or other small non-venomous snake if it is offered. Our son had a green snake named Stretch which I helped care for. So this experience didn’t panic me or discourage me from painting in woods and gullies. But it will certainly teach me to wear hiking boots instead of old sneakers on our next outing.
Tomorrow: a watercolor portrait or a wildflower moment …
Blues in the Woods
Today we drove up into the Angeles Crest National Forest to hear some music at Newcomb’s Ranch Inn … the only restaurant/road house in the vast national forest. Specifically, we drove the 45 minutes or so from our home to hear bluesman Barry “Big B” Brenner. We met Barry several years ago when he played at a restaurant in our town, and since that time we’ve enjoyed his music at sites all over Los Angeles – from a barbecue joint in Monrovia to a cajun restaurant in Toluca Lake to an outdoor concert at a golf course. His rare appearances at Newcomb’s Ranch Inn are worth the drive. Barry has said on numerous occasions that his mission is to introduce people to traditional blues and the blues legends that are the foundation of so much treasured American music. With his 6 string, 12 string and National Resonator guitars, he serves up a rich mixture of delta slides, Piedmont rags and Texas stomps – including numerous original songs. My favorite songs in Barry’s repertoire include “Deep River Blues,” “San Francisco Bay Blues,” and “Step it up and Go,” – but everything he sings is excellent. If you like blues, visit his site at the link above and give a listen … And if you’re in LA, get on his mailing list to find out where he’s appearing.
Barry was taking a set break when we arrived, but when he returned to play, I pulled out my sketchbook and did a painting of some of the pines and chapparal that grow on a hill behind the inn. This time, I didn’t make any attempt at composition, I just painted it like it was … a brilliant cerulean sky with fair weather cumulus, constantly changing light, pine trees clinging to a bare granite cliff, thickets of manzanita and mesquite and clouds of blooming ceanothus. More paintings of spring in our local wilderness will be posted this week.
Blues, sunshine, fresh air, a new watermedia sketchbook recommended by Roz Stendahl, my waterbrush and paints … and my dear husband to take me there and enjoy it with me. I can’t imagine a better start to a 3-day weekend.
Edited to add: I thought you might be interested in seeing what the scene actually looked like. This was a snapshot I took of that hillside. You can barely see the corner of the roof of the building in the foreground. The trees were about 30 yards or so away.
What I found interesting was my perception (above) that I just painted it like it was. I see now that I must have been improvising quite a bit, but I wasn’t really aware that I was.

A Young Lady
As I continue to work with watercolor in my year-long commitment to paint, I occasionally challenge myself to try a portrait, which is considerably more nerve-wracking than drawing plants or even some animals. A branch or twig can be in the wrong place and no one would notice. Put the nose in the wrong place and you might as well start over. Some day soon I’ll try a watercolor portrait from life, after I’ve practiced a bit with photos. This young lady’s photo was offered up for experimentation on wet canvas, and I enjoyed the time I spent with her.
I didn’t take the time to paint the background this time, as my objective was really to experiment with flesh tones and to try to get somewhat of a likeness.
Draw something Mom
I had been thinking of an image to represent motherhood for this weeks “Draw something Mom” prompt when I came upon a beautiful reference photo of a mother swan and two cygnets at Wet Canvas for the Weekend Art Event.
Although this wasn’t a picture that I took, I felt very strongly attracted to it, and it holds a special meaning for me. So, it will be my interpretation of the challenge.
Arty bits: painted on Fabriano Artistico 140 lb. paper, 7″ x 5″. I did a very light pencil drawing first.
Zoo Story – Part 1
On our LA Zoo sketchcrawl on Saturday, I took along a bagful of different art supplies because I wanted to experiment drawing the animals using different tools that seemed appropriate for their textures and coloration. I’m going to be scanning them and posting them throughout the week, so please check back if you’re interested in seeing more. The smooth graphic lines of the zebra seemed to lend themself to ink, and our model posed quietly in the shade for quite a long time. Thank you, zebra – you were the most cooperative subject of the day! I scanned and painted it later in Photoshop – my drawing paper doesn’t lend itself to wash.
Next subject: A mother kangaroo who had recently given birth to a little girl “joey.” Following some of the advice given in David Rankin’s Fast Sketching Techniques I used a dark, soft pencil and brought a stomp to smudge the lines. I think this captures some of the feeling of the soft fur of the mother roo who was taking a much needed rest. That big lump under her tail is where her daughter is napping! After scanning the sketch I added a little Photoshop color from a reference photo so you can see the before and after. Rankin is certainly right, drawing with a smudgeable pencil does allow you to get a faster impression with volume – good for drawing animals that won’t hold still.
If you’re in the So. California area (from Santa Barbara to San Diego to San Bernardino) and you’d like the experience of drawing with a group of friendly art-loving people, drop me a note and I’ll put you on our list so you can find out about upcoming get-togethers.













