Capistrano Fence
I have been posting less than usual the past few days because I’ve been trying to get out of my sketchbook and into bigger paintings. I’m hoping to to enter some in our Verdugo Hills society show and sale in the fall. Maybe I’ll be lucky and they’ll accept some for display. At any rate, this is a studio painting based on my own photo taken in Capistrano during our sketchcrawl earlier this year. I did a value study first and then just started painting it without preliminary drawing. It might have turned out differently (or better) if I had done an under-drawing first, but I tend to like to make things up as I go, solving color and value problems as I confront them. My goal here was to try to capture the quality of late afternoon light in a coastal beach community with a tropical feeling. The big tree is most likely a yucca, not a palm.
Because all monitors are different and a compressed picture isn’t as subtle as the real thing, the shadows are blue-violet but not as intense and dark as they may seem here. If the side of the house looks like a muted turquoise, then you’re probably seeing the hue right. The colors look so much better in person, though.
It’s painted on 140 # watercolor paper, and the image size is x 9.75″ x 13.5″ Matted, it would frame to 16 x 20, which is what I’ll do with it when I take it in to the show in the fall. Comments and feedback are very welcome!
Eucalyptus
Just a quick watercolor sketch of some eucalyptus – two of the 100 species growing in California – imported from Australia in the 1850s. Just as with palm trees, you can hardly look in any direction and not see eucalyptus trees. They are fast growers and were often used as windbreak protection for crops and livestock. Rich in volatile oils they also burn like torches in brush fires, which is why we don’t have any on our property and probably won’t plant any either. Eucalyptuses are aromatic and more than a little messy – they drop leaves, seeds, and peel bark. But their colors are lovely and the foliage comes in many shades of blue, green, gray and even a dusty red when the leaves are new.
The actual size of this study is 6.5″ x 8″ – mixed media – watercolor, brush pen and Winsor and Newton ink. I used mostly cobalt blue, payne’s gray, sap green and burnt sienna.
Road trip
Right now, my dear daughter and friend are on a road trip across the great southwest on her trek to relocate herself for two years at Northwestern’s Kellogg School of Business. Go wildcats! As much as I’d like to have stowed away in the back of her minivan under the featherbed and stereo, I will content myself instead with painting something of the landscape she may be seeing right about now in New Mexico. I painted this last night “alla prima” (all in one sitting) and it will probably take a few days to dry. It’s 9 x 12, oil on canvasboard. I used a limited number of colors – a cad yellow, alizarin crimson, ultramarine blue, thalo blue, white and a little raw sienna. Surprising how many other colors those few colors will make!
This is also my post for the “Inspire Me Thursday” open challenge. My challenge of the year has been to move beyond sketching and journaling into painting. I’ve done a lot of watercolors but this is only my 6th or 7th oil painting. My goal is to paint at least 2 oils a week – more if I can.
Rosarium Two
This watercolor sketch of the Descanso Gardens Rosarium was actually painted about a month ago, at the same time that I was primarily posting daily sketches of Cat Mandu. I knew that we were on borrowed time with her, and I wanted to share her drawings while she was still alive. The flowers will always be there, and so I am posting them now.
This was painted on location at Descanso Gardens at about 10 in the morning. The light is similar to that in Vista del Arroyo a few days ago and Rosarium Haze, only the sky was a bit clearer, so it’s not quite so hazy.
The page is 9 x 12, painted with tube watercolors, a dixie cup and a sable brush. If things go according to plan, I’ll also be making an oil painting from this sketch.
Not Batman’s House
Well this will teach me to repeat something I’ve heard before vetting it through Google. I was told that this shell of a house was the house featured as the Bruce Wayne manor on the late 60s TV series Batman. However, a little searching reveals that Batman’s house was actually down the block and was, in fact, purchased a little while ago by Sir Paul McCartney (and is perfectly intact, thank you very much.) This house was owned by another unfortunate family and it was undergoing renovation when the blaze occurred. Thankfully they were not home, nor had they moved their possessions into it. I do hope they will continue renovating it and will have many happy years there.
I painted this view yesterday, looking across the arroyo in a different direction 90 degrees to the previous view. Although it was done within an hour or so of the other sketch, the color of the sky is decidedly different. The hillside was a jumble of chapparal natives and dry grass, making an interesting patchwork pattern. This sketch, like yesterday’s, is approx 4.5″ x 6″ and painted with a Niji waterbrush and tube paints.
Vista del Arroyo One
It was another hot one today, but under the oaks on the edge of the arroyo it was downright tolerable. Three of us set up our gear facing this sweeping view – the 9th Circuit Court of Appeals is on the right, and the Colorado Street Bridge (Arroyo Seco Bridge) is to the left. The Courthouse has an interesting history, having been originally the site of a boarding house, then a grand hotel which was converted to a veteran’s hospital in the 40s before its present incarnation. It’s a wonderful piece of architecture, and I’d like to paint it again, closer up. Maybe on a cooler day.
In the distance you can see the San Gabriel Mountains. Now, you may not know them by name, but I’m guessing that if you ever watch the Rose Parade on TV, when the camera pans up to those craggy peaks towering over Pasadena, that’s what you see. Today, with incredibly high humidity from a Mexican monsoon (so we’re told) the air was thick with haze which cast the whole scene in a yellowish-pink light and turned the mountains to a bluish mauve. Kind of interesting, really.
This was a half page in my journal sketchbook. Tomorrow I’ll be posting another watercolor sketch, of the famous “Batman house” (Bruce Wayne manor) which burned last year. It’s now a roofless ruin and looks somewhat less than eerie in midsummer midday light. Still, it’s a bit of history and close by. See you tomorrow, same bat blog, same bat site.
Rockrose
It’s stiflingly hot here – today is supposed to be the hottest day of the season so far – and according to today’s radio report it could be 112F. This rockrose, being a native, doesn’t seem to care about the climate. I’m a native, too, but I like air conditioning and copious amounts of cool drinks or I wilt.
Rockroses have crinkly tissue paper thin petals, similar to matilija poppies in the way they look. Those matilijas are also a drought-tolerant native, so I’m guessing that the very thin petals have something to do with water conservation.
Baby elephant walk
At the Wild Animal Park in San Diego we road a tram around a wide open savannah styled area, and at one point passed by the elephant territory where this baby was tossing hay into his mouth. Due to a tram breakdown in front of us we paused for a little while there, but not long enough to get a detailed drawing, so this was drawn later from a photo my husband took for me. I prefer to draw animals from life if they hold still, but that’s just not always possible. Still, I learned something from this experience that will help me the next time I encounter a live elephant and am not passing by at 10 miles an hour.
More often than not these days I’m trying to match the paper and art tool to the subject matter rather than drawing in one journal consistently. That’s why I have so many different books going, I suppose. For example, yesterday’s Hollywood and Highland jazz concert was drawn in a very smooth paper Moleskine with a brush pen. Using a brush pen on coarse recycled paper would have made it difficult to get fine detail. Trying to draw an elephant with charcoal on the “toothless” Moleskine would have been equally challenging. The native palms I posted a few days ago was done in a journal with white paper that accepts wet media. So I always have to remember to date the drawings to provide some sort of chronology. I don’t have one journal, I have a journal group or cluster that move forward like a mooing herd . It’s an odd system, but it works. And the variety of paper and media keeps me challenged and experimenting. And what’s more fun than that?
Descanso Koi
At the end of a great weekend, with everyone safely back home, or en route, I took a few minutes to paint these koi from a photo reference. In real life, they don’t hold still very well. This study will help me draw them when I encounter them again in the gardens.
These koi are from Mulberry Pond at Descanso, where they swim lazily all day in an idyllic setting. The pond got a total makeover this year, complete with a waterfall and other deluxe features like a special ledge that the koi can hide under if herons or raccoons come around. One of the days we were there we saw many small koi, less than an inch long, swimming in the water, proving that the koi are reproducing. Sadly, they will be eaten by the larger fish. If not, the pond would probably become overrun. I would have liked to have saved one of the small fry but I’d probably get caught for poaching. And I’ve never poached anything but a salmon.
This quick sketch is watercolor and colored pencil in my large size Moleskine cachet journal. Now, back to work for me.
