“Descanso Gardens Rose Garden”
(with roses and crepe myrtle)
12 x 16 oil on canvas
This is one of the paintings I’ll be bringing to Descanso Gardens for the opening of my solo exhibition on Nov. 2. The show will hang in the Heritage Gallery in the Boddy House mansion and will continue through January 2, 2012.
My reception will be on Sunday, Nov. 13 from 1-4 pm.
The summer light filters through the trees surrounding the rose garden, and gently touches all of the floral beauty, from crepe myrtles to roses to other perennial plants. I love the look of the late slanting light.
Descanso Gardens Rose Garden (Rosarium) Wedding
16 x 20 oil on canvas
Live event painting
I had the honor of painting this live event at Descanso Gardens for some dear friends who are also collectors of my work. The occasion was the marriage of their daughter to a fine young man. The party was going to be in the evening which presented certain strategic challenges – namely, painting at the time of day that the light was changing the most rapidly. The bride and groom couldn’t be dancing in the dark under the pavilion while the sun was still shining brightly. Nor would it make sense to paint the whole thing in the dark, because then the beautiful garden couldn’t be seen. We decided on a twilight look, and I painted the garden as rapidly as I could right after the ceremony, knowing that I could always paint the sky in later. It was a lovely occasion, and one that I hope they will always remember with romantic notions, whenever they look upon the painting of that day.
Sweet Pea Springtime
(Cottage garden, Pasadena, California)
14 x 11 inches
Oil painting on canvas
I’ve been thinking about painting this subject for several years, since my husband and I were out on a walk in Pasadena and we came upon a scene of a woman cutting sweet peas along the cottage garden path leading to her front door. The location is near S. El Molino Street, or S. Oak Knoll, near Cornell, but I neglected to write down the exact address. I told her I was a painter and asked her permission to take a picture and she pleasantly agreed. I changed the color of her dress from periwinkle blue to white because it contrasted better with the green of the sweet pea vines.
The picture was taken in March when everything was verdant green, and the flowers – snapdragons, pansies, poppies and more – were at peak bloom. I should try to walk the area again some time and see if I recognize the houses and the path.
Although I prefer to do plein air studies as preparation for studio paintings, there are some occasions when a composition just presents itself to you and there you are without an easel, and the light fading fast. This was one of those occasions when I was glad I had a camera with me.