Pasadena spring
A watercolor sketch of a local streetcorner, influenced in part by a recent demo I saw by Joseph Stoddard, who is, himself, a student of Charles Reid. I think I’m going to be leaving the Niji waterbrushes behind for plein-air sketching, or else I’ll be using a lot more water for juicier washes.
Sketchcrawl at the Huntington
It was a spectacular spring day, not too warm, not too cool and all five of us (me, Nancy, Robin, Diann and Wendee) enjoyed the natural beauty of the Huntington for another memorable sketchcrawl. Our first stop was the Shakespeare garden (I’ll be scanning my sketch and posting it tomorrow or the next day) … second was the Japanese garden (this one), which was my favorite location of the day. We wrapped it up in the desert garden where we were joined by Diann’s husband and daughter.
As usual, many people stopped by to see what we were doing throughout the “crawl” and one journal keeper from Orlando showed us some of his watercolors as we compared notes about Niji waterbrushes and other traveling paint brushes.
This sketch was painted in about 45 minutes, give or take a bit. I stopped before painting the tree in the lower right hand corner or the water under the bridge so this is a “not quite finished” work in progress. So if you’re wondering why it looks like I just sort of stopped, it’s because I did. (smile)
I look forward to going back again soon and painting this garden from another vantage point, and to visit several other highlights as well. There’s just too much to take in all in a day. And then there’s the arboretum, too. We really do have a wealth of botanical gardens within a 20 minute drive. And I understand that the Getty’s gardens are overflowing with color, too.
Arty bits: painted in my super aquabee sketchbook with portable palette of tube paints and a Niji waterbrush.
Coffee at The Alcove
What a wonderful day … we started off in the LA Flower Mart at 7 am for a tour with a Descanso Gardens floral arrangement expert (more on that later) … then brunch at Operetta, a French cafe at the Flower Mart … then over to Barnsdall Park to see a show of fine art by Otis art college graduates (a show which ends tomorrow) … then a brief stop at an art supply store which my dear husband called to my attention, ending up at a charming coffee house called The Alcove on Hillhurst, near the Greek Theater, where we sipped cappucinos and I drew this courtyard tree. I drew a few people also but those will have to wait for another scanning session. Because I hadn’t intended to paint today, I took a simple sketchbook with eh paper for note taking and pencil drawing, so the color here had to be added digitally after the drawing was scanned. A 4B pencil was used for the sketching part.
I wish I knew the name of this tree, I’ll have to look it up in the Sunset garden book. Rough striated bark, grayish brown trunk and limbs, very “ordinary” looking leaves, oval, pointed, smooth edges. You see them all over So. Cal. It appears to be a deciduous tree as the leaves look new, bright green and on the small side. This is going to bug me until I figure it out, y’know?
Edited to add
The raw scan out of the sketchbook
I’ve created a grad from green to brown, pulled back the opacity to 50%, and set the grad to multiply
I made a composite of the previous layers and put it on a fresh layer. Then I added new layers and painted some foliage where it made sense. There are three layers of leaves, in varying opacity and color, to suggest volume and depth. I also painted a little color on the trunk.
The tree was a 15-20 min. sketch, the time it took for my husband to stand in line to get coffees while I claimed a table in the crowded courtyard. Photoshopping took about another 10 minutes.
I made the conscious decision not to fit all the tree on the page but to concentrate on the parts that interested me the most, the sinuous trunk and limbs and the textured bark.
I hope you found these additional “work in progress stages” parts interesting
Two guys out for a walk
Seen at a farmer’s market … a man and his lizard. I liked the look of the these two buds, hanging out together, getting some fresh air and a snack. Some days it actually is easy being green.
Return to the teahouse
I am visiting Descanso Gardens several times a week now, weather permitting, just to capture the changing beauty of the season. Day by day the garden seems to change. The rain that nourishes some buds to open washes away others in full flower. It reminds me that beauty is very fleeting and that the time to appreciate it is NOW, not someday. A trip to the garden in May will let me paint sunflowers but not cherry blossoms.
This garden area incorporates the Japanese landscaping principle of “hide and reveal.” You enter the garden through several gates, and as you follow several meandering paths, new vistas appear before you. If you stroll by the garden from the outside, you may glimpse a different view through the camellia shrub hedge, such as this one.
If you were to move yourself 90 degrees to the left, you would see this view – that flowering tree is the same. (Oh, and Go Bruins … onward to the Final Four!)
Hat trick
I’ve been talking to some of my art friends about going to a life drawing session and they made some very good recommendations about using materials I’m familiar with. Usually I draw with either ink or watercolor, unless I’m doing something digital. But neither of those seems well suited to a life drawing class. I think that graphite or charcoal would be best, until I can get around to using paint, but that may take some practice. So I’m going to do some exploring with different media before I attend that first session. I rather like the look and feel of toned paper – it seems a bit easier to create dimension than building it all up with the graphite. I’d really love to do drawings with brush pen, and I guess there’s no reason I couldn’t bring a few different things to try.
Earlier today I saw a neat pencil drawing on toned paper, and I had some “bogus rough sketch” paper on hand to experiment with. I drew this using a 4B water soluble Derwent pencil (then I added some water to slosh it around a bit) and finished up with Prismacolor white pencil and some 4B Derwent graphite pencil. I think I’ll try some figures, too, just to see how it goes. I recall seeing some fantastic figure drawing on toned paper in Drawing magazine … around here somewhere … hmmm …
Oh and UCLA beat Alabama, onward to the Sweet Sixteen. Go Bruins.
Sketchcrawl Downtown #3 – Olvera Street
Click picture to enlarge
Here’s the third and last of my drawings I did last week on the sketchcrawl in downtown LA, and another response to the “draw a local landmark” challenge. With limited time for drawing I opted to spend the time drawing rather than doing washes or painting on location. Today I took some time to figure out how I wanted to handle those washes. As an experiment, I printed out the line drawing on watercolor paper rather than use the flimsier paper in my sketchbook. That also gave me a backup in case my ideas didn’t work – I could just toss the printed version out and print another one. In fact, I might paint one using bright colors instead of this monochrome/sepia scheme which is primarily based on tonal values.
Unlike the Union Station fountain painting, in this experiment I decided I would draw it as it actually was, because I liked the angle and the bustling activity following the morning’s rain. Also, unlike the courtyard painting, I opted for Rapidoliner and wash because I wanted to draw the small details of the shops instead of suggesting dabs of color with the brush. I did take a picture before I left, so I might still try an impressionistic watercolor sketch for comparison. Below is the drawing before painting, if you’re curious. Click to enlarge.
Meet the Beetles – Illo Friday
These beetles are all from the Milwaukee Public Museum collection, which I had the pleasure of seeing last year. I like all kinds of nature topics, even somewhat creepy ones. The designs of nature have inspired artists from the beginning of man’s history; no wonder they still continue to fascinate. Can’t you just see a tapestry fashioned after the back of that blue beetle, or a gossamer gown mimicing those transparent amber wings? I’m not so sure about the horizontal stripes on that little one down in the corner. Vertical would have been much more slenderizing.
And now the burning question … who really is the “fifth” beetle?
More vegetables – tiny eggplants
Another one for the “Draw a Vegetable” Challenge!
I had a terrific dish at a recent potluck and meeting of the Botanical Artists Guild of So. California. The hostess gave out the recipe to everyone present and I filed it away as something I wanted to try. Today, I saw these baby eggplants at the market and decided that I would give it a try. It includes small tender eggplants, italian parsley, diced tomatoes, calamata olives, garlic and some spices – all mixed with the hands and baked in a shallow pan. But like a raccoon who must wash everything before eating it, I often feel compelled to draw or paint it.
This was sketched in my Superdeluxe Aquabee workbook, 9 x 9, 90# weight. I learned some things from it that I’ll take into consideration in doing a real painting. The best thing I learned was which colors to use to get that eggplant color, and I figured out some ways to get the colors to mingle on the wet paper.
Teahouse of the February Morning – TEA for Illo Friday
A watercolor sketch of the teahouse at Descanso Gardens. Kind of. Sort of. I took a lot of liberties with it, as I understand a painter has a right, maybe even an obligation to do.
I might make a painting of this someday. For now, it’s just a study for practice. Did you know that a pivotal scene from Memoirs of a Geisha was filmed here? I didn’t – until a few days ago. Can you spot the koi in the water?
I am also going to call this my first “local landmark” for the Everyday Matters “draw a local landmark” challenge. I have a few others I think I will do also.
Arty notes: 9 x 9 Super Deluxe Aquabee sketchbook, watercolor and some colored pencil for enhancement.
