Time and again I return to this area of the Eastern Sierra where the Mt. Whitney Portal road crosses the Owens Valley and leads up to the trailhead to Mt. Whitney. Many of my collectors have climbed that awesome peak once or more. November brings out a wonderful wildflower show which is worth seeing in person.
This painting was intended to be a centerpiece of spring 2020 shows, before the pandemic got in the way.
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“Colorado Street Bridge with Poppies” 16 x 20 inches, oil on linen panel
Well, I spent a good part of the fall and winter getting ready for spring shows, only to have them all be cancelled due to this terrible pandemic we’re experiencing. But I am still keeping very busy in the studio, and hoping that things will be back to normal for later on in the summer and fall.
In the meantime, I’m enjoying the time to study, explore new subject material and to continue to create without the pressure of pressing deadline.
This new painting features Pasadena’s iconic Colorado Street Bridge from a new (for me) angle, including a bonus of California poppies, which used to grow in profusion in the San Gabriel Valley.
This painting is available now, and we can certainly work out a safe method of purchase if you or someone you know is interested in owning it.
See all of my paintings on my website.
“Season of the Superbloom”
9 x 12 inches, oil painting on linen plein air panel
There’s no doubt, this past springtime, 2019, was one of the best seasons ever for wildflowers in California. At least one of the best in recent memory. There was a time when all of the hills and valleys were covered with these spectacular blooms from north to south.
See more of my paintings on my website.
18 x 24 oil painting on canvas
Early autumn on the June Lake Loop, Highway 395, Eastern Sierra
SOLD … but I have more Sierra paintings at Sierra Paintings
This painting is another in a series exploring the dramatic lighting effects that occur in the later afternoon when clouds form over the Sierra Nevada, casting shafts of light into the Owens Valley below. I love the interplay of warm and cool colors dancing across the near-autumnal landscape. The ever changing patterns create interesting compositional challenges which can best be solved in the studio.
“A perfect poppy day”
9 x 12 inch oil painting on plein air panel
It’s poppy time in the high desert – the Antelope Valley – and this year’s rains mean everything is positively brilliant.
This new painting of California poppies blooming as far as the eye can see also includes touches of lupine, fiddlenecks, and other spring flowers.
My California poppy paintings sell quickly every year, so don’t hesitate if this one calls to you.
For The Glory of the Skies
20 x 24 inches
Oil on canvas
SOLD, private collection
This new painting was inspired by the old hymn “For the Beauty of the Earth,” a song of Thanksgiving I learned as a child. I recalled the second line … “for the glory of the skies” … the moment I saw this scene in California’s Owens Valley, in the shadow of the Sierra Nevada, near the June Lake loop. The time between Thanksgiving and Christmas seemed an apt time to share it for the first time. If you are in Southern California, you are welcome to see the painting in person in my home studio.
9 x 12 inch oil painting
on wood panel
In late winter, California fields and meadows think it’s spring. The first bit of rain brings back the green grass and a scattering of flowers.
I decided to paint this one with a secondary triadic color scheme, ignoring some of the actual color in favor of adding a bit of harmony from a limited palette.
That means, in non art-speak, that I chose to impose a color scheme upon the scene rather than painting exactly what nature gave me. And the color scheme I chose uses not primary colors (red yellow and blue) but the secondary colors they can be mixed to produce – orange, green and violet.
14 x 18 inches, oil on canvas
Anza Borrego State Park, California
Down a dusty desert road and up a canyon in Anza Borrego State Park, we came upon a beautiful scene tucked out of the way. The desert was blooming with color. Although the rain had not been plentiful it was enough to germinate the seeds that brought these flowers. And they were fun to paint …
“Beside Still Waters”
18 x 24 inch oil painting
On the road to Yosemite, through California’s Central Valley
This scene has intrigued me from when I first saw it a few years ago, in the spring. California’s Central Valley was green with a plentitude of winter rain, and the distant Sierra foothills provided a beautiful cool contrast to the warm wildflower covered foreground. The pond, which seemed to be dammed up for cattle grazing, looked so inviting. If it wasn’t on fenced off private property, I would have liked to sit by it and dangle my feet in that cool fresh water. Eucalputus remain among my favorite trees to paint, although they are less plentiful the further you drive to the foothills. Oaks seem to dominate there. The day we were there, the clouds were drifting by constantly, creating beautiful shadows which I took full advantage of.
“Mariposa Meadow – Trabucco Gardens with wildflowers”
9 x 12 inches, oil on plein air panel
When spring comes to the Western Sierra foothills, the meadows light up with color. Goldfields, a small yellow flower, mixes it up with lupine and white popcorn flowers. Valley oaks, now garbed in green, provide a backdrop for the tapestry. This scene was from an area along the Golden Chain Highway, otherwise known as state highway 49, I believe. A nearby sign said “Trabucco Gardens,” so I believe they may be the owner of this spectacular property. This time of year you can set up an easel just about anywhere in California and find beauty to capture.