Seed Fields
Seed Fields – sketchbook page – SOLD
There was no time to paint today, so before I head off to bed I did this quick watercolor sketch of one of the seed growers field that we pass by on our way up the coast to Santa Maria. The agricultural economy is changing and many of the growers now grow for seed (I think these are marigolds) instead of growing cut flowers.
This is another of those abstraction experiments, just playing around with color and shape – and pushing the intensity as far as I could. It’s in my Raffine sketchbook, but is not a full page. I managed to get in some time today for spring cleanup in our yard, so I’m really tuckered out – there was a lot of digging, clipping, ivy removal and weed pulling to do. I’m going to get some sunflower seeds strewn tomorrow so I’ll have material for cutting and painting later in the season.
California Poppies
California poppies – 11 x 15 quarter sheet watercolor
SOLD
Come April, drifts of poppies, our state flower, burst into bloom in everyone’s yard. These cheerful blooms start to close around 4 pm, but in the middle of the day they are glorious.
Art thought of the day
Edgar Payne wrote: ” If the student will adopt the habit of putting much time on the preliminary compositional pencil sketches – the preparation for painting – he will have gained aid that will benefit him for as long as he paints. Additionally, the pleasure derived from doing pencil skteches is second only to that of painting.”
Amen to that!
Dawn Fishing
“Dawn Fishing” – 11 x 15 watercolor – SOLD
After a landscape or two that were quite giddy with fauve color, here’s one in a quieter more contemplative mood. Fishing friends through the years have told me that dawn and twilight are the best times for fishing. Except, of course if there’s a mid-day hatch of damselflies or something else, and then noon to afternoon is best. I think what they were saying is that any time of day is great if you’re in the mood, the conditions are right and the fish are hungry.
Kind of like painting, I think.
A watercolorist friend of mine says that early morning and early evening are the best times because the colors are most intense. The arc of the midday sun washes the colors out – and unless you want that brilliant bleached out look you’ll find better plein airing at “golden hour.”
Today’s art tip comes from an article by Brian Freeman in Artist Magazine: “Artist Dan Goozee’s advice was that you should stop working when you think you’re about 80 percent done. At that point, he said, you’re actually 90 percent done. Stop before you’re finished. Goozee’s words resonated with me. A big part of art is walking away – then coming back and looking at the work with a fresh eye.”
Or as my wc teacher says – every art kit should come with a guy with a hammer – to hit you on the head when you should stop.
California Byway
California Byway – 7″ x 5″ – watercolor
A peaceful country road in the Ojai area, a little northwest of Los Angeles.
There are still agrarian areas, even in Southern California, where the landscape still looks much as it did a hundred years ago (as long as you don’t notice the late model SUVs zipping by.)
When we take road trips we seek out these out of the way places off the beaten path where the late afternoon sun reminds us that it really is a golden state.
Art advice from watercolorist Rex Brandt:
“I advocate the study of other artists’ ways and indeed, I am suspicious of the student or teacher who professes neither knowledge nor concern about the ways of the masters of his field.”
High Desert Ravine
“High Desert Ravine” – watercolor – 8″ x 10″ – available
A roadside stop on the way to Idyllwild provided the inspiration for this watercolor sketch. Sagebrush, crumbing granite and the scruffy native bushes gave me an interesting variety of textures and colors to work with.
Good advice from David Millard on painting:
“Be a doer … don’t just talk about it. Talent is what your mother talks about. Work is what gets you around the bases and score!”
Back Country Creek
“Back Country Creek” – 9 x 12 watercolor on paper
A spring day in a subdued mood!
Wistaria branch
Wistaria Branch – 9 x 12″ on paper
Today’s paintout outing took us to a house in Sierra Madre where the world’s largest Chinese wistaria vine is growing. Sprawling, that is, over two homes. The perfume from the flowers was intoxicating as we painted the vine in all its springtime finery.
This was direct-painted primarily with a large, flat one-inch brush with no preliminary pencil drawing . The tiniest springs and trailing vines were added later with a very thin brush.
I think it has somewhat of an Asian feeling to it, appropriate to a plant that is native to China. What do you think?
Two koi
Two Koi – 8″ x 8″ watercolor on Stonehenge paper
Two little Descanso koi, looking for some fish chow. Look out for the racoons!
At Mulberry Pond at Descanso Gardens, they have created some ledges and shelves out of rock for the koi to hide under. I heard from one of the volunteers that the racoons will actually wade in the water to fish. But apparently they won’t swim into deep areas. Racoons, herons and egrets are a problem for pond owners who treasure their living jewels. To the predators it’s just an easy meal.
California Home 1 – Daily Painting
California Home 1 – 15″ x 11″ watercolor on paper
SOLD
Can you tell I’m in the middle of a very experimental try-anything phase? Well, I am. I absolutely love the California school paintings of the 30s through 50s, as I’ve mentioned here before, so today I thought I’d try something in that style.
Last year, on a trip to Capistrano, I took this picture of a bougainvillea vine climbing over a wall onto what seemed to be a carport or something undefined. I liked the vine but I wanted it to be part of a larger scene – not just a big pink sprawling mass. I might still paint it again in oil or pastel, but that’s another story.
So, today, while letting the Alverno villa color study percolate in the back of my head, I took out my sketchbook and explored some other ways the vine could be part of an imaginary scene. I invented a cottage for the vine to crawl on, and made the fence lower so it could be seen.
This was one of several value sketches I did, mapping out different shapes that I thought might work.
I scanned that drawing and brought it into Photoshop CS, where I experimented with different colors in different layers. To make the fuchsia-red flowers pop I looked for a complement for the cottage roof – a blue-green. I picked analogous colors for the other trees and shrubs in the scene.
When I got it roughly sketched on the paper, I discovered that I had too much room to the right with nothing going on, so I drew in an old clothesline and tucked it behind a hedge because I didn’t want the fence to run full wide right off the page. And … I liked the allusion to an time before labor-saving devices, and the sun and breeze that it implies. I suspect that there are a couple of little kids playing with a floppy-eared dog in that back yard. Don’t you think? That shrubby background became a place to insert a couple of squabbling birds – geese or ducks, your guess.
So there’s the evolution of a California dream from a long-gone era and I hope you found the journey to its completion interesting. I’ll be putting this in my ebay store, tomorrow probably.
Magenta Gold Iris
Magenta Gold Iris – 6.25″ x 9″ watercolor
Another of my iris clan. I’ll have to check the tag to see what the real name of this one is.
