Bishop Creek Oil Painting Miniature Sierra Nevada Fall Color Art by Karen Winters
Bishop Creek Reflections (near Lake Sabrina)
6 x 6 inch oil painting
Sierra Nevada fall color art
SOLD
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When the aspens turn, they are never lovelier than when their color is reflected in a mountain stream, as it is in this view of Bishop Creek, in the Eastern Sierra.
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Yosemite Falls Painting Art – Sierra Nevada landscape by Karen Winters
Yosemite Falls
(waterfall view from Yosemite Valley Floor)
8 x 10 oil painting on linen panel
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My husband and I have been visiting Yosemite since we honeymooned there (a very long time ago) and it never fails to captivate me, no matter the season or the weather. One of my favorite views is that of Yosemite Falls from the valley floor. The water is roaring more than ever this year, with the melting snow waters. With autumn on the way, it won’t be long before these peaks are snow clad again. We were told that many of the trees are going to be removed from the valley floor because their growth is obscuring the geological features that people come to see. I hope they don’t remove too many, though. The stately pines and deciduous trees add to the overall beauty of the park.
Interested in this painting?
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Lone Pine Afternoon – Mt. Whitney Sierra Landscape Oil Painting by Karen Winters
“Lone Pine Afternoon”
(Lone Pine Mountain, Mt. Whitney Portal, Eastern Sierra)
14 x 18 inches oil painting on canvas
As fall approaches, my thoughts turn to the color of the eastern Sierra, one of my favorite places to paint. I’m hoping I’ll get away for more Sierra painting this year, but show commitments might prevent that. We’ll have to play it by ear.
Central California Sierra Foothills Oil Painting “The Hay Barn” by Karen Winters
“The Hay Barn”
6 x 6 inches
Central California Sierra Foothills (western side)
Original Oil painting on plein air panel
SOLD
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While attending a California Art Club paint out in the Sierra foothills a few years ago, I came upon this scene of an old hay barn framed by eucalyptus with wildflower hills in the background. I thought the setting was a perfect representation of some of my favorite California things. Eucalyptus, of course … wildflowers in the hills … and rural agriculture. This small study will be a starting point for a larger painting on the same theme.
Sierra Oil Painting – Sierra Daybreak – Owens Valley. California landscape painting by Karen Winters
Sierra Daybreak
6 x 12 inches
SOLD
Oil on canvas laid on panel
Light peeks over the rim of the White Mountains to the east of Owens Valley, at the base of the Sierras. If you turned and looked westward, you would see Mt. Tom, almost touched by alpenglow. It was cold and clear that November morning. Thankfully I had a hot thermos of coffee with me. It was autumn, and the dry grasses and wildflowers were ruddy looking at sunrise. A perfect complement to the cool blueviolet mountains.
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Interested in this painting?
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High Sierra California landscape ranch painting- Bishop, California
Grazing in Paradise
8 x 10 oil painting
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A herd of cattle grazes peacefully in a region called “Paradise” near Bishop, California, in the shadow of the Eastern Sierra.
If I were a cow I’d think this was a pretty heavenly place to graze, especially in the late afternoon when everything is warm and mellow.
Mt. Whitney Portal Lone Pine painting – Eastern Sierra Nevada Landscape oil painting by Karen Winters
“The Way to Mt. Whitney”
(Lone Pine, Eastern Sierra, Mt. Whitney Portal)
18 x 24 inches
Oil painting on canvas
SOLD
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These days I’ve been completing some of my Sierra paintings that I’ve been working on for awhile. During the holidays things got so busy that I didn’t have the time to bring them to finish.
Interesting facts about Mt. Whitney and the Lone Pine area:
Mt. Whitney (slightly right of center in the painting) is the highest mountain the lowest 48 states, and is the most-climbed peak in the Sierra and one of the most climbed mountains in the US. It is composed of granite and is a “jointed” formation. Looking at Whitney from its east face, a formation known as “The Needles” is directly to the left.
There is little rainfall most of the year, so the eastern slopes reflect that climate. Below there are alpine forests, but at the higher reaches greenery is scarce, dominated by gray granite.
Sierra Light – Mt. Whitney Portal -Lone Pine, Sierra Nevada landscape oil painting
“Sierra Light”
Mt. Whitney Portal, Lone Pine
20 x 24 ” oil painting
Oil on linen
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This is a painting from last fall’s trip to the Sierra. I did some studies on site to capture the light conditions on that day where a storm was moving in … and this was painted in studio from those references. Because the clouds were moving rapidly, occasionally there would be a break where a shaft of light would hit the high desert below. I found that “spotlight” very intriguing.
Mammoth Snowcreek Landscape Oil Painting – California impressionist oil painting snow scene
Snowcreek at Mammoth
6 x 8 inches oil on canvas
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The combination of autumn russets and deep mountain blues at Mammoth was a compelling late fall image to paint. The soft scattering of melting snow brought an interesting texture that reinforced this transitional season. Soon the glittering golds will be gone and all will be covered in a gentle white quilt. I’ll have to return to paint that scene, too.
Willows are blazing with color everywhere there is a stream or creek in the Sierra. The Inyo National Forest is glorious to behold right now.
Lone Pine Plein Air Study – Sierra Landscape painting
Lone Pine (study)
6 x 8 oil on linen panel
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I had hoped for a sunny day when we visited Lone Pine on one of our many Sierra trips last fall. But that time a storm was on its way in, wrapping the majestic peaks in shades of gray. But I was there and I wasn’t about to be discouraged. The muted tones actually added some interesting color that I wouldn’t have had any other way, and provided a soft contrast to the vivid yellow rabbitbrush which blooms that time of year.
I’m working on Sierra studio paintings based on this and other fall studies, and they’ll be posted over the next month or so.
By far the most annoying part of that day’s paint out was the swarm of flies that appeared as soon as I set up. I’m guessing there must have been free range cattle out there at some time – or where did they come from?
