Arroyo Seco Eucalyptus – Pasadena – Daily Oil Painting by Karen Winters
“Arroyo Seco Eucalyptus” 9 x 12 oil on canvas
SOLD
Not too long ago I did a plein air watercolor sketch of this beautiful eucalyptus which stands along one of the pathways in Pasadena’s Arroyo Seco. The morning light was bouncing off of the ground and causing some of the ragged hanging bark to glow with rich warm tones. A smaller shrub was struck by the sunlight and shimmered in pale chartreuse. Although my objective had been to paint the bridge, I couldn’t resist this combination, which I have now turned into an oil painting.
Tomorrow (Sunday, May 11) I will be painting en plein air at the Langham Huntington Hotel in Pasadena (formerly the Ritz Carlton Huntington.) Look for me on the balcony near the Tea Room, enjoying the fresh air and beauty of the grounds. I’m hoping for blue sunny skies – and if they don’t happen, I’ll invent some!
Autumn Glow – Japanese Garden at Huntington Gardens – Daily Painting – Karen Winters
“Autumn Glow”
16 x 20 oil on canvas
The Japanese Garden at the Huntington Library, Gallery and Botanical Gardens – in all its autumn glory. This painting is now being shown at the Chevy Chase Country Club in a special show themed “The Artist Travels.” Some of our paintings are from far away lands and others just evoke the feeling of distant lands. If you’re in Los Angeles, come join us at our reception this Friday, May 9, from 4 to 6 pm.
And speaking of shows, please come say hello May 17-18 at the Sierra Madre Art in the Park event, the weekend after next. I’ll have a lot of new work to show, plus prints and cards as well.
Other local must-sees if you’re in LA.
Visit the John Salminen exhibit at the San Marino Gallery in Pasadena. John is a spectacular watercolorist and his show is a visual feast. Design is his forte, and although his watercolors are very detailed and realistic, somehow they are abstract at the same time. The San Marino Gallery is at 70 N. Raymond Ave.
See the Gold Medal Show of the California Art Club at the Pasadena Museum of California Art. Hundreds of oustanding paintings will be on display daily for another week and a half or so.
Eaton Canyon Swift Water – Karen Winters Watercolor
“Swift Water – Eaton Canyon” SOLD
15 x 22 watercolor on paper
Well, today was the day from computer hell. Once in a very long time my Mac system gets corrupted and I need to reinstall system. However it got balky it now seems resolved. I painted this yesterday but didn’t have time to put any finishing touches on it until I got the puter back in order today. Many thanks to my dear husband for helping with the troubleshooting.
This painting was inspired by the winter and spring rain we had at Eaton Canyon in Altadena (near Pasadena.) Although the water wasn’t deep it was abundant in the wide ravine and fun to paint.
Pink Magnolia painting – Huntington Gardens Art – Karen Winters
Pink Magnolia – Huntington Gardens
16 x 20 oil on canvas
This is another new painting I’m taking to the Huntington for Art Matters (see yesterday’s post for information on the event this coming weekend.
In the spring, the Huntington magnolias are a sight to behold. Their delicacy reminds me of the inside of pink conch shells. They are the very emblem of the new season. My objective in this painting was to focus on one unfolding blossom – a plant portrait, so to speak. By using different edge softness and manipulating color it was my goal to make the bloom look as though it was 3D, breaking through the picture plane, enticing the viewer to draw closer.
One of these days I’m going to have to get a small pink magnolia for our garden. We used to have a huge tree that bore white blossoms, but it died due to an oak fungus that must have been dormant in the soil.
So, magnolias are very dear to my heart. I hope this one will go to another magnolia lover.
Poppy Patch – Pasadena – Karen Winters Daily Painting
“Return to the Poppy Patch” 9 x 12 watercolor
SOLD
It’s another walk around the Arlington street poppy garden, but this time in a more decorative, somewhat abstract mood. I abandoned any attempt to be realistic and considered the landscape as a decorative tapestry, with different colors and textures woven through. With some modifications, this might scale up well into a larger painting. But then I’d have to fight the temptation to put in all sorts of fiddly realistic details. Can’t you just imagine Dorothy, Toto and the gang taking a nap back there between the poppies and the irises? We’re not in Kansas anymore. We’re in Pasadena.
Poppy Garden – sketchbook watercolor
“Poppy Garden” – approx 9 x 12 watercolor
Tuesday afternoon I had the opportunity to join my friend Wendee for some sketching and painting in a nearby garden that is filled with billows of California poppies. Do you detect a seasonal theme here? I didn’t have time for a big painting but I wanted to do a reference sketch that I could take home to use for a larger watercolor or oil painting. It contains just enough information to describe the scene without being too detailed. I can paint the smaller touches from memory. Or leave them out, as the case may be.
Pasadena Arroyo Seco Paintings – new show for Art Night
Arroyo Pond – 11″ x 14″ oil on canvas – Click to enlarge
Under Autumn Skies – 11″ x 14″ oil on canvas – Click to enlarge
SOLD
New California Art Club Show
See more of my arroyo seco paintings here.
Yesterday I got official notification that these two paintings have been accepted into a special exhibition of the California Art Club featuring paintings of the Arroyo Seco area of Pasadena. These paintings are of the northernmost part of the Arroyo, near JPL and Devils Gate Dam, on the border of La Canada Flintridge, my home town.
The show will be hung in the Pasadena Public Library and will open Friday night, March 14 (this Friday) and continue through March 30.
Reception is from 6 to 10 pm and artists will be present to chat with. The show is part of Pasadena’s bi-annual ArtNight – a great event in which all of Pasadena’s many museums and concert venues are open, free, for the evening. Shuttle buses take art lovers around to all the locations so you don’t have to keep driving and parking. More information about ArtNight can be found here.
So, if you’re in LA or especially if you live near Pasadena, you should really get out and enjoy this special evening of art, music and more. And if you get by the Pasadena Library, stop by and say hi.
Earlier that same evening, I’ll be at the Chevy Chase Country Club for the opening of another show featuring paintings of the club, canyon and surrounds. More details about that (and pictures) in a day or two.
Now you know why I’ve been saying I’ve been crazy busy for the past month or so!
Eaton Canyon Stream – Karen Winters Daily Painting
Eaton Canyon Stream – 9 x 12 oil on canvas on board
Eaton Canyon, in Altadena (near Pasadena, California) is running with water this time of year. This painting is of the east side of the riverbed, looking southward.
Beneath the Bridge – Pasadena – Arroyo Seco -Daily Painting
First Prize – “Beneath the Bridge” 5 x 7 inches oil on panel
SOLD to a collector from Pasadena
Yesterday I got the notification that this painting received First Prize in an annual Small Images show competition for the Verdugo Hills Art Association. The show is hanging until late March at the Pasadena Public Library in Pasadena California. It depicts one of the two bridges that span the Arroyo Seco.
Eaton Canyon Trail – Pasadena – Karen Winters Plein Air Daily Painting
Eaton Canyon Trail
8 x 10 oil on canvasboard
A plein air adventure SOLD
Although I had a wonderful time enjoying the company of my art pal Wendee while painting out in nature, today, just about everything that could go wrong, did.
When we got to the location, I discovered that I had left my palette at home. I had brushes and paint but no palette. After rooting around in the trunk of the car I found an empty Fedex envelope that served the purpose.
When you absolutely, positively have to paint.
It was quite breezy out there. So breezy, in fact, that the panel kept flying off the easel and landing on the palette. Yuk. So I ended up holding the painting in one hand (like the palette I didn’t have) instead of on the easel. It worked out ok.
By the time I got this far, the light had changed too much to continue. So I took a picture and finished it at home, in studio. (As above.) Thus ends the tale of lemonade from lemons, and one woman’s determination to enjoy her paintout day, no matter what.
